From left: ABT principals Devon Teuscher, Christine Shevchenko and Gillian Murphy isn Praedicere. Photo by Marty Sohl, Courtesy ABT.

American Ballet Theatre's Fall Season Brings Women’s Movement into Focus

Last spring American Ballet Theatre artistic director Kevin McKenzie announced the company's Women's Movement, a multi-year initiative to support the creation of new work by female choreographers. ABT's fall season, running October 17–28 at Lincoln Center's David H. Koch Theater, sets the project in full swing. The opening gala features a world premiere by tap extraordinaire Michelle Dorrance. A co-commission with the Vail Dance Festival, this work marks ABT's third collaboration with Dorrance this year: She created Praedicere, a pièce d'occasion for ABT's spring gala, as well as a work on company dancers at Vail last summer. The gala performance also includes past and present works by two female choreographers: Twyla Tharp's 1986 In The Upper Room and Lauren Lovette's 2017 Le Jeune, which will be danced by the ABT Studio Company.



On October 19, choreographer Jessica Lang presents a world premiere showcasing costumes and sets by abstract artist Sarah Crowner. "I am proud to be a part of this initiative," says Lang in a statement on the Women's Movement. "If we can ignite all imaginations and find creative potential, we can move from possible to probable that the future will have equality and be rich with inventive ideas and engaging art."

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Vikki Sloviter

Sydney Dolan Takes Center Stage at Pennsylvania Ballet

This is Pointe's Summer 2020 cover story. You can subscribe to the magazine here, or click here to purchase this issue.

Just days before the world shuttered under the strain of the coronavirus pandemic, and the curtain came down indefinitely on dance companies everywhere, Pennsylvania Ballet soloist Sydney Dolan debuted Gamzatti in La Bayadère with captivating ease. Her jumps soared, her technique was sound, and her cheeky smile paired with exquisite port de bras was beguiling. Though she didn't know the company would soon cancel the remainder of its season, her beautiful performance acted as a kind of send-off into the unknown.

Dolan's career could be described in one word: charmed. At just 19 years old, she's flown through the ranks at PAB, debuted a long list of roles, won a Princess Grace Award and been named one of Dance Magazine's "25 to Watch." Yet it's her challenges that have shaped not only her training but her outlook, giving her a solid foundation for becoming one of Pennsylvania Ballet's rising stars.

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VAM/Siggul, Courtesy YAGP

YAGP Has Announced the Winners of the 2020 Pas De Deux Virtual Competition

Last weekend, Youth America Grand Prix took to the internet, hosting its first virtual pas de deux competition. Over the course of three days, YAGP streamed videos from its regional events' highest-ranked competitors for a panel of esteemed judges. And, drum roll please... YAGP has just announced the winners, spanning three categories: Senior Classical, Junior Classical and Contemporary.

You can watch the full virtual awards ceremony, hosted by YAGP director of external affairs Sergey Gordeev, below, or scroll down for the list of winners. And if you're missing the thrill of competition, don't fear: Gordeev announced that registration for the 2021 season will open on July 10, with both in-person and virtual options available.

Congratulations to all!

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Rosalie O'Connor, Courtesy ABT

Defining and Refining Musicality: How to Tune In and Develop Your Artistic Voice

Ask a hundred people what musicality is, and you're likely to get a hundred different answers. "Musicality is where an artist's personality shines brightest," says Smuin Contemporary Ballet member Ben Needham-Wood. For American Ballet Theatre soloist Skylar Brandt, "it's what distinguishes one dancer from another. It helps me express myself more vividly and emotionally."

Teachers encourage it, directors seek it out and dancers who possess it bring choreography to life in compelling ways. But what exactly is musicality, and how can dancers get more of it?

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