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May 05, 2020
Cheryl Mann, Courtesy Joffrey Academy of Dance
Introducing Dance Media Live!: The Ultimate Live Class Series to Get ou Through Quarantine
Since the dance world changed overnight due to COVID-19, we've been bringing you constant content on how our community is adapting to the pandemic—from following dancers who are #SocialDisDancing to asking the experts for tips on taking class at home.
Now, we're launching Dance Media Live!, a class series with everything from ballet to Pilates to cardio to jazz, featuring some of our favorite teachers.
So join us on Zoom, Tuesdays and Thursdays from 1-2 pm ET, beginning May 7. Classes are $10 each.
Sign up here, and see the full class schedule below:
July 9: Advanced Contemporary/Modern with Erin Thompson
<a href="https://listings.dancemagazine.com/vds/?class=AdvancedContemporaryJuly9" ><img lazy-loadable="true" src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzM5ODAzMS9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTYxMTg4MjQyNX0.vNd5eE7eMrPHYmUCw9nfL2sM2HXPyObtoy0cxvDAUz8/img.jpg?width=980" id="f56f5" class="rm-shortcode" data-rm-shortcode-id="abb351888588713a54bacdf7d3464117" data-rm-shortcode-name="rebelmouse-image" /></a>Randy Karels, courtesy Erin Thompson
<p>Bessie award-winning dancer Erin Thompson will teach an <a href="https://listings.dancemagazine.com/vds/?class=AdvancedContemporaryJuly9" target="_blank">advanced contemporary/modern </a>class including floorwork, standing warm-ups and phrase work—all redesigned for the home space.</p><p><a href="https://listings.dancemagazine.com/vds/?class=AdvancedContemporaryJuly9" target="_blank">Sign up here.</a></p>July 14: Advanced Ballet with Nick Mullikin
<img lazy-loadable="true" src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzM3NTM4OS9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTYyOTc0MDY5Nn0.UW6ODITlVsk04a5LNxWRwC8TpFB8NOJ_OZNHP2qh6mY/img.jpg?width=980" id="f8e20" class="rm-shortcode" data-rm-shortcode-id="e431a9ac82e486ed533ae49fcc8f02b2" data-rm-shortcode-name="rebelmouse-image" />Courtesy Nashville Ballet
<p>Join Nashville Ballet associate artistic director Nick Mullikin for an <a href="https://listings.dancemagazine.com/vds/?class=AdvancedBalletJuly14" target="_blank">advanced ballet class and Q&A</a> about the company.</p><p><a href="https://listings.dancemagazine.com/vds/?class=AdvancedBalletJuly14" target="_blank">Sign up here</a>.</p>July 16: Ballet with Julianna Rubio Slager
<a href="https://listings.dancemagazine.com/vds/?class=BalletJuly16" ><img lazy-loadable="true" src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzM5MDIwOS9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTY1NDA0Njg4M30.W2Ks3tuQ8C_BGx7pM_rOjoe9c5I4ilSZIJ123Nb986M/img.jpg?width=980" id="455cf" class="rm-shortcode" data-rm-shortcode-id="7fd3d4495e82c0afc4222669da661e02" data-rm-shortcode-name="rebelmouse-image" /></a>Lana Kozol, Courtesy Ballet 5:8
<p>Ballet 5:8 artistic director Julianna Rubio Slager will teach a <a href="https://listings.dancemagazine.com/vds/?class=BalletJuly16" target="_blank">ballet technique</a> class with a focus on what she calls "the secrets to standout musicality."</p><p><a href="https://listings.dancemagazine.com/vds/?class=BalletJuly16" target="_blank">Sign up here</a>.</p><div style="padding: 20px 0 40px;">
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July 21: Advanced Ballet with Christopher Hird
<a href="https://listings.dancemagazine.com/vds/?class=AdvancedBalletJuly21" ><img lazy-loadable="true" src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzQxMjUwMS9vcmlnaW4ucG5nIiwiZXhwaXJlc19hdCI6MTYyMzAxNTUzN30.MRhBk_p4LIx6UYc-m04ofYugPp6gfyQe0eN2qZP5zOg/img.png?width=980" id="60ea5" class="rm-shortcode" data-rm-shortcode-id="2653d19d48afb1e7ff1764574101255e" data-rm-shortcode-name="rebelmouse-image" /></a>Frank Atura, courtesy Sarasota Ballet
<p>Join the Sarasota Ballet's director of education, Christopher Hird, for an <a href="https://listings.dancemagazine.com/vds/?class=AdvancedBalletJuly21" target="_blank">advanced ballet class</a> focused on artistry.</p><p><a href="https://listings.dancemagazine.com/vds/?class=AdvancedBalletJuly21" target="_blank">Sign up now</a>.</p>June 23: Flexibility Training with the Flexistretcher
<a href="https://listings.dancemagazine.com/vds/?class=FlexibilityTrainingJuly23" ><img lazy-loadable="true" src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzMyNzg2NS9vcmlnaW4ucG5nIiwiZXhwaXJlc19hdCI6MTYyNDExMzMzOH0._RLj5cGV_nXZFZ_B2cOBfreg6nJAHluukG8Eqziwovo/img.png?width=980" id="5761e" class="rm-shortcode" data-rm-shortcode-id="ccc7a2d7ab3ff7c97e6358cdb5745068" data-rm-shortcode-name="rebelmouse-image" /></a>Joseph Miller, Courtesy Flexistretcher
