Master pointe shoe fitter Josephine Lee of the California-based ThePointeShop is back with advice on vamp length. She explains how to figure out the right vamp length for you based on the dimensions of your foot, and the advantages and disadvantages of different vamp lengths. Plus, some tricks of the trade regarding lambswool toe pads.
A white tulle dress, time travel, the Eiffel Tower at night... these elements come together in Until Midnight, a new dance film by Christopher Alexander of Zen Film Works. This eight-minute long vignette opens with Louise (played by Louise Schirmer), a former ballerina now living alone in old age. Through the delivery of a mysterious letter and a wristwatch from her past, she returns briefly to her youthful self, danced by former Washington Ballet dancer Brittany Cavaco. In a Cinderella-like twist, Louise has until midnight to find her beloved Jean Pierre (Sebastien Thill, former dancer with Paris Opera Ballet and Hamburg Ballet) for one last dance. According to Cavaco, all of the movement was improvised, created by herself and Alexander in each location.
"People have so much fear associated with arabesque turns," says Peter Boal, artistic director of Pacific Northwest Ballet. Here, he shares images and ideas to help you confidently master this advanced pirouette. "It's a real accomplishment when you can put it all together."
Hollywood may have the Oscars, but ballet has the Prix de Benois de la Danse. Held every spring at Moscow's Bolshoi Theater, the prestigious international awards ceremony recognizes dancers, choreographers, composers and designers for their extraordinary work on and off the stage. This year's laureates, chosen by a jury, were announced during an awards ceremony last night, followed by a star-studded gala featuring many of the nominated artists.
American Ballet Theatre principal James Whiteside is known for more than just his uber-charismatic presence on the ballet stage; He doubles as both the drag queen Ühu Betch and the pop star JbDubs. Whiteside's newest musical release, titled WTF, came out last week, and is for sure his most ballet-filled song to date. Both the lyrics and the choreography are jam-packed with bunhead references, from the Rose Adagio to Haglund's Heel to a framed portrait of George Balanchine. Not to mention the fact that he and his four backup dancers (Matthew Poppe, Douane Gosa, Maxfield Haynes and Gianni Goffredo) absolutely kill it in pointe shoes.
Crystal Serrano never envisioned someday joining Dance Theatre of Harlem, the company founded by Arthur Mitchell to show the beauty and uplift of classical ballet on dancers of all colors. Her career began with Sacramento Ballet, which she joined after one year in Pacific Northwest Ballet School's Professional Division, but her time there was cut short by illness. After recovering, she felt so worn down that she left dancing behind and enrolled at the University of Washington. But she soon realized she'd made a mistake. "I thought, what am I doing?" she recalls. "I had to dance." With a fresh perspective and renewed determination, Serrano took an apprenticeship with Oregon Ballet Theatre before landing a job with Ballet San Antonio, where she soon rose to soloist.
Do you have a "Strictly Ballet"–sized hole in your heart? Good news: There's an upcoming docuseries, "On Pointe," that just might fill it.
The School of American Ballet is teaming up with Imagine Documentaries and DCTV for the project. Though it's not yet clear where "On Pointe" will air, we do know that it'll follow talented SAB students preparing for professional ballet careers—much as Teen Vogue's popular "Strictly Ballet" web series did back in the day. But "On Pointe" marks the first time documentary filmmakers have been allowed access to the school, and it sounds like it'll paint an even more complete picture of the dancers' lives inside and outside the studio.
After 20 years with the National Ballet of Canada, principal Heather Ogden has her dance bag essentials down to a science. "My bag is usually pretty heavy," she says. "I always like to be prepared." And as a mother of two, organization is key. Ogden keeps her Lululemon bag in order by storing like items in small pouches. "When you need something, you don't want to take forever," she says. "I like to be able to see everything easily."
If you don't recognize Gabriel Figueredo's name yet, it's only a matter of time. Not only did the 18-year-old win the Grand Prix Award at the 2019 Youth America Grand Prix New York Finals, but he took second place at the 2019 Prix de Lausanne. For Figueredo, returning to YAGP this year was like a comeback tour; He won the Youth Grand Prix Award in 2013. The Brazilian-born dancer is long and lithe, but exhibits careful control while onstage. His extreme flexibility and extension are matched by a penchant for turning; his Instagram account is filled with videos from the studio.
This year marks Alexei Ratmansky's 10th anniversary as artist in residence of American Ballet Theatre.
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On May 18, 1919, Margot "Peggy" Hookham was born. She would grow up to become Dame Margot Fonteyn, England's homegrown prima ballerina. She joined the Sadler's Wells School in 1934 and was performing principal roles with the precursor to The Royal Ballet the next year. Fonteyn was a company-defining figure, dancing Aurora for the re-opening of the Royal Opera House after World War II, creating numerous roles with Sir Frederick Ashton and forging a legendary partnership with Rudolf Nureyev.
From his home in Abidjan, Ivory Coast, an eight-year-old boy named Yos Clark discovered ballet from the film Un, Dos, Tres, and began teaching himself to dance through videos. A teacher in France saw photos of Yos dancing online, and taught him over Skype because the studio in Abidjan was too long of a commute for him to train there on a regular basis. Apparently, the lessons paid off; last year, Yos received a scholarship to continue his training in Warrington, England.
