Scottish Ballet in Sophie Laplane's Sibilo, which will have its US Premiere at Ballet West's choreographic festival this week. Jane Hobson, Courtesy Ballet West.

Onstage This Week: "Hamilton" Choreographer's Ballet Debut, Ballet West's Choreographic Fest, Australian Ballet in NYC, and More!

Wonder what's going on in ballet this week? We've pulled together some highlights.


"Hamilton" Choreographer Andy Blankenbuehler Makes His Ballet Debut in Tulsa

As a three-time Tony Award winner for Best Choreography, Andy Blankenbuehler has certainly made a name for himself on the Broadway stage. This spring, the acclaimed Hamilton choreographer is taking his talents to Tulsa Ballet, where he's creating his first-ever work for a ballet company. The piece tells the story of sailors on a submarine, daydreaming of their loved ones back home. It's set to a patchwork score, including works by Regina Spektor and the Benny Goodman Orchestra, with voices and sound effects overlaid. The world premiere joins Jerome Robbins' Fancy Free and George Balanchine's Who Cares? on a program blending the line between ballet and Broadway, running May 9–12.

Ballet West's Choreographic Festival Presents Scottish Ballet

Ballet West's third annual Choreographic Festival, running May 9–11, is welcoming international guests for the first time. Scottish Ballet will head to Salt Lake City to perform choreographer-in-residence Sophie Laplane's 2016 Sibilo, which explores whistling in connection with human emotion. Also on the program are four works danced by Ballet West: a world premiere by BalletMet artistic director Edwaard Liang, and pieces by BW company dancers Emily Adams, Katlyn Addison and Trevor Naumann.

A Visit From Down Under

The Australian Ballet heads to New York City May 9–12 as part of The Joyce Theater's Australia Festival. For its Joyce debut, the company is featuring 12 dancers in contemporary works by three of its homegrown resident choreographers. The program includes Alice Topp's Aurum, Stephen Baynes' Unspoken Dialogues and a world premiere by Tim Harbour.

Pennsylvania Ballet Closes Its Season With a World Premiere by Jorma Elo

Pennsylvania Ballet's closes out its season with a triple bill running May 9-12. A world premiere by Jorma Elo titled Trigger Touch Fade joins Christopher Wheeldon's DGV: Danse à Grande Vitesse and the company premiere of Jerome Robbins' Glass Pieces. Elo's new work is set to excerpts from four violin concertos: one by Joseph Haydn and three by Johann Sebastian Bach.

Atlanta Ballet Director's Choice Program Includes World Premiere by Liam Scarlett

Atlanta Ballet's Director's Choice program, running May 10-12, showcases three contemporary works: Gemma Bond's Denouement, the company premiere of Kiyon Ross's Sum Stravinsky and a world premiere by Liam Scarlett titled Catch, set to Philip Glass' Violin Concerto No. 1. This commission follows the success of his Vespertine, which Atlanta Ballet presented in 2017. Catch a short glimpse above.

Kansas City Ballet Pairs Tharp and Forsythe with a David Parsons World Premiere

Kansas City Ballet's May 10-19 Tharp/Parsons/Forsythe is a celebration of three American contemporary choreographers. This high-energy program includes Twyla Tharp's In the Upper Room, William Forsythe's In the middle, somewhat elevated and the world premiere of David Parsons' A Play for Love. Parsons, a Kansas City native, has based his new work on some of Shakespeare's best-loved comedic characters.

Ballet Fantastique's Debuts Its New "Cleopatra"

May 9-12 marks the debut of Ballet Fantastique's Cleopatra. This new, full-length ballet is choreographed and produced by mother/daughter team Donna and Hannah Bontrager. This historic tale of romance and politics will be paired with original electronic music by Sidecar Tommy and Eonor Wildeboar from Beats Antique, played live.

MorDance Reimagines "Romeo and Juliet"

New York-based company MorDance presents its first full-length story ballet, R+J Reimagined May 9-11. Choreographed by artistic director Morgan McEwen, this work for 11 dancers and six musicians features a score by Ben Gallina, who mixes Sergei Prokofiev's original with his own compositions. To create her version, McEwen dug into the history behind Shakespeare's original play.

Kirk Peterson Choreographs a New "Beauty and the Beast" for American Repertory Ballet

May 10 marks the world premiere of choreographer Kirk Peterson's Beauty and the Beast for New Jersey-based company American Repertory Ballet. Set to music by Pytor Ilyich Tchaikovsky, Peterson's take on this magical tale is a good fit for audiences of all ages. Above, see the making of the ballet's original costumes.

San Francisco Ballet Presents Ratmansky's "Shostakovich Trilogy"

For San Francisco Ballet's eighth program of its season, the company celebrates choreographer Alexei Ratmansky. SFB presents his Shostakovich Trilogy May 7-12. This piece, a co-commission with American Ballet Theatre, is made up of three separate ballets: Symphony #9, Chamber Symphony and Piano Concerto #1, all set to Dmitri Shostakovich's orchestral works.

Ballet Memphis Brings Back Three Audience Favorites

This weekend, Ballet Memphis turns the viewing experience on its head with an audience-curated program. Rewind, running May 10-11, features three favorites from the past year, based on a vote by audience members. Trey McIntyre's Memphis Suite, Julia Adam's Devil's Fruit and Steven McMahon's Flyway will all be reprised.

