Revisiting Pointe's Past Cover Stars: Adji Cissoko (August/September 2011)

We revisited some of Pointe's past cover stars for their take on how life—and ballet—has changed.


Adji Cissoko, August/September 2011

Then: Corps de ballet dancer, National Ballet of Canada

Now: Alonzo King LINES Ballet company member

Cissoko, in a teal halter leotard and short black shorts and pointe shoes, leans back in a jaunty pose, smiling on the cover of Pointe, against a tan background with black text.

On being on Pointe's cover: "My Pointe cover was during my first year in the corps at National Ballet of Canada, my first job. I remember feeling super-excited and grateful about the cover, but also a little intimidated. Camera people came during class and I was still so new that I felt a little embarrassed to take that attention away from principals who had been there for years and years. Everyone was very supportive, though."

Cissoko, in a pale sparkly dress and pointe shoes, extends one leg high in the air in a modern position against a gray background.

Adji Cissoko

RJ Muna, Courtesy Alonzo King LINES Ballet

What's changed since then: "When I joined LINES Ballet in 2014, I went from a 70-person company to a 12-person company, and LINES is more contemporary. We work with more choreographers that set pieces on us, so we're actually part of the creation process. Things started to open up for me. I never knew before that dancers could express what they feel or want to say. Worldwide, things have expanded for dancers. We're not as narrow-minded anymore, in many aspects—including skin color. Black dancers are more supported. There are black and brown pointe shoes, which may seem like a little thing, but as a whole, dance has expanded, and I think that's great to see."

Advice for dancers: "Don't be scared to talk to your director and ask questions. After three years at NBoC, I felt stuck trying to be like everyone else when I clearly wasn't. I was the tallest and I'm so long and quite different. I talked to my director Karen Kain and she agreed, explaining that most of the time she didn't feel like the rep was a fit for me. It was actually her idea for me to audition for LINES. When Alonzo offered me the job midway through the season, she was really excited for me. But it could have gone many different ways. I could have just stayed at NBoC not knowing, still waiting for something to happen. By asking questions, we get answers that will help us make decisions for ourselves and our careers."

Latest Posts


Complexions Contemporary Ballet's Tatiana Melendez Proves There's No One Way to Have a Ballet Career

This is Pointe's Fall 2020 cover story. Click here to purchase this issue.

Talk to anyone about rising contemporary ballerina Tatiana Melendez, and one word is bound to come up repeatedly: "Fierce." And fair enough, that's a perfectly apt way to describe the 20-year-old's stage presence, her technical prowess and her determination to succeed. But don't make the mistake of assuming that fierceness is Melendez's only (or even her most noteworthy) quality. At the core of her dancing is a beautiful versatility. She's just as much at ease when etching pure classical lines as she is when boldly throwing herself off-balance.

"Selfish choreographer that I am, I want Tatiana to stay with Complexions for all time," says her boss Dwight Rhoden, Complexions Contemporary Ballet's co-artistic director and resident choreographer. "She has a theatricality about her: When the music comes on, she gets swept away." Not too shabby for someone who thought just a few years ago that maybe ballet wasn't for her.

Keep reading SHOW LESS
iStock

Ask Amy: My Parents Want Me to Get a Job and Cut Back on Dance Classes

I am thinking about pursuing a career in ballet. However, my parents have made it clear that at some point they want me to get a job, which they acknowledge would mean possibly dropping dance, or at least not taking as many classes. I agree that getting a job is important so that I'm able to make my own money, but dropping dance classes is the exact opposite of what will get me to where I want to be. Any suggestions? —Kaia

Keep reading SHOW LESS
Laurent Liotardo (post-production by Nik Pate), Courtesy ENB

Catch English National Ballet’s Rising Stars in the Emerging Dancer Competition Livestream

The coronavirus pandemic may have postponed English National Ballet's annual Emerging Dancer competition last spring, but the show must go on—digitally! You can still watch ENB's best and brightest talent during the competition's livestream, taking place on September 22 at 7:20 pm BST (that's 2:20 pm ET). Now in its 11th year, the competition for the Emerging Dancer Award will be broadcast live from the company's East London production studio for the first time. Tickets are available for $6.99 per device and will remain available to view on demand until September 29.

Keep reading SHOW LESS

Editors' Picks