<p>Join Rein Short for a <a href="https://listings.dancemagazine.com/vds/?class=FlexibilityTrainingJuly23" target="_blank">60-minute stretch and strength class</a> specifically designed to address the needs of the dancer using the Flexistretcher tool.</p><p><a href="https://listings.dancemagazine.com/vds/?class=FlexibilityTrainingJuly23" target="_blank">Sign up now</a>.</p>Past classes:
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July 2: Advanced Hip Hop with Dance Labs
<a href="https://listings.dancemagazine.com/vds/?class=AdvancedHipHopJuly2" ><img lazy-loadable="true" src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzM3OTAyOS9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTY1MDQ0MDMyMX0.Ip5Sp-c6PqlvQKTh30ZozwK3MW-OzzNJ340GXBFDpa0/img.jpg?width=980" id="cb17b" class="rm-shortcode" data-rm-shortcode-id="93acae51370a12499f8d92b6bd89cbf9" data-rm-shortcode-name="rebelmouse-image" /></a>Misty Matthews, Courtesy Dance Labs
<p>Join Dance Labs faculty member Mckinley Hawkes for a high-energy <a href="https://listings.dancemagazine.com/vds/?class=AdvancedHipHopJuly2" target="_blank">advanced hip hop class</a>. The class will include a warm up and a fun, musical combination.</p><p><a href="https://listings.dancemagazine.com/vds/?class=AdvancedHipHopJuly2" target="_blank">Sign up here</a>.</p>June 30: Technique and Conditioning with Alyssa Beasley
<img lazy-loadable="true" src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzMyNDc5Mi9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTY1MjM3MTcwMn0.sqQAvIKWKj4r_CrbyiC4jtENg8f_pe8eUccGdfJqlzM/img.jpg?width=980" id="ca65e" class="rm-shortcode" data-rm-shortcode-id="70d3e3e0efc7cff38e08bd1e16ee215a" data-rm-shortcode-name="rebelmouse-image" />Chasity Strickland/YOUnique Photography, Courtesy Beasley
<p>Join Alyssa Beasley, regional director of Fusion National Dance Competition, for a <a href="https://listings.dancemagazine.com/vds/?class=TechniqueConditioningJune30" target="_blank">technique-inspired conditioning and stretching class</a>.</p><p><span></span><a href="https://listings.dancemagazine.com/vds/?class=TechniqueConditioningJune30" target="_blank">Sign up now</a>.</p>June 18: Movement as Medicine with Erica Hornthal
<img lazy-loadable="true" src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzI4NzkyNy9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTYxMDE0NDQ2N30.8Ufwi48mzJppA_bmOBlnYOnock4Birhiap3sPaMbpFc/img.jpg?width=980" id="28015" class="rm-shortcode" data-rm-shortcode-id="8e587296a232cf782800843baf8c6878" data-rm-shortcode-name="rebelmouse-image" />Mindy Garfinkle Photography
<p>Erica Hornthal, dance/movement therapist and professional counselor, will lead a <a href="https://listings.dancemagazine.com/vds/?class=MovementMedicineJune18" target="_blank">guided movement meditation</a> designed to reduce stress and prioritize self care.</p><p><a href="https://listings.dancemagazine.com/vds/?class=MovementMedicineJune18" target="_blank">Sign up here.</a></p><div style="padding: 20px 0 40px;">
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June 16: Advanced Ballet and Q&A with José Carayol
<a href="https://listings.dancemagazine.com/vds/?class=AdvancedBalletJune16" ><img lazy-loadable="true" src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzM5MDMxMS9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTYyODU5NDYwNn0.FejYR_FBC9umb3XS21nFCt0fIN0f05N_NVEhkwWyE5M/img.jpg?width=980" id="2f26a" class="rm-shortcode" data-rm-shortcode-id="2de6c2c9d088bf56f71d9b551ecf9a18" data-rm-shortcode-name="rebelmouse-image" /></a>Cheryl Mann, Courtesy Joffrey Academy of Dance
<p>Join José Carayol, head of the Joffrey Academy of Dance's studio company and trainee program, for <a href="https://listings.dancemagazine.com/vds/?class=AdvancedBalletJune16" target="_blank">an advanced ballet class and Q&A.</a></p><p><a href="https://listings.dancemagazine.com/vds/?class=AdvancedBalletJune16" target="_blank">Sign up here.</a></p>June 11: Improv Flow with Savea Kagan
<a href="http://listings.dancemagazine.com/vds/?class=ImprovFlowJune11" ><img lazy-loadable="true" src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzI2MzUyMC9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTY1MTQ3Nzk0NX0.ju1_A4HdJ2WNK6XPSrxMUD-tr7eq88jSLWZyYq3ayCc/img.jpg?width=980" id="b4a05" class="rm-shortcode" data-rm-shortcode-id="707ceaadea636fdcbe34ffbbd9ce2028" data-rm-shortcode-name="rebelmouse-image" /></a>Courtesy Kagan
