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Ava Rikki, Courtesy Mondesire

I'll Never Forget My First Pair of Flesh-Tone Tights

I remember when I encountered the color cinnamon. Such warmth and comfort instantly saturated my soul. It was the summer of 2015, a time I will never forget, and I was trying on my first pair of flesh-tone tights. The band fit perfectly on my waist with such a calm gentleness. They were tights that looked like me—not ballet pink, the color that many were taught could be the only one in the ballet world. It was me, all the way from my head to my toes. No breaks, perfect continuity.

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Courtesy Dani Hernandez, REDO U Media Design

Creating Your First Website: Pro Tips for Making a Striking Online Impression

Before COVID, having an active social media presence may have been enough to supplement your in-person efforts of auditioning, taking class and planting yourself in your local dance community. Now that most auditions are virtual and online submissions have been on the rise, it takes more to stand out. "Art is going to continue, but it will look different," says Rebecca Herrin, ballet instructor at the University of Oklahoma School of Dance, who advises her students on how to be competitive in the industry. "So many dancers are doing the same thing, and it's important to get your work to rise to the top."

To be competitive as the industry adapts and evolves, a professional website is the online presence you'll need to help you stand apart from all the chatter. Here are the basics to get you started.
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Serghei Gherciu, Courtesy Bayerisches Staatsballett

Osiel Gouneo on His Cuban Roots, His Favorite Roles and His Grandfather's Powerful Life Lesson

In Pointe's Fall 2020 issue, Bayerisches Staatsballett principal Osiel Guneo talked to us about his career, life as a new dad and what he misses most about his home country of Cuba.


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Are You Rethinking a Dance Career Due to COVID-19? Read This Advice First

Olivia Duran started ballet when she was 3 years old, and it was love at first plié. From there, "I just kept going," she recently recalled over the phone, "and that was that!" Soon, she found herself at Elmhurst Ballet School, the prestigious training program affiliated with England's Birmingham Royal Ballet. She completed the school's full eight years of coursework, but as she neared the professional world, Duran felt more drawn to life as a cruise performer than as a traditional ballerina. Her final year was marked by audition circuits in London, which eventually landed her a contract with MSC Cruises.

After graduation in 2019, Duran returned home to Hampshire, UK, for a few short months to wait for the contract to begin—but with the onset of COVID-19, cruise ships stopped sailing and the job never came to fruition. Her stay at home became far more indefinite, and she was left to consider a life without dance at its center.

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Peter Mueller, Courtesy Cincinnati Ballet

2020 Stars of the Corps: 10 Dancers Making Strides In and Out of the Spotlight

The corps de ballet make up the backbone of every company. In our Fall 2020 issue, we highlighted 10 ensemble standouts to keep your eye on. Click on their names to learn more!

Dara Holmes, Joffrey Ballet

A male dancer catches a female dancer in his right arm as she wraps her left arm around his shoulder and executes a high arabesque on pointe. Both wear white costumes and dance in front of a blue backdrop onstage.

Dara Holmes and Edson Barbosa in Myles Thatcher's Body of Your Dreams

Cheryl Mann, Courtesy Joffrey Ballet

Wanyue Qiao, American Ballet Theatre

Wearing a powder blue tutu, cropped light yellow top and feather tiara, Wanyue Qiao does a piqu\u00e9 retir\u00e9 on pointe on her left leg and pulls her right arm in towards her.

Wanyue Qiao as an Odalisque in Konstantin Sergeyev's Le Corsaire

Gene Schiavone, Courtesy ABT

Joshua Guillemot-Rodgerson, Houston Ballet

Three male dancers in tight-fitting, multicolored costumes stand in positions of ascending height from left to right. All extend their right arms out in front of them.

Joshua Guillemot-Rodgerson (far right) with Saul Newport and Austen Acevedo in Oliver Halkowich's Following

Amitava Sarkar, Courtesy Houston Ballet

Leah McFadden, Colorado Ballet

Wearing a white pixie wig and a short light-pink tunic costume, a female ballet dancer poses in attitude front on pointe with her left arm bent across her ribs and her right hand held below her chin.

Leah McFadden as Amour in Colorado Ballet's production of Don Quixote

Mike Watson, Courtesy Colorado Ballet

Maria Coelho, Tulsa Ballet

Maria Coelho and Sasha Chernjavsky in Andy Blankenbuehler's Remember Our Song

Kate Lubar, Courtesy Tulsa Ballet

Alexander Reneff-Olson, San Francisco Ballet

A ballerina in a black feathered tutu stands triumphantly in sous-sus, holding the hand of a male dancer in a dark cloak with feathers underneath who raises his left hand in the air.

Alexander Reneff-Olson (right) as Von Rothbart with San Francisco Ballet principal Yuan Yuan Tan in Swan Lake

Erik Tomasson, Courtesy SFB

India Bradley, New York City Ballet

Wearing a blue dance dress with rhinestone embellishments and a sparkly tiara, India Bradley finishes a move with her arms out to the side and hands slightly flexed.

India Bradley practices backstage before a performance of Balanchine's Tschaikovsky Piano Concerto No. 2.

Erin Baiano, Courtesy NYCB

Bella Ureta, Cincinnati Ballet

Wearing a white dress with pink corset, Bella Ureta does a first arabesque on pointe in front of an onstage stone wall.

Bella Ureta performs the Act I Pas de Trois in Kirk Peterson's Swan Lake

Hiromi Platt, Courtesy Cincinnati Ballet

Alejándro Gonzales, Oklahoma City Ballet

Dressed in a green bell-boy costume and hat, Alejandro Gonz\u00e1lez does a saut\u00e9 with his left leg in retir\u00e9 and his arms in a long diagonal from right to left. Other dancers in late 19-century period costumes watch him around the stage.

Alejandro González in Michael Pink's Dracula at Oklahoma City Ballet.

Kate Luber, Courtesy Oklahoma City Ballet

Nina Fernandes, Miami City Ballet

Wearing a long white tutu and crown, Nina Fernandes does a saut de chat in front of a wintery backdrop as snow falls from the top of the stage.

Nina Fernandes in George Balanchine's The Nutcracker

Alexander Iziliaev, Courtesy Miami City Ballet