National Ballet of Canada's Jordana Daumec in William Forsythe's The Second Detail

Cylla von Tiedemann, Courtesy NBoC

Onstage This Week: Ballet Across America, Joffrey World Premiere, Tharp Trio at ABT, and More!

Wonder what's going on in ballet this week? We've rounded up some highlights.


Dance Theatre of Harlem and Miami City Ballet Join Forces at the Kennedy Center for Ballet Across America

The Kennedy Center's fifth annual Ballet Across America festival runs from May 28-June 2, and it shines a spotlight on women's creativity and leadership by presenting two female-led companies: Dance Theatre of Harlem and Miami City Ballet. May 28-30, audiences can see DTH in George Balanchine's Valse Fantasie, Dianne McIntyre's Change, Claudia Schreier's Passage and Geoffrey Holder's Dougla. June 1-2, MCB presents Balanchine's Walpurgisnacht Ballet, Sir Kenneth MacMillan's Carousel Pas de Deux, the jointly choreographed Brahms/Handel by Jerome Robbins and Twyla Tharp, and Justin Peck's Heatscape. On May 31 the companies come together for a shared program; dancers from both ensembles present the world premiere of Pam Tanowitz's Gustave Le Grey No. 1 to a score by Caroline Shaw.

The Joffrey Ballet's Collaboration With the Chicago Symphony Orchestra Includes a World Premiere

May 30-June 1, The Joffrey Ballet collaborates with the Chicago Symphony Orchestra on a program titled Stravinsky & The Joffrey Ballet. The dancers will perform two works to music by Igor Stravinsky: Christopher Wheeldon's Commedia to his Pulcinella Suite and the world premiere of Stephanie Martinez's Bliss!, set to Dumbarton Oaks Concerto. The Symphony will also play works by Gioachino Rossini and Maurice Ravel. Above, CSO conductor Matthias Pintscher and Joffrey artistic director Ashley Wheater discuss Stravinsky's role in the ballet canon.

ABT's Twyla Tharp Trio Features the Company Premiere of "Deuce Coupe" 

After three weeks dedicated to Alexei Ratmansky's oeuvre, American Ballet Theatre's Metropolitan Opera House season changes course with Tharp Trio. This program, running May 30-June 3, features three diverse Twyla Tharp ballets: The Brahms-Haydn Variations, Deuce Coupe and In The Upper Room. Deuce Coupe, set to music by The Beach Boys, will be a company premiere; it debuted in 1973 with dancers from the Joffrey Ballet and Twyla Tharp Dance. Above, Tharp shares what it's been like to work with three generations of ABT dancers.

National Ballet of Canada's All Forsythe Program Includes Two Company Premieres 

June 1-8 marks National Ballet of Canada's Physical Thinking program, celebrating the work of William Forsythe. The lineup includes The Vertiginous Thrill of Exactitude and Approximate Sonata 2016 (both company premieres), and The Second Detail. The above trailer, featuring second soloist Kathryn Hosier, is a fresh reminder of Forsythe's boundary-stretching style.

"A Midsummer Night's Dream" Takes the Stage at NYCB and Milwaukee Ballet

William Shakespeare's A Midsummer Night's Dream has long been a source of creative fodder for artists of all mediums. This week, two Midsummer ballets, both to Felix Mendelssohn's beloved score, hit the stage.

  • New York City Ballet closes out its spring season with a run of George Balanchine's A Midsummer Night's Dream May 28-June 2. Above, Tiler Peck discusses dancing the ballet's Divertissement pas de deux.
  • May 30-June 2, Milwaukee Ballet closes out its 2018/19 season with its version, choreographed by Bruce Wells.

"The Merry Widow" Returns to Houston Ballet

May 31-June 9, Houston Ballet brings back British choreographer Ronald Hynd's The Merry Widow. This luscious ballet, set to a score by Franz Lehár, is based on Lehár's famous 1905 operetta about a secret romance taking place in the upper echelons of society. Above, Houston Ballet dancers talk about why they love this production.

