News
Ma Cong in the studio with Tulsa Ballet. Courtesy Tulsa Ballet.

Without him we wouldn't have The Nutcracker, Swan Lake or Sleeping Beauty. But how much do you know about Pytor Ilyich Tchaikovsky, the man behind classical ballet's most recognizable music? Did you know that the Russian composer hid his homosexuality for much of his life? He also struggled with depression; there's been speculation that his death in 1893 was in fact a suicide.

Tulsa Ballet resident choreographer Ma Cong dramatically recounts his life in a new full-length ballet titled Tchaikovsky: The Man Behind the Music, premiering March 29-31. If you think a story ballet about the most renowned composer of story ballets set to, yes, a Tchaikovsky score, is a bit meta, you wouldn't be wrong. But considering the renewed importance of LGBTQ rights in society, it's a ballet perfectly timed to our era. In Russia, censorship still asserts that Tchaikovsky was not gay. The subject also calls to mind backlash surrounding an LGBTQ-themed work at Louisville Ballet just last month.

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The Royal Ballet's Vadim Muntagirov and Marianela Nuñez in La Bayadère. Photo by Bill Cooper, Courtesy ROH.

Do you ever wish you could teleport to London and casually stroll into The Royal Opera House to see some of the world's best-loved ballets? Well, we have a solution for you: The Royal Ballet's 2018-19 cinema season.

Whether live or recorded, the seven ballet programs listed below, streaming now through next October, will deliver all of the magic that The Royal Ballet has to offer straight to your local movie theater. Can you smell the popcorn already?

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News
Jovani Furlan in George Balanchine's Walpurgisnacht Ballet. Daniel Azoulay, Courtesy NYCB.

New York City Ballet announced on Facebook earlier this week that current Miami City Ballet principal Jovani Furlan will be joining the company as a soloist this fall. Furlan, a native of Joinville, Brazil, left Brazil's Bolshoi Theater School in 2011 to train at the MCB School; he joined the company as an apprentice in 2012 and has quickly made his way through the ranks.

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Rochelle Mendoza-Axle, Courtesy Stiskin

In today's dance world, versatility is key. It's not enough to be a master of one style—even when they specialize in one area, dancers are frequently asked to fuse multiple genres, or step out of their comfort zone for specific projects. With their wide variety of summer programs, Joffrey Ballet School aims to prepare dancers for the demands of a professional career. We asked five faculty members to share how they do this:

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Quinn Wharton

If everyone seems a bit obsessed with tidying up right now, blame the trendy Japanese organizing guru Marie Kondo. Her uber-popular book-turned-Netflix-show has so many people purging their closets that thrift stores can no longer keep up with the donations. The reason? Fans are falling in love with what Kondo calls "the life-changing magic of tidying up."

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Viral Videos
Tamara Rojo in "La Bayadère," via YouTube.

Tamara Rojo joined the elite, though thankfully growing, roster of female ballet company directors seven years ago when she took the helm at English National Ballet. Since then she's managed the even more uncommon feat of continuing to perform as a leading principal dancer for ENB while directing the company. Rojo began her remarkable career in her home country of Spain, but at 22 years old she left for the UK, dancing with Scottish National Ballet, ENB, and then The Royal Ballet, where she spent 12 years as a principal and earned international acclaim for her assured technique and passionate stage presence. Her performances, like this 2009 La Bayadère, show an artist truly in command of her craft.


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Ballet Careers
Cathryn Lavery via Unsplash

Some days, your to-do list might seem like it's a mile long: On top of your dance commitments, do you really have time to sew new pointe shoes, squeeze in cross-training, tweak your resumé for audition season, meal-prep and clean your apartment? Trying to stuff too many things into one day can only leave you frustrated when every item doesn't get crossed off.

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Ballet Stars
Melika Dez, Courtesy LINES Ballet

No matter where her career has taken her, Ashley Mayeux has never strayed too far from her first love, ballet. Even while dancing for Alvin Ailey American Dance Theater, Mayeux would try to fit in ballet class as often as possible. After two seasons with the modern company, she decided to audition for Alonzo King LINES Ballet, despite not feeling entirely prepared. "Somehow it came back to me and was pretty natural," says Mayeux. Natural enough that she landed the job and, in 2018, moved across the country to restart her contemporary ballet career.

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Courtesy Nutmeg

Congratulations! You've made it through audition season and have decided which summer intensive to attend. (Don't worry if you're not there yet—that day is just around the corner.) We asked faculty from The Nutmeg Ballet Conservatory what to do in the months leading up to your intensive so you can get the most out of it:

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News
Justin Peck rehearsing his new ballet, Reflections, with Houston Ballet. Lawrence Knox, Courtesy Houston Ballet.

Wonder what's going on in ballet this week? We've rounded up some highlights.

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Ballet Careers
ASFB in rehearsal with director Tom Mossbrucker. Jessica Moore, Courtesy ASFB.

In 1996, Aspen Santa Fe Ballet artistic director Tom Mossbrucker was a veteran Joffrey Ballet dancer with no aspirations to direct a company. But while visiting a Colorado music festival with his partner, Jean-Philippe Malaty, also a dancer, a chance encounter changed his mind. "We met Bebe Schweppe, who ran a ballet school in Aspen but always dreamt that the city could have its own resident company," Mossbrucker recalls. "We thought she was crazy and said, 'Good luck with that!' But she thought we were the ones who could do it." After a few weeks of discussion, the pair moved to Colorado and a company was born.

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Ballet Stars
Pacific Northwest Ballet's Seth Orza and Noelani Pantastico in Balanchine's "Stravinsky Violin Concerto." Angela Sterling, Courtesy PNB.

