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Onstage This Week: 3 World Premieres at The Washington Ballet, Ballet West Presents "Onegin," and More!

Ballet West principals Beckanne Sisk and Chase O'Connell in John Cranko's Onegin. Beau Pearson, Courtesy Ballet West.

Wonder what's going on in ballet this week? We've rounded up some highlights.


The Washington Ballet Presents Three World Premieres

April 3-7, The Washington Ballet presents three never before seen works. The first is Ethan Stiefel's Wood Work. This abstract take on life in a small Nordic community will be performed to music played live by the Danish String Quartet. Former San Francisco Ballet soloist Dana Genshaft's Shadow Lands is set to the electronic music of Mason Bates. Last up is Trey McIntyre's Teeming Waltzes, which pairs Strauss waltzes with a set combining ball pits and bubbles. Catch glimpses of Stiefel and Genshaft's works in the above video from TWB's Works & Process show at the Guggenheim last month.

All Stravinsky at Pennsylvania Ballet, Including a World Premiere by Matthew Neenan

From April 4-7 Pennsylvania Ballet celebrates composer Igor Stravinsky's vast oeuvre. The program includes three Stravinsky classics—Balanchine's Apollo and Stravinsky Violin Concerto and the company premiere of Jerome Robbins' The Cage—as well as a world premiere by Matthew Neenan titled Deco to Stravinsky's Piano Sonata and Tango.

Ballet West Brings John Cranko's "Onegin" to Utah Stages

Ballet West presents the company premiere of John Cranko's Onegin April 5-13. Based on Alexander Pushkin's dramatic novel in verse, Onegin tells the story of an arrogant aristocrat who rejects the love of a naive country girl, only to realize his great mistake years later. Cranko originally created this three-act ballet for Stuttgart Ballet in 1964. Above, Ballet West principals Arolyn Williams and Rex Tilton discuss the challenges of learning a new full-length ballet.

NYCB is Back at The Kennedy Center

New York City Ballet returns to The Kennedy Center April 2-7 for its annual run. This year, the company brings two mixed repertoire programs. First up is Balanchine, Robbins & Reisen, a blend of new and old featuring Gianna Reisen's Composer's Holiday, George Balanchine's Kammermusik No. 2 and Symphony in C, and Jerome Robbins' Opus 19/The Dreamer. The second program, New Works & New Productions, includes Justin Peck's Easy, Robbins' In the Night, Kyle Abraham's The Runaway and the Jerome Robbins tribute extravaganza, SOMETHING TO DANCE ABOUT.

Exciting Premieres at Festival Ballet Providence

Festival Ballet Providence in Wheeldon's Five Movements, Three Repeats

Zaire Kacz Photography, Courtesy FBP

Festival Ballet Providence's Up Close on Hope program, part of its Black Box Theatre series, runs two consecutive weekends this month: April 5-7 and 12-14. This varied program includes the company premiere of Christopher Wheeldon's Five Movements, Three Repeats, originally created on Wendy Whelan and Martha Graham Dance Company star Fang-Yi Sheu at the Vail Dance Festival in 2012. Also on display are Gianni Di Marco's new adaptation of Bolero and the world premiere of Yury Yanowsky's The Sun Sleeps.

Milwaukee Ballet Presents Val Caniparoli's "Lambarena"

Val Caniparoli's Lambarena has its company premiere at Milwaukee Ballet April 4-7. First presented in 1995 at San Francisco Ballet and since performed by over 20 companies worldwide, this work blends Bach, ballet and traditional African dance and music in a celebration of the universal language of dance. Catch a glimpse in the above video. Pieces by former Genesis choreographic competition winners Enrico Morelli and George Williamson will round out the triple bill.

Colorado Ballet Brings Two Classics to the Stage

Colorado Ballet's Ballet MasterWorks program, onstage at the Ellie Caulkins Opera House April 5-14, brings two classics to Denver audiences. The program opens with George Balanchine's Serenade and closes with Fernand Nault's Carmina Burana, marking its revival after nearly 20 years. Above, hear artistic director Gil Boggs discuss Serenade.

Tom Gold Dance's Spring Season Includes a World Premiere to Music by Leonard Bernstein

Tom Gold Dance presents its spring season April 3-4 at the Kaye Playhouse in New York. The program includes three works by company founder Tom Gold: the world premiere of Significant Strangers to piano compositions by Leonard Bernstein, the New York premiere of Blind Revelry set to Stephen Sondheim's Concertino, and the revival of his Counterpoint to music by Steve Reich.

Giveaways
Modeled by Daria Ionova. Darian Volkova, Courtesy Elevé Dancewear.
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Boston Ballet's Kathleen Breen Combes, María Álvarez and Dawn Atkins. Christopher Duggan, Courtesy Jacob's Pillow.

Wonder what's going on in ballet this week? We've rounded up some highlights.

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Ballet Stars
Alexandra MacDonald (front row, third from left) didn't win a medal at the Genée International Ballet Competition, but says she came home inspired and newly motivated by the people she met there. Photo Courtesy Genée IBC.

Ballet competitions are an exciting part of any dancer's career. Yet while scholarships, prize money, job offers and the prestige that comes with winning a medal are compelling incentives to participate in one, they're not the only benefits. In fact, many dancers who go home empty-handed still look fondly on the experience and go on to become successful professionals.

This week, the 2019 Genée International Ballet Competition kicks off in Toronto. From August 20-29, over 50 dancers, ages 15–19 and trained in the Royal Academy of Dance syllabus, will perform three solos in the hopes of winning a medal and a $10,000 cash prize. Many past medalists have gone on to illustrious careers—but so have those who didn't win anything. We spoke with three Genée alumni now dancing professionally who know what it's like not to place. Read on to find out why they deem their comp experiences a success, and how you can make the most of yours—whether you win or not.

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Ballet Stars
Skylar Brandt and Josephine Lee. Screenshot Courtesy Lee.

Master pointe shoe fitter Josephine Lee of the California-based ThePointeShop chats with American Ballet Theatre soloist Skylar Brandt to hear about how she prepares her pointe shoes. We think Brandt might win an award for how long she makes her shoes last; watch the below video for the staggering number of days (or weeks!), and to hear about all of her unique customizations and pro tips.