PNB's Presents a Mixed Bill of Audience Favorites 

Pacific Northwest Ballet presents its final mixed bill of the season May 31-June 9. The program includes a a trio of classics—George Balanchine's Theme and Variations and Tarantella and Jose Limón's The Moor's Pavane—as well as a new favorite, company dancer Price Suddarth's Signature. PNB's Kyle Davis and Angelica Generosa discuss Tarantella in the above video.

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Peter Mueller, Courtesy Cincinnati Ballet

2020 Stars of the Corps: 10 Dancers Making Strides In and Out of the Spotlight

The corps de ballet make up the backbone of every company. In our Fall 2020 issue, we highlighted 10 ensemble standouts to keep your eye on. Click on their names to learn more!

Dara Holmes, Joffrey Ballet

A male dancer catches a female dancer in his right arm as she wraps her left arm around his shoulder and executes a high arabesque on pointe. Both wear white costumes and dance in front of a blue backdrop onstage.

Dara Holmes and Edson Barbosa in Myles Thatcher's Body of Your Dreams

Cheryl Mann, Courtesy Joffrey Ballet

Wanyue Qiao, American Ballet Theatre

Wearing a powder blue tutu, cropped light yellow top and feather tiara, Wanyue Qiao does a piqu\u00e9 retir\u00e9 on pointe on her left leg and pulls her right arm in towards her.

Wanyue Qiao as an Odalisque in Konstantin Sergeyev's Le Corsaire

Gene Schiavone, Courtesy ABT

Joshua Guillemot-Rodgerson, Houston Ballet

Three male dancers in tight-fitting, multicolored costumes stand in positions of ascending height from left to right. All extend their right arms out in front of them.

Joshua Guillemot-Rodgerson (far right) with Saul Newport and Austen Acevedo in Oliver Halkowich's Following

Amitava Sarkar, Courtesy Houston Ballet

Leah McFadden, Colorado Ballet

Wearing a white pixie wig and a short light-pink tunic costume, a female ballet dancer poses in attitude front on pointe with her left arm bent across her ribs and her right hand held below her chin.

Leah McFadden as Amour in Colorado Ballet's production of Don Quixote

Mike Watson, Courtesy Colorado Ballet

Maria Coelho, Tulsa Ballet

Maria Coelho and Sasha Chernjavsky in Andy Blankenbuehler's Remember Our Song

Kate Lubar, Courtesy Tulsa Ballet

Alexander Reneff-Olson, San Francisco Ballet

A ballerina in a black feathered tutu stands triumphantly in sous-sus, holding the hand of a male dancer in a dark cloak with feathers underneath who raises his left hand in the air.

Alexander Reneff-Olson (right) as Von Rothbart with San Francisco Ballet principal Yuan Yuan Tan in Swan Lake

Erik Tomasson, Courtesy SFB

India Bradley, New York City Ballet

Wearing a blue dance dress with rhinestone embellishments and a sparkly tiara, India Bradley finishes a move with her arms out to the side and hands slightly flexed.

India Bradley practices backstage before a performance of Balanchine's Tschaikovsky Piano Concerto No. 2.

Erin Baiano, Courtesy NYCB

Bella Ureta, Cincinnati Ballet

Wearing a white dress with pink corset, Bella Ureta does a first arabesque on pointe in front of an onstage stone wall.

Bella Ureta performs the Act I Pas de Trois in Kirk Peterson's Swan Lake

Hiromi Platt, Courtesy Cincinnati Ballet

Alejándro Gonzales, Oklahoma City Ballet

Dressed in a green bell-boy costume and hat, Alejandro Gonz\u00e1lez does a saut\u00e9 with his left leg in retir\u00e9 and his arms in a long diagonal from right to left. Other dancers in late 19-century period costumes watch him around the stage.

Alejandro González in Michael Pink's Dracula at Oklahoma City Ballet.