<p>Degas Dance Studio faculty member Savea Kagan will teach <a href="http://listings.dancemagazine.com/vds/?class=ImprovFlowJune11" target="_blank">an improv flow class</a>, a guided exploration that encourages dancers to take risks, let go, and get out of their habitual ways of moving.</p><p><a href="http://listings.dancemagazine.com/vds/?class=ImprovFlowJune11" target="_blank">Sign up here.</a></p>June 4: Contemporary Jazz with Natalie Stys
<a href="http://listings.dancemagazine.com/vds/?class=NatalieJune4" ><img lazy-loadable="true" src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzE3NjM1NC9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTU5OTI4NzczNH0.3-Dpiwq3X1lN5FWgE2CjX_UjGb_TvVsOOphunKVhKGk/img.jpg?width=980" id="e802b" class="rm-shortcode" data-rm-shortcode-id="948cfa0e0d33921d264bd86ef230051d" data-rm-shortcode-name="rebelmouse-image" /></a>En Lin, Courtesy Stys
<p>Natalie Stys, a New York City-based dancer and choreographer, will teach <a href="http://listings.dancemagazine.com/vds/?class=NatalieJune4" target="_blank">a contemporary jazz class designed to push students to cultivate their artistic voice</a>. Class will include a conditioning-focused warm-up, guided improvisations and a combination with influences from hip hop, jazz, ballet and theater.</p><p><a href="http://listings.dancemagazine.com/vds/?class=NatalieJune4" target="_blank">Sign up here.</a></p><div style="padding: 20px 0 40px;">
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June 2: Ballet with Timour Bourtasenkov
<a href="http://listings.dancemagazine.com/vds/?class=CaryBalletJune2" ><img lazy-loadable="true" src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzE3MTU2Ni9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTY0NjI2NDEzOX0.ZSqF4KyWhqoxYIEb2ZEfHnXMMKRI6kAdmUvXdXMl1xI/img.jpg?width=980" id="37ae4" class="rm-shortcode" data-rm-shortcode-id="a45472997a852c3824a7890c5baffbb4" data-rm-shortcode-name="rebelmouse-image" /></a>Courtesy Cary Ballet Conservatory
<p>Join Cary Ballet Conservatory faculty member and Youth America Grand Prix judge Timour Bourtasenkov for <a href="http://listings.dancemagazine.com/vds/?class=CaryBalletJune2" target="_blank">an advanced/pre-professional level ballet class</a>.</p><p><a href="http://listings.dancemagazine.com/vds/?class=CaryBalletJune2" target="_blank">Sign up here.</a></p>May 28: Intermediate Pilates Mat with Elizabeth Lowe Ahearn
<a href="http://listings.dancemagazine.com/vds/?class=GoucherMay28" ><img lazy-loadable="true" src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzE2MjQwNy9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTY0MDM0Nzc1MX0.yEkoZ-wep2LoWyfMdFzqLkcGd11koN8ttxu_9cBI6uw/img.jpg?width=980" id="df8de" class="rm-shortcode" data-rm-shortcode-id="3dc2268def162d7cf2a7434e70081ed4" data-rm-shortcode-name="rebelmouse-image" /></a>Rob Ferrell, Courtesy Goucher
<p>Elizabeth Lowe Ahearn, dance professor and founding director of the Pilates Center at Goucher College, will teach <a href="http://listings.dancemagazine.com/vds/?class=GoucherMay28" target="_blank">a Classical Pilates mat class</a> designed to improve stretch, strength and control. </p><p><a href="http://listings.dancemagazine.com/vds/?class=GoucherMay28" target="_blank">Sign up here.</a></p>May 26: Intermediate Contemporary with Melissa Rector
<a href="http://listings.dancemagazine.com/vds/?class=KoreshDanceCompanyMay26" ><img lazy-loadable="true" src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzE3OTUyMy9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTYwMTg5MTE0Nn0.7YlSy10kk3tm9io6EmE_66jSJI3xa0uXChuNOkUxndE/img.jpg?width=980" id="e6013" class="rm-shortcode" data-rm-shortcode-id="c759db23fbb8fd35812dbae5b241cb89" data-rm-shortcode-name="rebelmouse-image" /></a>Sammi Pfieffer, Courtesy Koresh
<p>Join Melissa Rector, assistant artistic director of Koresh Dance Company, for <a href="http://listings.dancemagazine.com/vds/?class=KoreshDanceCompanyMay26" target="_blank">an intermediate contemporary class </a>focused on groundedness, breath, body percussion, stylized gesture and quick transitions. </p><p><a href="http://listings.dancemagazine.com/vds/?class=KoreshDanceCompanyMay26" target="_blank">Sign up here.</a></p><div style="padding: 20px 0 40px;">
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May 21: Ballet with Philip Neal