4 Story Ballets Take the Stage

  • May 10-June 8, Boston Ballet brings back Sir Frederick Ashton's Cinderella
  • Pittsburgh Ballet Theatre presents Marius Petipa's The Sleeping Beauty, staged by Terrence Orr, May 10-12
  • The romantic classic Giselle returns to Ballet Austin May 10-12
  • Swan Lake, billed as an "iconic story of love and deception," hits Festival Ballet Providence's stages May 10-12

Latest Posts


Peter Mueller, Courtesy Cincinnati Ballet

2020 Stars of the Corps: 10 Dancers Making Strides In and Out of the Spotlight

The corps de ballet make up the backbone of every company. In our Fall 2020 issue, we highlighted 10 ensemble standouts to keep your eye on. Click on their names to learn more!

Dara Holmes, Joffrey Ballet

A male dancer catches a female dancer in his right arm as she wraps her left arm around his shoulder and executes a high arabesque on pointe. Both wear white costumes and dance in front of a blue backdrop onstage.

Dara Holmes and Edson Barbosa in Myles Thatcher's Body of Your Dreams

Cheryl Mann, Courtesy Joffrey Ballet

Wanyue Qiao, American Ballet Theatre

Wearing a powder blue tutu, cropped light yellow top and feather tiara, Wanyue Qiao does a piqu\u00e9 retir\u00e9 on pointe on her left leg and pulls her right arm in towards her.

Wanyue Qiao as an Odalisque in Konstantin Sergeyev's Le Corsaire

Gene Schiavone, Courtesy ABT

Joshua Guillemot-Rodgerson, Houston Ballet

Three male dancers in tight-fitting, multicolored costumes stand in positions of ascending height from left to right. All extend their right arms out in front of them.

Joshua Guillemot-Rodgerson (far right) with Saul Newport and Austen Acevedo in Oliver Halkowich's Following

Amitava Sarkar, Courtesy Houston Ballet

Leah McFadden, Colorado Ballet

Wearing a white pixie wig and a short light-pink tunic costume, a female ballet dancer poses in attitude front on pointe with her left arm bent across her ribs and her right hand held below her chin.

Leah McFadden as Amour in Colorado Ballet's production of Don Quixote

Mike Watson, Courtesy Colorado Ballet

Maria Coelho, Tulsa Ballet

Maria Coelho and Sasha Chernjavsky in Andy Blankenbuehler's Remember Our Song

Kate Lubar, Courtesy Tulsa Ballet

Alexander Reneff-Olson, San Francisco Ballet

A ballerina in a black feathered tutu stands triumphantly in sous-sus, holding the hand of a male dancer in a dark cloak with feathers underneath who raises his left hand in the air.

Alexander Reneff-Olson (right) as Von Rothbart with San Francisco Ballet principal Yuan Yuan Tan in Swan Lake

Erik Tomasson, Courtesy SFB

India Bradley, New York City Ballet

Wearing a blue dance dress with rhinestone embellishments and a sparkly tiara, India Bradley finishes a move with her arms out to the side and hands slightly flexed.

India Bradley practices backstage before a performance of Balanchine's Tschaikovsky Piano Concerto No. 2.

Erin Baiano, Courtesy NYCB

Bella Ureta, Cincinnati Ballet

Wearing a white dress with pink corset, Bella Ureta does a first arabesque on pointe in front of an onstage stone wall.

Bella Ureta performs the Act I Pas de Trois in Kirk Peterson's Swan Lake

Hiromi Platt, Courtesy Cincinnati Ballet

Alejándro Gonzales, Oklahoma City Ballet

Dressed in a green bell-boy costume and hat, Alejandro Gonz\u00e1lez does a saut\u00e9 with his left leg in retir\u00e9 and his arms in a long diagonal from right to left. Other dancers in late 19-century period costumes watch him around the stage.

Alejandro González in Michael Pink's Dracula at Oklahoma City Ballet.

Kate Luber, Courtesy Oklahoma City Ballet

Nina Fernandes, Miami City Ballet

Wearing a long white tutu and crown, Nina Fernandes does a saut de chat in front of a wintery backdrop as snow falls from the top of the stage.

Nina Fernandes in George Balanchine's The Nutcracker

Alexander Iziliaev, Courtesy Miami City Ballet

Getty Images

Thinking About College Ballet Programs? Here's a Comprehensive Guide to the Application Process

Gone are the days when you had to skip college in order to have a successful ballet career. College ballet programs are better than ever before, providing students with the training, professional connections and performance experience they need to thrive in companies postgraduation. But given the number of elements involved in the application process, choosing the right program can feel daunting. We've broken the college application timeline down step by step to help you best approach each stage along the way.

Keep reading SHOW LESS
Evelyn Cisneros-Legate. Photo by Beau Pearson, Courtesy Ballet West

Ballet West Academy's New Director on Dream Building During COVID-19

Evelyn Cisneros-Legate is bringing her hard-earned expertise to Ballet West. The former San Francisco Ballet star is taking over all four campuses of The Frederick Quinney Lawson Ballet West Academy as the school's new director.

Cisneros-Legate, whose mother put her in ballet classes in an attempt to help her overcome her shyness, trained at the San Francisco Ballet School and School of American Ballet before joining San Francisco Ballet as a full company member in 1977. She danced with the company for 23 years, breaking barriers as the first Mexican American to become a principal dancer in the U.S., and has graced the cover of Dance Magazine no fewer than three times.

As an educator, Cisneros-Legate has served as ballet coordinator at San Francisco Ballet, principal of Boston Ballet School's North Shore Studio and artistic director of after-school programming at the National Dance Institute (NDI). Dance Teacher spoke with her about her new position, her plans for the academy and leading in the time of COVID-19.

Keep reading SHOW LESS

Editors' Picks