Following principal dancer Diana Vishneva's final bow with American Ballet Theatre and the news that principal Veronika Part's contract would not be renewed for another season, we were anxiously awaiting ABT's promotions for the 2017-2018 season. Ending our suspense, ABT's artistic director Kevin McKenzie officially announced that there would be three new female principals—Sarah Lane, Christine Shevchenko and Devon Teuscher—as well as one new male soloist, Calvin Royal III.


We couldn't be happier to see Lane's name leading the list, especially after such an amazing season. Having danced as a soloist with ABT since 2007, Lane premiered title roles in Giselle, Swan Lake and Alexei Ratmansky's new story ballet, Whipped Cream this past spring.

Shevchenko and Teuscher, who have been soloists since 2014, also had standout seasons. Schevchenko made her debut as Kitri in Don Quixote in May and Teuscher impressed in her debut as Odette/Odile in Swan Lake.

Devon Teuscher in Giselle. Photo: Gene Schiavone

Royal has been a member of the corps since 2011, and was named one of Dance Magazine's 25 to Watch in 2014. He's been featured in soloist roles for several years, including a standout in Ratmansky's Serenade after Plato's Symposium.

With the promotions taking effect on September 1, 2017, we can't wait to see these dancers take on new roles and reprise some of our favorites, too.

Viral Videos

Josephine Lee of the California-based ThePointeShop gives pointe shoe fitting tips for what she calls "octopus feet"; feet that slide down and fit into whatever shoes they're in.

Keep reading... Show less
Francisco Estevez, Courtesy Colorado Ballet Academy

When you're looking for a ballet program to take you to the next level, there are a lot of factors to consider. While it's tempting to look for the biggest name that will accept you, the savvy dancer knows that successful training has more to do with the attention and opportunities you'll get.

We put together a few of the most important things for dancers to look for in a summer or year-round training program, with the help of the experts at Colorado Ballet Academy:

Keep reading... Show less
Larke Johnson in rehearsal. Courtesy The Joffrey Ballet

Marie and Franz have a new guest at their Christmas Eve party this year. Emma Lookatch and Larke Johnson, both dancers in the Adaptive Dance Program at Joffrey Academy of Dance: Official School of The Joffrey Ballet, are alternating in the new role of Worker Girl. It is a permanent part created specifically for students with disabilities in Christopher Wheeldon's version of The Nutcracker at The Joffrey Ballet.

Keep reading... Show less
Rosalie O'Connor, Courtesy US Prix de Ballet

The US Prix de Ballet is taking an unconventional approach to the ballet competition—by putting the competitors' health first. After a successful first year in 2018, the Prix is returning to San Diego, CA this February with an even more comprehensive lineup of wellness workshops and master classes, in addition, of course, to the high-level competition.

Though the talent is top-notch, the environment is friendly, says HARID Conservatory faculty member Victoria Schneider, who serves on US Prix de Ballet's elite panel of judges. "The wellbeing of the dancer is the main focus," says Schneider, who awarded three scholarships to HARID at last year's competition.

US Prix de Ballet was born after its founders traveled to the Japan Grand Prix International Ballet Competition in 2016. "The company ran every aspect of the competition with professionalism, dignity, honor and precision," says founder Neisha Hernandez. "We knew we wanted this level of experience for America."

Keep reading... Show less