<img lazy-loadable="true" src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzI4NzY4OC9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTYwMzE2NjMyMn0.nPjzBBJsGAkGqFsUE9e3l47rKKF85LPJGEdVVUf1LXY/img.jpg?width=980" id="81abc" class="rm-shortcode" data-rm-shortcode-id="9b56c2fbd50068d1e2c2f60fe3738a7e" data-rm-shortcode-name="rebelmouse-image" /> <p>Join Philip Neal, artistic director of Next Generation Ballet, for a <a href="https://listings.dancemagazine.com/vds/?class=BalletMay21" target="_blank">ballet class focused on barre work</a>. The former New York City Ballet dancer will focus on lightness and speed.</p><p><a href="https://listings.dancemagazine.com/vds/?class=BalletMay21" target="_blank">Sign up here.</a></p>May 19: Jazz and Q&A with Courtney Ortiz
<a href="http://listings.dancemagazine.com/vds/?class=ImpactDanceMay19" ><img lazy-loadable="true" src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzE3NjAwMy9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTYyMjQwNjM4NX0.BgTydQUHXjEmNwfaKBaCSSvTHfML_lngda6JLIw5tqU/img.jpg?width=980" id="35a56" class="rm-shortcode" data-rm-shortcode-id="61abcf4394862ccec12d96a78a534ad0" data-rm-shortcode-name="rebelmouse-image" /></a>Corey Rives, Courtesy Revel Dance Convention
<p>Courtney Ortiz, owner of Impact Dance Adjudicators and a professional dancer, teacher and competition judge, will teach <a href="http://listings.dancemagazine.com/vds/?class=ImpactDanceMay19" target="_blank">a jazz class designed for small spaces</a> geared towards intermediate/advanced dancers and teachers. The class will be followed by a Q&A session with Ortiz, where participants can ask her advice on a professional dance career. </p><p><a href="http://listings.dancemagazine.com/vds/?class=ImpactDanceMay19" target="_blank">Sign up here.</a></p>May 14: The Dancer's Workout
<a href="http://listings.dancemagazine.com/vds/?class=TDWMay14" ><img lazy-loadable="true" src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzE2OTU1OC9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTYwOTQxOTkxN30.ZQLJ9iEMa29087aqCEowJQw8pzJB3vAyaR5V9zB8E8g/img.jpg?width=980" id="9b0a7" class="rm-shortcode" data-rm-shortcode-id="261926d19779b151a4cfb4cc8b07345d" data-rm-shortcode-name="rebelmouse-image" /></a>Kathy Howard Portrait, Courtesy The Dancer's Workout
<p>Join Jules Szabo, founder of The Dancer's Workout, for <a href="http://listings.dancemagazine.com/vds/?class=TDWMay14" target="_blank">a dance fitness class targeted to dancers</a> and incorporating ballet, jazz and contemporary dance.</p><p><a href="http://listings.dancemagazine.com/vds/?class=TDWMay14" target="_blank">Sign up here.</a></p><div style="padding: 20px 0 40px;">
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May 12: Cardio with Jaclyn Baker
<a href="http://listings.dancemagazine.com/vds/?class=IFBBMay12" ><img lazy-loadable="true" src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzE2MjQwMi9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTYyODk2NDcyN30.mdvY8vIKeOivwzvrzNcsCVt4UXvUX54G50cje41cqz8/img.jpg?width=980" id="f7652" class="rm-shortcode" data-rm-shortcode-id="3e828444d9f782d38b25b500a5c3fac3" data-rm-shortcode-name="rebelmouse-image" /></a>Courtesy Baker
<p>Professional dancer-turned-bodybuilder and International Federation of Bodybuilding and Fitness Olympian Jaclyn Baker will lead <a href="http://listings.dancemagazine.com/vds/?class=IFBBMay12" target="_blank">a 30-minute cardio sweat session</a>, focused on increasing stamina. Suitable for all fitness levels and ages. </p><p><a href="http://listings.dancemagazine.com/vds/?class=IFBBMay12" target="_blank">Sign up here.</a></p>May 7: Improving Grand Allegro with Hiroto Saito
<a href="http://" ><img lazy-loadable="true" src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzE2ODk4Ny9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTYwODU4MTcwM30.V1S8KyXkeiIz7b6BZvpMXtlKnw_VtQ14kr5wESJ7U2M/img.jpg?width=980" id="77cfe" class="rm-shortcode" data-rm-shortcode-id="bcdccf6b177353666e1b3a1c53b74547" data-rm-shortcode-name="rebelmouse-image" /></a>Courtesy Canada's Ballet Jörgen
<p>Join Ballet Jörgen ballet master Hiroto Saito for a ballet barre designed to support your jumps—including a special strength-training session to help you build jumping power when you're not able to jump at home.</p>
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Mar 31, 2020
Tulsa Ballet in Ma Cong's Tchaikovsky: The Man Behind the Music. Kate Luber Photography, Courtesy Tulsa Ballet.
Updated: Mark Your Calendars for These Online Ballet Performances
Updated on 7/8/2020
Since COVID-19 has forced ballet companies around the world to cancel performances—and even the remainder of their seasons—many are keeping their audiences engaged by streaming or posting pre-recorded performances onto their websites or social media channels. To help keep you inspired during these challenging times, we've put together a list of upcoming streaming events and digital performances.