Kate Luber, Courtesy Oklahoma City Ballet

Nina Fernandes, Miami City Ballet

Wearing a long white tutu and crown, Nina Fernandes does a saut de chat in front of a wintery backdrop as snow falls from the top of the stage.

Nina Fernandes in George Balanchine's The Nutcracker

Alexander Iziliaev, Courtesy Miami City Ballet

Quinn Wharton

Pacific Northwest Ballet's Angelica Generosa Shares Her Classic, Comfy Style In and Out of the Studio

"I love the feeling and look of effortless fashion," says Angelica Generosa. Preferring a classic style, the Pacific Northwest Ballet soloist keeps her wardrobe stocked with blazers. But they serve a practical purpose, too. "It tends to get chilly in Seattle, so it's the perfect accessory for layering," Generosa explains.

She's also quite fond of designer handbags. "They're my go-to accessory, and they're also my weakness when shopping," she says, naming Chloé, Chanel and Dior as some of her favorite brands. "I really appreciate the craftsmanship it takes to produce one—they're so beautiful and each has its own story, in a way."

In the studio, Generosa prioritizes comfort, and she'll change up her look depending on the repertoire (leotards and tutus for classical works, breathable shirts with workout pants for contemporary). But she always arrives to work in style. "I really love putting together outfits for even just going to the studio," she says. "It's another way of expressing my mood and what kind of vibe I'm going for that day."

The Details: Street

Angelica Generosa, wearing a blue blazer, white blouse and gray jeans, is photographed from underneath as she walks and looks to the right.

Quinn Wharton

BCBG blazer: "It has some shoulder pads and a really cool pattern," says Generosa. "It reminds me of my mom and '80s fashion."

Zara blouse: She incorporate neutrals, like this white satin button-up, to balance bright pops of colors.

Angelica Generosa looks off to her right in front of a glass-windowed building. She wears a blue blazer, white blouse, gray jeans and carries a small green handbag.

Quinn Wharton

Madewell jeans: Comfort is a major factor for Generosa, who gets her fashion inspiration from her mom, friends and people she comes across day to day.

Chloé bag: "I tend to have smaller purses because I'm quite small. Bigger bags overwhelm me sometimes—unless it's my dance bag, of course!"

The Details: Studio

Angleica Generosa, wearing a blue tank leotard, black wool leggings and pink pointe shoes, balances in a lunge on pointe with her left leg in front, facing a wall of windows.

Quinn Wharton

Label Dancewear leotard: "This was designed by my good friend Elizabeth Murphy, a principal dancer here at PNB. Her leotards always fit me really well."

Mirella leggings: "I get cold easily," says Generosa, who wears leggings and vests to stay warm throughout the day.

Angelica Generosa, wearing a blue tank leotard, black wool tights and pink pointe shoes, jumps and crosses her right foot over her left shin while lifting her arms up to the right.

Quinn Wharton

Freed of London pointe shoes: "When sewing them, I crisscross my elastics and use an elasticized ribbon from Body Wrappers," which helps alleviate Achilles tendon issues, she says. She then trims the satin off of the tip of the shoe. "Then I bend the shank a bit to loosen it up and cut a bit off where my arch is."

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This New "Nutcracker" Competition Wants Your Dance Studio to be Part of a Virtual Collaboration

Despite worldwide theater closures, the Universal Ballet Competition is keeping The Nutcracker tradition alive in 2020 with an online international competition. The event culminates in a streamed, full-length video of The Virtual Nutcracker consisting of winning entries on December 19. The competition is calling on studios, as well as dancers of all ages and levels, to submit videos by November 29 to be considered.

"Nutcracker is a tradition that is ingrained in our hearts," says UBC co-founder Lissette Salgado-Lucas, a former dancer with Royal Winnipeg Ballet and Joffrey Ballet. "We danced it for so long as professionals, we can't wait to pass it along to dancers through this competition."

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