5 of Our Favorite Dancer Halloween Costumes

Dancers are obviously pros at dressing up and embodying different personas, so it comes as no surprise that they take Halloween very seriously. Here are five of our favorite costumes, in no particular order:

  1. Rubén Martín Cintas, San Francisco Ballet School faculty member, dressed as Abraham Lincoln.

 

2. American Ballet Theatre principal James Whiteside, as a very convincing Natalia Makarova.

 

3. San Francisco Ballet corps member Miranda Silveira as Grace Jones.

Grace Jones for a night

A photo posted by MirandaSilveira (@miranza_s) on

 

4. American Ballet Theatre corps member Erica Lall going all-out as Aunt Viv from "Fresh Prince of Bel Air."

 

5. Pacific Northwest Ballet dancers Elle Macy and Dylan Wald as Hercules and Meg from Disney's Hercules

And many years later, a young Meg found her Herc ?? #happyhalloween #cheesyalert⚠️

A photo posted by Elle Macy (@ellemacy) on

 

6. Bonus! The Professional Division students from Pacific Northwest Ballet School are impeccable as the cast of Michael Jackson's "Thriller" music video—with a little less fake blood.

For more news on all things ballet, don’t miss a single issue.

Latest Posts


Dean Barucija, Courtesy Lopes Gomes

Chloé Lopes Gomes Speaks Out About Racial Harassment at Staatsballett Berlin

In November, the French dancer Chloé Lopes Gomes went public with accusations of institutional racism against Staatsballett Berlin, first reported by the German magazine Der Spiegel. In the article, several anonymous dancers confirm her account. Lopes Gomes, 29, who trained in Marseille and at the Bolshoi Ballet Academy, danced for the Ballet de l'Opéra de Nice and Béjart Ballet Lausanne before joining Staatsballett Berlin as a corps de ballet member in 2018, under then co-directors Johannes Öhman and Sasha Waltz. After the company told her in October that her contract, which ends in July, would not be renewed, she shared her story with Pointe.


I didn't know I was the first Black female dancer at Staatsballett Berlin when I joined the company in 2018. I learned that from German journalists who came to interview me almost immediately. I grew up in a mixed-race family—my mother was French, my father from Cape Verde—and I was educated to believe that we all have the same opportunities.

Keep reading SHOW LESS
Paul Kolnik, Courtesy NYCB

NYCB's Maria Kowroski Reflects on the Challenges, Joys and Mysteries of Balanchine’s "Mozartiana"

The first time I was called to learn Mozartiana, I didn't think I would actually get to do it. It's a coveted ballerina role in the company, and I was still early in my career. But I got to dance it once or twice, and then not again for many years. The ballet isn't in our repertoire that often, so each time we've performed it I've been at a different level as a person and as an artist.

Keep reading SHOW LESS
Melina Nastazia, Courtesy Jessica Flynn

Former “Baby Ballerina” Jessica Flynn on Her YA Novel and the Secrets to Surviving in Ballet

Most young dancers dream about how Jessica Flynn's ballet career began. After performing several lead roles at School of American Ballet's Workshop and winning the prestigious Mae L. Wien Award in 2002, she got an apprenticeship with New York City Ballet at age 16 and her corps contract less than a year later. Some soloist roles followed, and she appeared to have a bright future at the company. But just before her three-year mark, she left NYCB and never performed professionally again.

Flynn is now a ballet teacher, a holistic health coach for performing artists, a candidate for a master's in social work, a wife and a new mom. She's also an author. In 2016, she published Dancing in Time, the fictional tale of Charlie, a 37-year-old marketing executive who can't shake the failure of her ballet career. She wakes up one morning in her 17-year-old body, and has the chance to redo her career with the benefit of hindsight. The book deals with themes of extreme competition, body image and weight, disempowering relationships, and how all of these factors can suck the joy out of dancing—yet it's surprisingly humorous and entertaining.

Keep reading SHOW LESS

Editors' Picks