Following principal dancer Diana Vishneva's final bow with American Ballet Theatre and the news that principal Veronika Part's contract would not be renewed for another season, we were anxiously awaiting ABT's promotions for the 2017-2018 season. Ending our suspense, ABT's artistic director Kevin McKenzie officially announced that there would be three new female principals—Sarah Lane, Christine Shevchenko and Devon Teuscher—as well as one new male soloist, Calvin Royal III.


We couldn't be happier to see Lane's name leading the list, especially after such an amazing season. Having danced as a soloist with ABT since 2007, Lane premiered title roles in Giselle, Swan Lake and Alexei Ratmansky's new story ballet, Whipped Cream this past spring.

Shevchenko and Teuscher, who have been soloists since 2014, also had standout seasons. Schevchenko made her debut as Kitri in Don Quixote in May and Teuscher impressed in her debut as Odette/Odile in Swan Lake.

Devon Teuscher in Giselle. Photo: Gene Schiavone

Royal has been a member of the corps since 2011, and was named one of Dance Magazine's 25 to Watch in 2014. He's been featured in soloist roles for several years, including a standout in Ratmansky's Serenade after Plato's Symposium.

With the promotions taking effect on September 1, 2017, we can't wait to see these dancers take on new roles and reprise some of our favorites, too.

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Master pointe shoe fitter Josephine Lee of the California-based ThePointeShop catches up with Moscow-based Russian State Ballet Theater dancer Matisse Love to hear all of her pointe shoe hacks, particularly her tips for pancaking. Before joining Russian State Ballet Theater, Love, a Los Angeles native, graduated from the Bolshoi Ballet Academy and had a recurring role on the TV show Bunheads.

The Royal Ballet's Vadim Muntagirov and Marianela Nuñez in La Bayadère. Photo by Bill Cooper, Courtesy ROH.

Do you ever wish you could teleport to London and casually stroll into The Royal Opera House to see some of the world's best-loved ballets? Well, we have a solution for you: The Royal Ballet's 2018-19 cinema season.

Whether live or recorded, the seven ballet programs listed below, streaming now through next October, will deliver all of the magic that The Royal Ballet has to offer straight to your local movie theater. Can you smell the popcorn already?

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Pacific Northwest Ballet principals Rachel Foster and Jonathan Porretta took their final curtain call on June 9, 2019. Photo by Lindsay Thomas, Courtesy PNB

We all know dance careers are temporary. But this season, it feels like we're saying goodbye to more stars than usual.

Many have turned to social media to share their last curtain calls, thoughts on what it feels like to say farewell to performing, and insights into the ways that dancing has made them who they are. After years of dedicating your life to the studio and stage, the decision to stop dancing is always an emotional one. Each dancer handles it in their own way—whether that means cheekily admitting to having an existential crisis, or simply leaving with no regrets about what you did for love.

We will miss these dancers' performances, but can't wait to see what awaits each in their next chapters.

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Ballet Stars
Houston Ballet's Yuriko Kajiya and Linnar Looris in "The Merry Widow." Photo by Amitava Sarkar, Courtesy of Houston Ballet.

With Houston Ballet's Sunday performance of Marie, the company bade farewell not only to its spring season, but to two of its most beloved leading men: principal Jared Matthews and first soloist Linnar Looris each took their final bows on the Wortham Theater Center stage. Both men will travel soon to Estonia, where they will work together to lead the Estonian National Ballet, with Looris serving as the company's artistic director and Matthews as the assistant to the artistic director.

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