Since joining American Ballet Theatre as a soloist in 2008, Russian-born Daniil Simkin has become a fixture in the New York City dance scene. In addition to performing leading roles with ABT in everything from Giselle to Whipped Cream, Simkin has also spearheaded his own side projects like 2015's INTENSIO and, most recently, his Falls the Shadow at the Guggenheim Museum's rotunda.


But Simkin has just announced that he'll be calling Germany home in fall of 2018, when he will officially join Staatsballett Berlin for the company's 2018–19 season. Simkin's new role coincides with the start of the company's new directors, Sasha Waltz and Johannes Öhman, an announcement which caused a ton of backlash when it was decided upon last fall.

With Simkin's international fame, we're not totally surprised by the move, but we are pleased to see that he won't entirely be leaving NYC. In a press release from ABT, both Simkin and ABT's artistic director Kevin McKenzie stated that Simkin will continue to perform with ABT (schedule permitting).

On his future with Staatsballett, Simkin said, "Having grown up in Germany, I am looking forward to returning with everything that ABT has taught me and to joining Staatsballett Berlin under the directorship of Sasha Waltz and Johannes Öhman...But as of now, I am just very excited for the Fall season to begin and cannot wait for another great year at ABT!"

Given Simkin's use of technology in his dance works, he's bound to keep us updated on his next adventure via social media. But in the meantime, we'll use this as an excuse to catch as many shows as possible in the upcoming season with ABT.

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A Letter from the Editor in Chief

Hi Everyone,

These are challenging times. The social distancing measures brought about by COVID-19 has likely meant that your regular ballet training has been interrupted, while your performances, competitions—even auditions—have been cancelled. You may be feeling anxious about what the future holds, not only for you but for the dance industry. And that's perfectly understandable.

As you adjust to taking virtual ballet class from your living rooms, we here at Pointe are adjusting to working remotely from our living rooms. We've had to get a little creative, especially as we put our Summer Issue together, but like you we're taking full advantage of modern technology. Sure, it's a little inconvenient sometimes, but we're finding our groove.

And we know that you will, too. We've been utterly inspired by how the dance community has rallied together, from ballet stars giving online classes to companies streaming their performances to the flood of artist resources popping up. We've loved watching you dance from your kitchens. And we want to help keep this spirit alive. That's why Pointe and all of our Dance Media sister publications are working nonstop to produce and cross-post stories to help you navigate this crisis. We're all in this together.

We also want to hear from you! Send us a message on social media, or email me directly at abrandt@dancemedia.com. Tell us how you're doing, send us your ideas and show us your dance moves. Let the collective love we share for our beloved art form spark the light at the end of the tunnel—we will come out the other side soon enough.

Best wishes,

Amy

Bethany Kirby, Courtesy Tulsa Ballet

Ballet Company Costume Departments Jump Into Action, Sewing Masks for Coronavirus Aid

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