<p><br/></p>
Dance Theatre of Harlem
<p>Dance Theatre of Harlem has just launched DTH on Demand, an online and interactive series that includes seven weeks of archival performances. All broadcasts will be streamed on <strong>Saturdays at 8 pm EDT</strong> on DTH's <a href="https://www.facebook.com/dancetheatreofharlem/?ref=ts" target="_blank">Facebook</a> page and <a href="https://www.youtube.com/user/DanceTheaterofHarlem" target="_blank">YouTube channe</a>l. Even better, there will be events throughout the week on DTH's social media platforms leading up to the Saturday night performance; <a href="https://www.dancetheatreofharlem.org/dthondemandvirtualballetseries/" target="_blank">click here</a> for a full list of events, and check out the steaming schedule below.</p><ul><li><strong>July 11 at 8p EDT</strong>: Works and Process Celebrates the 50th Anniversary of Dance Theatre of Harlem. The evening includes Arthur Mitchell's <em>Tones II </em>and Robert Garland's <em>Nyman String Quartet #2</em></li><li><strong>July 18 at 8p EDT</strong>: <em>Coming Together</em>, choreographed by Nacho Duato</li><li><strong>July 25 at 8p EDT</strong>: Geoffrey Holder's full-length <em>Dougla</em></li></ul>Ballet Black
<p>London's Ballet Black has been releasing filmed performances on its <a href="https://balletblack.co.uk/bb-on-film/" target="_blank">website </a>and <a href="https://www.youtube.com/channel/UC0IO8Gn7SRwPmBLL1kTff3g" target="_blank">YouTube channel</a> on Sunday nights as part of its BB on Film initiative. Each will be available for one week. Right <strong>now</strong> you can catch the company in <em>Mute, </em>written and directed by Mark Donne and performed by CIra Robinson. You can also <strong>still catch</strong> the full performance of <em>House of Dreams</em>, choreographed by Michael Corder, <a href="https://www.youtube.com/watch?v=2RUgpRzBGIs" target="_blank">here</a> on their YouTube channel.</p>Black Iris Project
<p>Jeremy McQueen's <a href="https://www.blackirisproject.org/" target="_blank">Black Iris Projec</a>t, which focuses intensely on bringing Black stories to life through ballet, is <strong>now streaming</strong> the Emmy-nominated dance film <em>A Mother's Rite </em>on the company's <a href="https://www.blackirisproject.org/a-mothers-rite" target="_blank">website</a> and on <a href="https://vimeo.com/394720909" target="_blank">Vimeo</a>. Set to a four-handed piano arrangement of Igor Stravinsky's <em>Rite of Spring</em>, McQueen's ballet follows a mother's grief after her son is murdered by police. Alvin Ailey American Dance Theatre's Courtney Celeste Spears stars in this powerful 40-minute solo, which was filmed in the historic home of Harlem Renaissance poet Langston Hughes.<span></span></p><div style="padding: 20px 0 40px;">
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The Washington Ballet
<img lazy-loadable="true" src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzQwMDg1Ni9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTY0NjQ2ODA0N30.bBgja142lMS_gt1Kgtsm92Y03eGUnrCE9NLzhLUT_Vw/img.jpg?width=980" id="93364" class="rm-shortcode" data-rm-shortcode-id="e8700b4c791fc50d07c6765609605bec" data-rm-shortcode-name="rebelmouse-image" />TWB will present a ballet for 16 women in red in tribute to the movie Center Stage.
Courtesy The Washington Ballet
<p>The Washington Ballet presented its first-ever virtual gala on its <a href="https://www.washingtonballet.org/" target="_blank">website</a> on Thursday, June 18. But <strong>you can still catch this performance</strong> on TWB's <a href="https://www.youtube.com/watch?v=G-ebyzsvXM4" target="_blank">YouTube channel</a> (it starts at 30 minutes in). Coined The Washington Ballet Takes Center Stage, the evening includes three pre-recorded performances and three live performances. (Several of the dancers have been quarantining together in preparation for the event.) Tune in for the Black Swan pas de deux from <em>Swan Lake</em>, Annabelle Lopez Ochoa's <em>Sombrerisimo </em>and a very special tribute to the classic dance flick<em> Center Stage</em>, celebrating its 20th anniversary this year (TWB artistic director Julie Kent played the role of Kathleen Donahue).</p>Mariinsky Ballet
<p>St. Petersburg's famed Mariinsky Theatre is releasing web broadcasts on its streaming channel, <a href="https://mariinsky.tv/e" target="_blank">Mariinsky TV</a>, with a ballet, opera or symphony performance posted every few days. <span></span></p>Stuttgart Ballet
<p>From <strong>July 9–July 12,</strong> StuttgartBallet@Home will continue its program with a revival of the company's 2018 performance of John Cranko's <em>Initials R.B.M.E.</em> Check it out on the company's <a href="https://www.stuttgart-ballet.de/schedule/stuttgartballetathome" target="_blank">website</a> and <a href="https://www.youtube.com/c/dasstuttgarterballett" target="_blank">Youtube channel</a>.<em></em></p><div style="padding: 20px 0 40px;">
