Gemma Bond in the studio with ABT's Cassandra Trenary. Jim Lafferty.

ABT's Fall Season To Celebrate Herman Cornejo, Includes World Premieres by Twyla Tharp and Gemma Bond

If, like us, you're already mourning the end of American Ballet Theatre's marathon Met season, don't fear. The company just announced the lineup for its fall season, and there's a lot to look forward to.

Running October 16-27 at Lincoln Center's David H. Koch Theater, ABT's fall lineup includes world premieres by choreographers Twyla Tharp and Gemma Bond. While Tharp has been creating for ABT since 1976 (the company's Met season included a trio of her works), corps dancer Gemma Bond will be making her choreographic debut for ABT's main company. The season also shines a spotlight on principal Herman Cornejo, who will be celebrating his 20th anniversary with the company.


Tharp's ballet will have its premiere at ABT's October 16 Fall Gala, sharing a program with Jessica Lang's Let Me Sing Forevermore (in its New York premiere) and George Balanchine's Theme and Variations, as well as a performance by students of ABT's Jacqueline Kennedy Onassis School. Tharp's new work, her 17th for ABT, will be set to Johannes Brahms' String Quintet No. 2 in G Major, Op. 111 and will feature Cornejo. It will be given five additional performances throughout the season.

In recent years, Bond has created works for companies including The Washington Ballet, Atlanta Ballet and ABT's Studio Company, and has received a 2017 Princess Grace Choreography Fellowship among other awards. She's been a member of ABT's corp de ballet since 2008, making it all the more exciting to see her home company giving her this major opportunity. Her ballet will have its premiere on October 23, with three additional performances throughout the season. It will be set to Benjamin Britten's Suite on English Folk Tunes, with costumes by Sylvie Rood.

Herman Cornejo in La Bayadère

Gene Schiavone, Courtesy ABT

October 26 will mark a special all-Cornejo program, celebrating his long tenure with the company. He's slated to dance in works by Tharp and Balanchine. This diverse season will also feature revivals of Balanchine's Apollo and Clark Tippet's Some Assembly Required, as well as the return of Alexei Ratmansky's The Seasons, Lang's Garden Blue, Tharp's Deuce Coupe and Michelle Dorrance's Dream within a Dream (deferred).

Latest Posts


Getty Images

What's Ahead for Ballet Companies in the Age of COVID-19?

Let's be frank: No one knows what's ahead for the performing arts in the U.S. With COVID-19 forcing the cancellation of nearly a year of performances so far, including many Nutcrackers, ballet companies face a daunting path ahead with no roadmap for how to survive. While schools can offer classes online or in small groups, what does the future hold for companies when it's not safe to gather large audiences or corps de ballet?

"We are in for a very hard set of months," says Michael M. Kaiser, chairman of the DeVos Institute of Arts Management at the University of Maryland. "Nothing will change until there's a vaccine."

Pointe set out to find out what the new normal looks like while the virus is with us.

Keep reading SHOW LESS

#TBT: Sylvie Guillem and Éric Vu-An in "Mouvement, Rythme, Étude" (1985)

Sylvie Guillem and Éric Vu-An, two former leading dancers with the Paris Opéra Ballet, were both muses to Maurice Béjart. The boundary-pushing choreographer created several roles for each of them throughout their careers, including the 1985 duet "Mouvement, Rythme, Étude," when Guillem was just 20-years old and Vu-An just 21. In this excerpt from the ballet, the pair juxtapose technical brilliance and finesse with Béjart's playfully absurd post-modern movement.

Keep reading SHOW LESS
Christopher Duggan, Courtesy Boston Ballet

Tips for Fitting into a Company Setting When You’re in the Junior Ranks

Landing a spot as a second company member or trainee is thrilling—your dream is starting to come true! While you'll still be training intensely, you'll also have opportunities to perform in company productions and take company class. But the newness of professional life can also be nerve-racking. To learn the ropes quickly, you'll need to know what will be expected of you, both in the studio and in your interactions with other dancers and staff. A few simple tips can keep you from making common missteps.

Keep reading SHOW LESS

Editors' Picks