Dancers like Clark are what propel former Dutch National Ballet principal Casey Herd recently; since leaving the company three years ago, Herd has become determined to shed light on the lesser-known stories of dancers making it around the world. Now, he and his friend and colleague Chris Weisler are creating a documentary project called Ballet Rising. Together they have been transversing the globe, searching for people embracing ballet. (Since the series is still in development, a premiere date is TBA.) Between stops, Pointe touched base with Herd over the phone to learn about the project, where his travels have taken him so far, and what his hopes are for the future of global ballet.
If you're making your weekend plans, you may want to clear your calendar for Sunday and check your local movie listings. On May 19, Fathom Events, in partnership with Pathé Live and By Experience, is broadcasting the Bolshoi Ballet's performance of Carmen Suite and Petrushka throughout cinemas nationwide. The program will be captured live the same day from Moscow, and feature some of the Bolshoi's biggest stars.
Hong Kong Ballet is celebrating its 40th anniversary in style. Today, the company released the new phase of its yearlong ad campaign, which includes the below film, a Wes Anderson-esque romp through the city fusing ballet with pop culture, filled with ferry boats, pom pom-wielding grannies and dim sum served in hot pink containers.
The Soviet Union redefined standards in classical ballet in the 1960s, producing opulent story ballets and dancers with refined, yet daring technique. Dancers like Natalia Makarova and Valery Panov, who were among the leading performers with the Kirov Ballet (now the Mariinsky) at that time, were at the pinnacle of the art form. In this 1964 film of the Kirov's The Sleeping Beauty, Makarova and Panov dance together as Princess Florine and the Bluebird. Despite the nostalgic trappings of the soundstage dance film, their strength and intention in this pas de deux make for a timeless performance.
Natalia Makarova as Princess Florine and Valery Panov as the Bluebird ('Sleeping Beauty' 1964) www.youtube.com
"New York City Ballet star appears in a Keanu Reeves action movie" is not a sentence we ever thought we'd write. But moviegoers seeing John Wick: Chapter 3 – Parabellum will be treated to two scenes featuring soloist Unity Phelan dancing choreography by colleague Tiler Peck. The guns-blazing popcorn flick cast Phelan as a ballerina who also happens to be training to become an elite assassin. Opens in theaters May 17.
Like so many little girls, I grew up watching the "four little swans" dance. It always pops up on your YouTube feed if you're a dancer, so I saw lots of different versions. I figured I fit the type—I'm short and like to do petit allégro—so to do it was definitely on my wish list as a professional.
Because everyone's coordination is different, I knew getting four girls to dance in such perfect unison would take a lot of rehearsal. Our ballet mistress, Louise Lester, had us practice the dance in chunks: First we'd walk through each section to synchronize our head movements and get our timing perfect, and then we'd run each part multiple times for stamina. We'd have hour-long rehearsals for a one-minute dance!
What does Mikhail Baryshnikov have to say to dancers starting their careers today? On Friday, he gave the keynote speech during the graduation ceremony for the inaugural class of the USC Glorya Kaufman School of Dance.
The heart of his message: Be generous.
Whether she's working in the studio with Richmond Ballet or on her fashion blog, Felix & Flora, Lauren Archer's sartorial motto is "Fearless, feminine fashion." Archer's interest in fashion began when she was a little girl, and it took off two years ago when she began sharing her day-to-day looks on Instagram (@felixandflora). "I started my blog for fun, but I've been really passionate about creating new looks, finding new inspiration and reaching a new demographic," Archer says. "I want to encourage people to wear what they like and be less conscious of what others might think—at the end of the day, it's just an outfit."
Pennsylvania Ballet announced next season's roster yesterday, and it includes 20—yes, 20—promotions. How, you ask? Artistic director Angel Corella has updated the ranking system, adding demi-soloist and first soloist levels to the mix. PAB now joins a handful of other U.S. companies, including Miami City Ballet, Houston Ballet, Ballet West and Tulsa Ballet, that have adopted a more European-style, multi-tiered ranking system. So while four PAB apprentices have been promoted to the corps, an abundance of corps and soloist dancers have also risen up a notch (or two).
It's that time of year again: recital season! Memories will be made, including some hilarious ones. (Does it even count as a recital if something funny doesn't happen?) We asked four pros to share their most humorous recital memories from their student days, from costume malfunctions to onstage bloopers.
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Alexei Ratmansky's Whipped Cream, which American Ballet Theatre debuted in 2017, tells the story of a young boy who eats too many sweets, falls into a delirium, and is rescued by Princess Praline, who brings him to a world inhabited by fantastical confectionary characters. Last week the chefs at New York's Serendipity 3, the famous Upper East Side eatery best known for its frozen hot chocolate, tried their hand at bringing Ratmansky's ballet to life (or at least to the table). The result is Whipped Cream - The Sundae, available to diners from May 7-July 13.
On the morning of May 1, Miriam Barbosa posted a photo of her daughter, Itzkan, on Facebook. The image itself is striking—Itzkan stands smiling on pointe in front of Miami City Ballet, where she has spent the last year as a pre-professional student, perched atop a mountain of old pointe shoes of all different sizes. But it's the story behind the picture that's inspired so many people to comment their congratulations and appreciation. The photo contains every single one of Itzkan's pointe shoes, from her very first pair up until the moment she got her first professional contract as a corps member with MCB last month. The image not only calls attention to the hard work and dedication necessary for young dancers to achieve their dreams, but to the sacrifices parents make to help them get there.