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The Royal Ballet
<span style="display:block;position:relative;padding-top:56.25%;" class="rm-shortcode" data-rm-shortcode-id="d68c5c572eea0bfec87507554d9ba652"><iframe lazy-loadable="true" src="https://www.youtube.com/embed/ROBbp4rQm0A?rel=0" width="100%" height="auto" frameborder="0" scrolling="no" style="position:absolute;top:0;left:0;width:100%;height:100%;"></iframe></span><p>The Royal Ballet has been holding streaming events on the company's <a href="https://www.youtube.com/user/RoyalOperaHouse" target="_blank">YouTube channel </a>and <a href="https://www.facebook.com/royaloperahouse" target="_blank">Facebook page</a>. Tune in <strong>June 26–July 9</strong> for Wayne McGregor's <em>Woolf Works</em>, a triptych based on the writings of Virginia Woolf to an original score by Max Richter. Alessandra Ferri stars. Then on <strong>July 10 at 2p EDT,</strong> catch the company's performance of Kenneth McMillan's <em>Romeo and Juliet</em>, starring Yasmine Naghdi and Matthew Ball. </p><p>And, if that were not enough, the Royal Opera House has been offering live performances through a new concert series entitled Live from Covent Garden,<strong> still available through July 11.</strong> The <a href="https://www.roh.org.uk/tickets-and-events/live-from-covent-garden-27-june-details" target="_blank">series continues</a> with performances of Sir Kenneth MacMillan's <em>Concerto</em> and Christopher Wheeldon's <em>Within the Golden Hour</em>. Casting includes Fumi Kaneko, Mayara Magri, Reece Clarke, and Matthew Ball. To watch, go to ROH's YouTube channel, Facebook page, and the company's <a href="https://www.roh.org.uk/tickets-and-events/festival/live-from-covent-garden-details" target="_blank">website via Vimeo</a>. A ticket purchase (for the reasonable price of $5.28) is required.</p>Lincoln Center
<p><br></p><p>Lincoln Center has rescheduled a series of its Dance Week performances to later this month. Go to <a href="http://lincolncenter.org/lincoln-center-at-home/series/dance-week?utm_source=wordfly&utm_medium=email&utm_campaign=5.14.20DanceWeek&utm_content=version_A&uid=&sourceNumber=" target="_blank">Lincoln Center's website</a> or <a href="https://www.facebook.com/LincolnCenterNYC?utm_source=wordfly&utm_medium=email&utm_campaign=5.14.20DanceWeek&utm_content=version_A&uid=&sourceNumber=" target="_blank">Facebook page</a> to watch the performances.</p><ul><li><strong>June 22 at 8 pm EDT through July 14: </strong>New York City Ballet's All-Balanchine Program replaces its previously scheduled full-length performance of <em>Coppélia</em>. This broadcast from 2004 features excerpts from Balanchine's <em>Brahms-Schoenberg Quartet</em> with Wendy Whelan and Damian Woetzel; <em>Concerto Barocco</em> with Maria Kowroski, Rachel Rutherford, and James Fayette; and <em>Who Cares? </em>with Alexandra Ansanelli, Nilas Martins. The program will conclude with the third act of Balanchine's <em>Coppélia</em>, performed in 1978 by Patricia McBride and Helgi Tomasson.</li><li><strong>June 29 at 8 pm EDT through July 14: </strong>Catch a 1983 "Live from Lincoln Center" tribute to Balanchine. Filmed shortly after the choreographer's death, the program features three of his ballets: <em>Vienna Waltzes</em>, starring Kyra Nichols, Sean Lavery, Heather Watts, Helgi Tomasson, Elyse Borne, Bart Cook, Karin von Aroldingen, Peter Martins, Suzanne Farrell and Adam Lüders; <em>Mozartiana</em>, led by Farrell, Victor Castelli and Ib Anderson; and <em>Who Cares?,</em> featuring Lourdes Lopez, Patricia McBride, Heather Watts and Sean Lavery.</li><li><strong>July 9 at 7 pm EDT through July 13: </strong>Lincoln Center will stream the School of American Ballet's "Virtual Workshop Performance Celebration" featuring highlights from the School's annual Workshop Performances.</li></ul><p>Lincoln Center is also offering a selection of previously broadcasted Dance Week performances <strong>on-demand </strong>for a limited time. Included in the lineup are Alvin Ailey Dance Theater's 2015 performance of <em>Chroma</em>, <em>Grace</em>, <em>Takademe</em>, and <em>Revelations; </em>New York City Ballet's 1986 performance of Balanchine's <em>A Midsummer Night's Dream</em>; American Ballet Theatre's 1978 performance at The Metropolitan Opera House; and Ballet Hispanico's 2015 performance of <em>CARMEN.maquia </em>and <em>Club Havana</em>. These performances may also be accessed through <a href="http://lincolncenter.org/lincoln-center-at-home/series/dance-week?utm_source=wordfly&utm_medium=email&utm_campaign=5.14.20DanceWeek&utm_content=version_A&uid=&sourceNumber=" target="_blank">Lincoln Center's website</a>.</p>Smuin Ballet
