Studio to Street

ABT's Zhong-Jing Fang on Her Classic Studio Style and Growing Hat Collection

Photo by Kyle Froman

For Zhong-Jing Fang, being an artist extends beyond the studio or stage. "Being a ballerina is such a creative thing, and that gives me permission to be creative in my own life," says the American Ballet Theatre corps member, who's known for her collection of whimsical hats. She discovered her love of hats a few years ago while recovering from an ankle injury, when she came across a shop full of them. "I used to go there and try different hats on and the designer would tell me, 'This hat was inspired by Audrey Hepburn,' or 'This was inspired by Liza Minnelli,' " she says. "It gave me an idea that hats can capture some spirits." She enjoys the process of browsing vintage stores and boutiques and crafting her own outfits.

In rehearsal, Fang's look varies depending on her mood and the repertoire, but she especially loves practice tutus, leotards with lace and mesh detailing, and French brands like Chacott. "I want to look classic and clean because ballet is such a sculpting art—everything is about lines and sculptures," she says. In or out of the studio, fashion is an opportunity to show her individuality. "I think it's very encouraging for ballerinas to think outside of their box," she says. "It's so inspiring because everyone has different style."


Photo by Kyle Froman

The Details—Street
Top from Beacon's Closet: "It's a popular secondhand store. The one I usually go to is next to The New School, where there are a lot of young designers. You find very interesting pieces."
Topshop skirt: "They have beautiful clothing—very fashionable but at a very reasonable price."
Vintage hat: "Hats have so much character and personality. As an artist, I love seeing different hats."

Photo by Kyle Froman

The Details—Studio
Wear Moi leotard: "There's nothing like a classic black leotard. It's almost like wearing Coco Chanel."
Tutu: "I adore practice tutus," Fang says. She found this one at ABT, where it was left behind by past ballerinas.
Gaynor Minden pointe shoes: "They're very comfortable and secure for me. When I'm danc- ing, I don't have to worry." Fang typically puts her pointe shoes on after barre.

Show Comments ()
Trending
Rachel Hutsell Photographed for Pointe by Jayme Thornton.

This is Pointe's June/July 2018 Cover Story. You can subscribe to the magazine here, or click here to purchase this issue.

"I'm very cautious by nature," Rachel Hutsell says over herbal tea at Lincoln Center between rehearsals. You wouldn't think so from the way she moves onstage or in the studio. In fact, one of the most noticeable characteristics of Hutsell's dancing is boldness, a result of the intelligence and intention with which she executes each step. (What she calls caution is closer to what most people see as preparedness.) She doesn't approximate—she moves simply and fully, with total confidence. That quality hasn't gone unnoticed.

Keep reading... Show less
popular

Looking for your next audition shoe? Shot at and in collaboration with Broadway Dance Center, Só Dança has launched a new collection of shoes working with some pretty famous faces of the musical theater world! Offered in two different styles and either 2.5" or 3" heels, top industry professionals are loving how versatile and supportive these shoes are! Pro tip: The heel is centered under the body so you can feel confident and stable!

Ballet Stars
Jacques d'Amboise and Adrian Danchig-Waring in conversation at the National Dance Institute. Photo Courtesy NDI.

"Jerry, throughout his life, wanted a world where races, cultures and people came together without conflict and hate and anger, but lovingly, to make a community." These words were spoken earlier this week by Jacques d'Amboise at an event titled Upper West Side Story: A Celebration of Jerome Robbins, hosted by National Dance Institute, which d'Amboise founded in 1976 to provide free arts education to children in New York City and beyond. D'Amboise then reiterated his point by quietly singing the famous refrain from West Side Story, which Robbins choreographed and directed for both screen and stage: "There's a place for us."

Keep reading... Show less
Editors' List: The Goods
Courtesy Soffe, Dicsount Dance Supply, Danskin. LeaMarie leotard photographed by Jayme Thornton

Considering we practically live in our dance clothes, there's really no such thing as having too many leotards, tights or leggings (no matter what our mom or friends say!). That's why we treat every sale as an opportunity to stock up. And thanks to the holiday weekend, you can shop all of your dancewear go-tos or try something totally new for as much as 50% less than the usual price.

Here are the eight sales we're most excited about—from online options to in-store retailers that will help you find the perfect fit. Happy Memorial Day (and shopping)!

Keep reading... Show less
News
Joffrey Ballet dancers Christine Rocas and Dylan Gutierrez in "Giselle." Photo Courtesy Spring to Dance Festival.

For the first time since its inception 11 years ago, Dance St. Louis' annual Emerson Spring to Dance Festival — May 25 and 26 at the University of Missouri–St. Louis' Touhill Performing Arts Center — will be curated by someone other than festival founder Michael Utoff. That job fell to newly hired programming consultant Terence Marling.

Hailed as "arguably the best dance buffet in the Midwest" by the Chicago Tribune, the popular festival is known for championing lesser-known regional dance artists and companies. It will retain that focus under Marling, along with representation by more familiar names such as Houston Ballet, Joffrey Ballet and Marling's former company, Hubbard Street Dance Chicago.

Keep reading... Show less
Ballet Stars

La Fille Mal Gardée, or in English "The Wayward Daughter," is one of the oldest story ballets still in modern repertoire. The tale's enduring magic lies in themes of youth, following your heart and true love, along with playful bits of entertainment, like the clog dance and ribbon pas de deux. As Lise, Russian-born ballerina Valentina Kozlova captures the character's spirited innocence. Dancing alongside her as her beloved Colas is Chris Jensen, star of Switzerland's Basel Ballet. This clip of their ribbon pas de deux from Basel Ballet's 1986 film is as lighthearted and charming as it is technically brilliant.

Keep reading... Show less
Ballet Training
Thinkstock

I'm 15 and want to be a professional ballet dancer. I have ballet five times a week, contemporary once a week and rehearsals year-round. It is 15 to 20 hours a week. When I hear about dancers doing 30-plus hours a week, I worry that I dance too little. Is my schedule enough? —Caroline

Keep reading... Show less

Sponsored

Videos

Sponsored

mailbox

Get Pointe Magazine in your inbox

Sponsored

Win It!