It's rare for a professional ballet career to extend two decades or more. But there are indeed dancers who've been gracing the studio and stage for that long—learning, adapting and growing along the way. Today, Pacific Northwest Ballet's Noelani Pantastico, National Ballet of Canada's Guillaume Côté and Ballet Memphis's Crystal Brothers reveal what physically, artistically and emotionally sustains their careers.

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A still from Girl. Courtesy Netflix

Before she watched her life play out on screen, transgender dancer Nora Monsecour never felt she could truly connect with a character in a film.

And though Girl—which was released on Netflix today after being highly awarded at the Cannes Film Festival last year—isn't a biography, "the essence of the story is the same," says Monsecour. "A trans girl with a big dream, finding the strength to pursue this career. It was very emotional to watch. It's very strange when you recognize yourself so closely."

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News
Rudolf Nureyev. Courtesy Spotlight Cinema Networks.

What's better than one film about Rudolf Nureyev? Two films about Rudolf Nureyev!

We're excited to share that a feature-length documentary titled Nureyev is slated to make its North American premiere next month. Nureyev will be shown in major U.S. cities starting April 19, giving you just enough time time to brush up on your Nureyev history before the Ralph Fiennes directed biopic, The White Crow, hits U.S. theaters on April 26.

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Health & Body
Emily Giacalone, modeled by Nicole Kennedy of Marymount Manhattan College

We get it: Ballet is exhausting, and sometimes all you want to do during a quick break between rehearsals is, well, nothing. Bill Evans, director of the Evans Somatic Dance Institute, recommends the following options, which are both relaxing and recuperative for the stresses dance puts on your body. From energizing restorative poses to deep breathing, here are five ways to make your downtime work for you.

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Ballet Stars
Quinn Wharton

The Joffrey Ballet's Jeraldine Mendoza is a minimalist. This is evident from her well-organized sewing kit to her slim Goyard wallet, which she bought in Paris while on tour with the company last summer. "I never carry cash; all that's in there is my ID and my credit cards," she says. She keeps her wallet, phone and keys in her red Kenzo bucket bag, and her pointe shoes and other dancewear and accessories in her Baggu duffel. "I like things in order," she says. "Knowing where everything is is a priority for me."

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Paula Lobo, Courtesy Matt Ross PR

It was only a matter of time before dance super couple Sara Mearns and Joshua Bergasse did a major project together.

After all, the newlyweds first met when Mearns, a New York City Ballet star, was being considered for a part on the TV show "Smash," which Bergasse was choreographing. They hit it off, but the role ended up getting cut.

Fast-forward to today, and they're working on their first full-length musical together: I Married an Angel, which opens next week as part of New York City Center's Encores! season, with Bergasse as choreographer and Mearns as the star.

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News
New York Theatre Ballet in Richard Alston's The Seasons. Richard Termine, Courtesy NYTB.

Wonder what's going on in ballet this week? We've pulled together some highlights.

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Ballet Training
Getty Images

I'm in my second year as a trainee. I like the company, but it's hard to tell if the director sees a place for me here long-term. I don't want to waste my time hoping for a contract that may never come. Any advice? —Eryn

Don't pin all your hopes on one company. A traineeship is a very vulnerable position, and the director is under no obligation to hire you. Several times I've seen young dancers, even those who've been verbally promised a job, end up empty handed. Budgets change, sometimes causing rosters to shrink, or directors hire an outside dancer instead of promoting from within. I'm not trying to scare you—I just want to encourage you to protect yourself and be proactive about your future.

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Trending
Nitting (in orange tights) in The Wizard of Oz, her first performance with Kansas City Ballet. Bruce Pruitt & East Market Studios, Courtesy KCB.

Courtney Nitting started her first season with Kansas City Ballet last fall with the normal rituals of company life: headshots for the website, ordering her customized pointe shoes and claiming a spot at the barre. Each of these simple things was a "pinch me" moment she thought might never come.

"I still can't believe it," says Nitting. "I'm in a company for real."

It took Nitting, 21, more than three years of auditions to get a company contract. Her talent and passion brought her close to her dreams several times: Prestigious companies expressed interest but not job offers, and a year in a second company didn't produce a contract. Still, she never stopped trying, enduring about 200 auditions, with $9,000 in related expenses.

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Ballet Stars

Alessandra Ferri and Mikhail Baryshnikov are two dancers whose physicality and artistic prowess truly pushed ballet to a new level. Their careers have spanned decades and continents, making them icons of the ballet world. In the late 1980s both dancers were working at American Ballet Theatre, Ferri as a principal dancer and Baryshnikov as artistic director and performer, when they co-starred in the 1987 film Dancers, a drama centered around a ballet company that included a staged production of Giselle. This clip from the film shows Ferri and Baryshnikov as Giselle and Albrecht in the last moments of the ballet, highlighting their dramatic chops with up-close camera angles.

Alessandra Ferri and Mikhail Baryshnikov - Last dance of Giselle and Albrecht www.youtube.com

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Ballet Stars
Chelsy Meiss in rehearsal for Alice's Adventures in Wonderland. Spring Morris, Courtesy National Ballet of Canada.

When Christopher Wheeldon's celebrated Alice's Adventures in Wonderland returns to National Ballet of Canada's stage this week, there will be one big change. First soloist Chelsy Meiss will dance the role of the quirky, tapping Mad Hatter, the first time ever that a female dancer has stepped into the part. "Chelsy is one the most versatile dancers in the company," says artistic director Karen Kain. "The Mad Hatter role is the perfect vehicle to showcase her acting ability, enthusiasm and tap dancing technique." For Wheeldon, this decision came at just the right time. "In the current climate, where the boundaries of gender in ballet are being explored, the option to have Chelsy as The Mad Hatter became a relevant discussion," he says.

We caught up with Meiss to hear all about what it feels like to take on this groundbreaking role.

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