Following principal dancer Diana Vishneva's final bow with American Ballet Theatre and the news that principal Veronika Part's contract would not be renewed for another season, we were anxiously awaiting ABT's promotions for the 2017-2018 season. Ending our suspense, ABT's artistic director Kevin McKenzie officially announced that there would be three new female principals—Sarah Lane, Christine Shevchenko and Devon Teuscher—as well as one new male soloist, Calvin Royal III.


We couldn't be happier to see Lane's name leading the list, especially after such an amazing season. Having danced as a soloist with ABT since 2007, Lane premiered title roles in Giselle, Swan Lake and Alexei Ratmansky's new story ballet, Whipped Cream this past spring.

Shevchenko and Teuscher, who have been soloists since 2014, also had standout seasons. Schevchenko made her debut as Kitri in Don Quixote in May and Teuscher impressed in her debut as Odette/Odile in Swan Lake.

Devon Teuscher in Giselle. Photo: Gene Schiavone

Royal has been a member of the corps since 2011, and was named one of Dance Magazine's 25 to Watch in 2014. He's been featured in soloist roles for several years, including a standout in Ratmansky's Serenade after Plato's Symposium.

With the promotions taking effect on September 1, 2017, we can't wait to see these dancers take on new roles and reprise some of our favorites, too.

The Conversation
News
Gene Schiavone, Courtesy ABT

Wonder what's going on in ballet this week? We've rounded up some highlights.

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The Royal Ballet's Vadim Muntagirov and Marianela Nuñez in La Bayadère. Photo by Bill Cooper, Courtesy ROH.

Do you ever wish you could teleport to London and casually stroll into The Royal Opera House to see some of the world's best-loved ballets? Well, we have a solution for you: The Royal Ballet's 2018-19 cinema season.

Whether live or recorded, the seven ballet programs listed below, streaming now through next October, will deliver all of the magic that The Royal Ballet has to offer straight to your local movie theater. Can you smell the popcorn already?

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Ballet Careers
Jolie Rose Lombardo performing at ADC | IBC prior to her diagnosis. Richard Finkelstein, Courtesy Stephanie Lombardo

It was mid-January when 15-year-old Jolie Rose Lombardo first noticed the leg pain. A scholarship student at the John Cranko Schule in Stuttgart, Germany, the Florida native felt fine dancing through full days of classes and completing her regular school schedule. It was only at night that what appeared to be sciatic pain would shoot down her right leg when she tried to lie down, making resting difficult. After a few sleepless nights, spent mostly standing up, she went to the doctor for an X-ray, followed by an MRI.

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Summer Intensive Survival
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It is easy to feel as though the entire ballet year revolves around summer: more hours in the day for dance, and another summer intensive to add to your resumé. You've likely dreamt about which program you want to attend, traveled to auditions and gotten excited about the new challenges in a big city school. But what if you find yourself staying home?

It can feel heartbreaking to watch your peers take off for their intensives. Whether you're staying home by choice or because of injury or finances, you can still improve and have fun at your local studio. Unlike those headed off to big intensives, you have flexibility and money on your side. Jody Skye Schissler, owner of Skye Ballet Center in Herndon, Virginia, encourages dancers to start by asking, "How can you make your summer more focused on yourself and what you need for your future?" Here are tips for making the most of your time at home.

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