Ballet West principals Beckanne Sisk and Chase O'Connell in John Cranko's Onegin. Beau Pearson, Courtesy Ballet West.

Onstage This Week: 3 World Premieres at The Washington Ballet, Ballet West Presents "Onegin," and More!

Wonder what's going on in ballet this week? We've rounded up some highlights.


The Washington Ballet Presents Three World Premieres

April 3-7, The Washington Ballet presents three never before seen works. The first is Ethan Stiefel's Wood Work. This abstract take on life in a small Nordic community will be performed to music played live by the Danish String Quartet. Former San Francisco Ballet soloist Dana Genshaft's Shadow Lands is set to the electronic music of Mason Bates. Last up is Trey McIntyre's Teeming Waltzes, which pairs Strauss waltzes with a set combining ball pits and bubbles. Catch glimpses of Stiefel and Genshaft's works in the above video from TWB's Works & Process show at the Guggenheim last month.

All Stravinsky at Pennsylvania Ballet, Including a World Premiere by Matthew Neenan

From April 4-7 Pennsylvania Ballet celebrates composer Igor Stravinsky's vast oeuvre. The program includes three Stravinsky classics—Balanchine's Apollo and Stravinsky Violin Concerto and the company premiere of Jerome Robbins' The Cage—as well as a world premiere by Matthew Neenan titled Deco to Stravinsky's Piano Sonata and Tango.

Ballet West Brings John Cranko's "Onegin" to Utah Stages

Ballet West presents the company premiere of John Cranko's Onegin April 5-13. Based on Alexander Pushkin's dramatic novel in verse, Onegin tells the story of an arrogant aristocrat who rejects the love of a naive country girl, only to realize his great mistake years later. Cranko originally created this three-act ballet for Stuttgart Ballet in 1964. Above, Ballet West principals Arolyn Williams and Rex Tilton discuss the challenges of learning a new full-length ballet.

NYCB is Back at The Kennedy Center

New York City Ballet returns to The Kennedy Center April 2-7 for its annual run. This year, the company brings two mixed repertoire programs. First up is Balanchine, Robbins & Reisen, a blend of new and old featuring Gianna Reisen's Composer's Holiday, George Balanchine's Kammermusik No. 2 and Symphony in C, and Jerome Robbins' Opus 19/The Dreamer. The second program, New Works & New Productions, includes Justin Peck's Easy, Robbins' In the Night, Kyle Abraham's The Runaway and the Jerome Robbins tribute extravaganza, SOMETHING TO DANCE ABOUT.

Exciting Premieres at Festival Ballet Providence

Festival Ballet Providence in Wheeldon's Five Movements, Three Repeats

Zaire Kacz Photography, Courtesy FBP

Festival Ballet Providence's Up Close on Hope program, part of its Black Box Theatre series, runs two consecutive weekends this month: April 5-7 and 12-14. This varied program includes the company premiere of Christopher Wheeldon's Five Movements, Three Repeats, originally created on Wendy Whelan and Martha Graham Dance Company star Fang-Yi Sheu at the Vail Dance Festival in 2012. Also on display are Gianni Di Marco's new adaptation of Bolero and the world premiere of Yury Yanowsky's The Sun Sleeps.

Milwaukee Ballet Presents Val Caniparoli's "Lambarena"

Val Caniparoli's Lambarena has its company premiere at Milwaukee Ballet April 4-7. First presented in 1995 at San Francisco Ballet and since performed by over 20 companies worldwide, this work blends Bach, ballet and traditional African dance and music in a celebration of the universal language of dance. Catch a glimpse in the above video. Pieces by former Genesis choreographic competition winners Enrico Morelli and George Williamson will round out the triple bill.

Colorado Ballet Brings Two Classics to the Stage

Colorado Ballet's Ballet MasterWorks program, onstage at the Ellie Caulkins Opera House April 5-14, brings two classics to Denver audiences. The program opens with George Balanchine's Serenade and closes with Fernand Nault's Carmina Burana, marking its revival after nearly 20 years. Above, hear artistic director Gil Boggs discuss Serenade.

Tom Gold Dance's Spring Season Includes a World Premiere to Music by Leonard Bernstein

Tom Gold Dance presents its spring season April 3-4 at the Kaye Playhouse in New York. The program includes three works by company founder Tom Gold: the world premiere of Significant Strangers to piano compositions by Leonard Bernstein, the New York premiere of Blind Revelry set to Stephen Sondheim's Concertino, and the revival of his Counterpoint to music by Steve Reich.

Latest Posts


Whitney Ingram

Revisiting Julie Kent's Dance Bag, 20 Years Later

Julie Kent was our very first Show & Tell when Pointe magazine launched in spring of 2000. Then a principal with American Ballet Theatre, Kent carried a second bag entirely dedicated to her pointe shoes. Twenty years later, she is now the artistic director of The Washington Ballet, and no longer needs to tote her pointe shoes. "For 40 years they were like a part of my body," says Kent. "And now they're not part of the landscape until my daughter's old enough to go on pointe." Nevertheless, Kent's current role keeps her in the studio. She always carries practice clothes and ballet slippers for teaching and rehearsals.

Keep reading SHOW LESS
Courtesy Tiler Peck

Tiler Peck's Top 10 Tips for Training at Home

On March 15, New York City Ballet principal Tiler Peck announced to her 172,000-plus Instagram followers that she'd be teaching a live class from her family's home in Bakersfield, California, where she's currently waiting out COVID-19. Little did she know that she'd receive such a viral response. Since then, Peck has offered daily Instagram LIVE classes Monday through Friday at 10 am PST/1 pm EST, plus an occasional Saturday class and Sunday stretch/Pilates combo. "The reaction was just so overwhelming," she says. "These classes are keeping me sane, and giving me something to look forward to."

Keep reading SHOW LESS
Getty Images

It’s OK to Grieve: Coping with the Emotional Toll of Canceled Dance Events

Grace Campbell was supposed to be onstage this week. Selected for the Kansas City Ballet School's invitation-only Kansas City Youth Ballet, her performance was meant to be the highlight of her senior year. "I was going to be Queen of the Dryads in Don Quixote, and also dance in a couple of contemporary pieces, so I was really excited," she says. A week later, the group was supposed to perform at the Youth America Grand Prix finals in NYC. In May, Grace was scheduled to take the stage again KC Ballet School's "senior solos" show and spring performance.

Now, all those opportunities are gone.

The COVID-19 pandemic has consumed the dance community. The performance opportunities students have worked all year for have been devoured with it. Those canceled shows might have been your only chance to dance for an audience all year. Or they might have been the dance equivalent to a cap and gown—a time to be acknowledged after years of work.

You can't replace what is lost, and with that comes understandable grief. Here's how to process your feelings of loss, and ultimately use them to help yourself move forward as a dancer.

Keep reading SHOW LESS