Zhou with Arman Grigoryan in Nacho Duato's Herrumbe, Photo by Fernando Marcos, Courtesy Staatsballett Berlin

2017 Stars of the Corps: Patricia Zhou of Staatsballett Berlin

Patricia Zhou's haunting interpretation of Nacho Duato's Herrumbre is profound—her liquid movement and supernatural musicality reveal a maturity well beyond her 23 years. "It's emotionally draining to give so much onstage," she admits, "but every time I perform Herrumbre, I experience something new." Delicate yet daring, Zhou's dancing reshapes the classical mold at Staatsballett Berlin.

Zhou with Dominc Hodal and Alexander Akulov in Duato's Herrumbre Photo by Fernando Marcos, Courtesy Staatsballett Berlin


Zhou attributes her affinity with contemporary dance to early jazz and lyrical classes in her native Michigan. Though her training took a more classical route—she graduated from the Kirov Academy of Ballet in Washington, DC, participated in the Prix de Lausanne and completed a year's apprenticeship with The Royal Ballet in London in 2011—Berlin's eclectic repertoire has been the ideal fit for her. Whether sparkling in the trio of Balanchine's Emeralds, pushing her physical limit in Ohad Naharin's Secus or exploring new worlds in Duato works, both her versatility and emotional commitment shine every time she steps onstage.

Zhou, who is leaving Berlin to join L.A. Dance Project this fall, is still fine-tuning the balance between pushing and pacing herself. "Rehearsing and performing so many styles at once is exhausting," she explains. "But getting to explore new sides of myself onstage always makes the struggle worth it."

Latest Posts


Pacific Northwest Ballet's Sarah-Gabrielle Ryan, photographed by Jayme Thornton for Pointe

The Radiant Sarah-Gabrielle Ryan: Why She's One to Watch at Pacific Northwest Ballet

Hollywood could make a movie about Sarah-Gabrielle Ryan's big break at Pacific Northwest Ballet.

It was November 2017, and the company was performing Crystal Pite's film-noir–inspired Plot Point, set to music by Bernard Hermann from Alfred Hitchcock's Psycho. Ryan, then a first-year corps member, originally was understudying the role of another dancer. But when principal Noelani Pantastico was injured in a car accident, Ryan was tapped to take over her role.

Keep reading SHOW LESS
Lauren Veyette corrects a student during class. Ariel Rose, Courtesy Veyette Virtual Ballet School.

COVID-19 Has Made It Easier to Train Outside Your Studio—but Should You?

Of all the unprecedented effects the COVID-19 pandemic has had on the dance world, perhaps the most unthinkable a year ago was the forced pivot to online training. With many studios mandated to close, we've outfitted our homes with barres and marley and harnessed technology to create more learning opportunities than ever before. And now, as some studios reopen for in-person classes (either fully or in hybrid form) and others remain online, it's easier to supplement your school's offerings by adding virtual master classes—or even going to another school for in-studio time. But while being able to take class from anyone, anywhere, offers great opportunities, there are pitfalls to jumping from teacher to teacher. It's important to balance out the pros and cons of creating your own "COVID curriculum."

Keep reading SHOW LESS
Daniil Simkin gives advice during his master class series. Courtesy Dance Masterclass.

In This Master Class Series, Stars Like Daniil Simkin Share Their Technique and Artistry Secrets

Have you ever wondered what Daniil Simkin thinks about when he whips off a series of effortless pirouettes? Or how Polina Semionova initiates her "swan arms" when she dances Odette/Odile? Both dancers are now part of a new streaming platform called Dance-Masterclass, which offers targeted lessons from the ballet world's biggest stars to dancers of all levels. Launched in February, the platform presents 10 to 12-plus gorgeously filmed lessons from a new master teacher each month, with options allowing for private feedback.

Keep reading SHOW LESS

Editors' Picks