<p>Smuin Ballet is offering 48-hour streaming access to a pre-recorded performance <strong>every Wednesday</strong>. Called Hump Day Ballets, the week's repertoire is chosen by a different company member. Links to the broadcast will be available on the company's <a href="https://www.facebook.com/smuinballet" target="_blank">Facebook</a> and <a href="https://www.instagram.com/smuinballet/" target="_blank">Instagram </a>page, as well as through the company's email list (a sign up is available at <a href="https://www.smuinballet.org/" target="_blank">smuinballet.org</a>).</p><div style="padding: 20px 0 40px;">
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Carolina Ballet
<p>Carolina Ballet has been uploading a pre-recorded ballet from its vast repertoire to its <a href="https://www.carolinaballet.com/performances/" target="_blank">website</a> and every Tuesday and Friday. Watch the biweekly uploads <a href="https://www.carolinaballet.com/performances/" target="_blank">here</a>.</p>Dutch National Ballet
Dutch National Ballet is streaming ballets on its <a href="https://www.operaballet.nl/online" target="_blank">new online platform</a> and on its <a href="https://www.youtube.com/user/DutchNatOperaBallet/featured" target="_blank">YouTube channel</a>.<strong> Right now</strong>, the company is sharing its world premiere of <em></em>The Prometheus Project<em>, </em>a triple bill of solo works featuring choreography by Erica Horwood, Wubkje Kuindersma, and Ernst Meisner celebrating the poignant Greek myth.Les Ballets Trockadero de Monte Carlo
<p>Let's face it—we all could use a laugh right now. Thankfully, <a href="https://trockadero.org/" target="_blank">Les Ballets Trockadero de Monte Carlo</a> will be posting recordings of past performances to its <a href="https://vimeo.com/thetrocks" target="_blank">Vimeo</a> channel every two weeks as part of its <a href="https://trockadero.org/2020/04/the-trocks-launch-online-performance-series/" target="_blank">#trocksathome </a>initiative. Starting <strong>Friday, July 10</strong>, tune in <a href="https://www.youtube.com/channel/UC7dCZCzqVO5SZh5CTyAItYw/videos" target="_blank">here</a> to watch<em> ChopEniana</em>, the Trocks' hilarious rendition of the classic <em>La Sylphide</em>. For even more laughs, you can <strong>still access </strong>the hysterical <em>Go for Barocco </em><a href="https://www.youtube.com/watch?v=iW18dh8Tpkw" target="_blank">here</a>. <strong><strong></strong></strong></p><div style="padding: 20px 0 40px;">
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Seattle Dance Collective
<p>From <strong>July 2-30</strong>, Seattle Dance Collective presents its online streaming platform Continuum: Bridging the Distance. Check out new works by Amanda Morgan, Bruno Roque, Penny Saunders, SeaPertyls, and Beth Terwilleger on the company <a href="https://www.seattledancecollective.org/continuum" target="_blank">website</a>.</p>Miami City Ballet
<p>Tune in on Friday nights for Miami City Ballet's new digital performance series. Called <a href="https://www.miamicityballet.org/home/friday-night-spotlights?fbclid=IwAR2PYXzdeGxc0Oz43o_gTGAQTtbYt8sdOi4nmI1_HpqYQJgYClFLRGl3LQk" target="_blank">Friday Night Spotlights</a>, the series continues every two weeks through July, with each broadcast aired on MCB's <a href="https://www.facebook.com/miamicityballet" target="_blank">Facebook</a> page. All performances begin on its scheduled <strong>Friday at 8 pm EDT</strong>. Check out the calendar below for details:</p><ul><li><strong>July 12</strong>: Alexei Ratmansky's <em>Symphonic Dances</em>, to music by Rachmaninoff</li></ul><p>Past performances, including Twyla Tharp's <em>Nine Sinatra Songs</em> and George Balanchine's <em>Firebird</em>, are still available on MCB's <a href="https://www.youtube.com/c/MiamiCityBalletMiamiBeach/featured" target="_blank">Youtube</a> channel.</p>English National Ballet
<img lazy-loadable="true" src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vbWVkaWEucmJsLm1zL2ltYWdlP3U9JTJGd3AtY29udGVudCUyRnVwbG9hZHMlMkYyMDE4JTJGMTAlMkZBbGluYS1Db2pvY2FydS1hbmQtSXNhYWMtSGVybmFuZGV6LWluLUNpbmRlcmVsbGEtaW4tdGhlLXJvdW5kLWMtTGF1cmVudC1MaW90YXJkby02LmpwZyZobz1odHRwcyUzQSUyRiUyRnd3dy5iYWxsZXQub3JnLnVrJnM9OTUxJmg9NDZmYjhjODNjY2ZhNTA1NjU3NjNjM2ZkYzZkNThmMmFiZjM4OTVlMjIyNzM5OWFlYzc3YzNiNTE5M2M1NDNlMCZzaXplPTk4MHgmYz0yNTU3MzAwODc1IiwiZXhwaXJlc19hdCI6MTYzNDQ1MTUwNn0.tg2G7VBqxhzbv32XDRR9oaQHYoVxmIYSpFVhw2KqeFY/img.jpg" id="af02a" class="rm-shortcode" data-rm-shortcode-id="5820dba42ef04be55dc26d5789ce9c06" />Watch Party: Cinderella in-the-round <p>English National Ballet has launched its Wednesday Watch Parties, featuring full-length recordings of company performances on ENB's <a href="https://www.facebook.com/EnglishNationalBallet" target="_blank">Facebook page</a> and <a href="https://www.youtube.com/user/enballet" target="_blank">YouTube channel</a>. Broadcasts begin on <strong>Wednesdays at 2 pm EDT/11 am PDT</strong> and are available for <strong>48 hours</strong>. The next Watch Party is scheduled for <strong>July 8-10</strong><em><strong>,</strong></em> when ENB presents a full-length performance of Christopher Wheeldon's magical <a href="https://www.ballet.org.uk/onscreen/watch-party-cinderella-round/" target="_blank"><em>Cinderella in-the-round</em></a>.</p><div style="padding: 20px 0 40px;">
