Principal dancer Francisco Estevez as Basilio in Colorado Ballet's Don Quixote. Mike Watson, Courtesy Colorado Ballet.

Standouts of 2019: Colorado Ballet's Francisco Estevez in "Don Quixote"

When talking about a role like Basilio in Don Quixote, it's easy to throw around terms like "virtuosic" and "powerhouse." "Cancer survivor" is less common, but so is Francisco Estevez, the unflappable 30-year-old Colorado Ballet dancer who took on the role this fall. Not only has Estevez overcome testicular cancer and continues to receive treatment for chronic myeloid leukemia, but he is the company's newest (and youngest) principal.


Francisco Estevez, in blue tights and a brown vest, holds a silver cup over his head along with the rest of the cast of Colorado Ballet's Don Quixote.

Estevez and artists of Colorado Ballet raise a glass in Don Quixote.

Mike Watson, Courtesy Colorado Ballet

To an audience, however, health hurdles are beside the point; as a dancer, Estevez has the technical chops and the go-for-broke mentality to leave anyone impressed. Case in point? Holding the notoriously tricky one-armed lift in Act I for an extended period of time—and even getting in an arabesque of his own with partner Asuka Sasaki still overhead.

Francisco Estevez and his partner Asuka Sasaki wear white, gold and red Spanish-style costumes. Estevez stands in 6th position on demit pointe while Sasaki balances in attitude derriere.

Esetvez and Asuka Sasaki perform Don Quixote's grand pas de deux.

Mike Watson, Courtesy Colorado Ballet

But more impressive was the way he truly never stopped dancing in the calmer, less flashy passages. It's all too easy for a dancer who plays a "subtle" Basilio to be overpowered by their Kitri, but for Estevez, a simple gesture seemed as important as a lift. He wasn't a caricature of a Spanish barber, but a nuanced leading man. And anyone who can downplay the theatrics of Don Quixote while still delivering a compelling performance must be doing something right.

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Hi Everyone,

These are challenging times. The social distancing measures brought about by COVID-19 has likely meant that your regular ballet training has been interrupted, while your performances, competitions—even auditions—have been cancelled. You may be feeling anxious about what the future holds, not only for you but for the dance industry. And that's perfectly understandable.

As you adjust to taking virtual ballet class from your living rooms, we here at Pointe are adjusting to working remotely from our living rooms. We've had to get a little creative, especially as we put our Summer Issue together, but like you we're taking full advantage of modern technology. Sure, it's a little inconvenient sometimes, but we're finding our groove.

And we know that you will, too. We've been utterly inspired by how the dance community has rallied together, from ballet stars giving online classes to companies streaming their performances to the flood of artist resources popping up. We've loved watching you dance from your kitchens. And we want to help keep this spirit alive. That's why Pointe and all of our Dance Media sister publications are working nonstop to produce and cross-post stories to help you navigate this crisis. We're all in this together.

We also want to hear from you! Send us a message on social media, or email me directly at abrandt@dancemedia.com. Tell us how you're doing, send us your ideas and show us your dance moves. Let the collective love we share for our beloved art form spark the light at the end of the tunnel—we will come out the other side soon enough.

Best wishes,

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