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Northern Ballet
<p>UK–based Northern Ballet is offering a <a href="https://northernballet.com/pay-as-you-feel-season" target="_blank">Pay As You Feel Digital Season</a>, with a series of videos available on the company's website for a limited time, along with a link to donate. <em>EGO</em>, a Northern Ballet original dance film, is available on the <a href="https://northernballet.com/ego" target="_blank">website</a> <strong>now</strong>. You can <strong>also catch</strong> highlights from the company's <a href="https://northernballet.com/gala" target="_blank">50th Anniversary gala performance</a>, excerpts from Kenneth Tindall's brand new ballet <a href="https://northernballet.com/geisha" target="_blank"><em>Geisha</em></a>, Amaury Lebrun's <a href="https://northernballet.com/for-an-instant" target="_blank"><em>For an Instant</em></a>, and the children's ballet <em>Little </em><a href="https://northernballet.com/little-red-riding-hood" target="_blank"><em>Red Riding Hood</em></a>. David Nixon's <em>Dracula</em> is also available now for 11 months on <a href="https://www.bbc.co.uk/iplayer/episode/m000jqyr/dracula-by-northern-ballet" target="_blank">BBC Four and iPlayer</a> as part of the BBC's Culture in Quarantine Season.</p>New York Theatre Ballet
<p>New York Theatre Ballet, now called NYTB/Chamber Works, started its <a href="https://nytb.org/calendar-and-tickets/livingroomseries" target="_blank">Living Room Series</a> in March. The best part? NYTB has made all past Living Room Series performances available on its website. <a href="https://nytb.org/calendar-and-tickets/livingroomseries" target="_blank">Click here </a>for links to all performances, including the company's REP Triple Bill, All Alston Evening, All Tudor Evening, All Limón Evening, and Keith Michaels' <em>Mother GOOSE</em> and <em>Alice in Wonderland </em><em>Follies</em>.</p>American Repertory Ballet
<p>American Repertory Ballet was supposed to perform its new production of <em>Giselle</em> this weekend at Princeton's McCarter Theater. But since the COVID-19 pandemic has forced its cancellation, the company is <strong>now</strong> presenting an hour's worth of excerpts on its<a href="https://www.arballetvideos.org/about" target="_blank"> website</a>, filmed during a February 16 performance at the New Brunswick Performing Arts Center. The production is a collaboration between Cuban and American stagers, including José Manuel Carreño, Aydmara Cabrera, Ana Novoa and Ian Hussey.</p><div style="padding: 20px 0 40px;">
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Colorado Ballet
<p>Colorado Ballet has launched its online performance platform <a href="https://www.coloradoballet.org/presents" target="_blank">Where Ballet Meets You</a>, a new resource offering full-length performances and other digital media available for virtual audiences. Beginning on June 24, Colorado Ballet will stream <em>The MOVE/ment, </em>a project headed by choreographer Cleo Parker Robinson, <strong>through July 8</strong>. The project features dancers from both Colorado Ballet and Cleo Parker Robinson Dance in a collaboration focused on showing the importance of speaking out against injustice. Check out Colorado Ballet's <a href="https://www.coloradoballet.org/presents" target="_blank">website</a> and <a href="https://www.youtube.com/watch?time_continue=1200&v=stFOe4VUHZw&feature=emb_title" target="_blank">YouTube channel</a> for full access to these performances for free.</p>Jacob's Pillow
<p>Join Jacob's Pillow <strong>July 9-Aug 29</strong> for its first-ever online<a href="https://www.jacobspillow.org/virtual-pillow/virtual-festival-performances/" target="_blank"> Virtual Pillow</a> festival. The festival will feature works performed by Limón Dance Company, Dance Theatre of Harlem and Royal Danish Ballet, and audiences can RSVP for their selection of YouTube and Zoom performances for free via the company <a href="https://www.jacobspillow.org/virtual-pillow/virtual-festival-performances/" target="_blank">website</a>. </p>City Ballet of San Diego
<p>City Ballet of San Diego is <strong>now </strong>offering online on-demand access to its new project, <em>The Dark Room Series</em>, on its <a href="https://www.cityballet.org/" target="_blank">website</a> and <a href="https://vimeo.com/user102777946" target="_blank">Vimeo channel</a>.</p><div style="padding: 20px 0 40px;">
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Tulsa Ballet
<p>On Friday,<strong> July 10 at 7p CDT and Saturday, July 11 at 12p CDT,</strong> <a href="https://tulsaballet.org/upcoming-live-streams/" target="_blank">Tulsa Ballet</a> will be offering free live streams of Adam Hougland's <em>Rite of Spring</em>. Each virtual performance lasts 45 minute long and will only be available online during their given time slots. (Please note that this performance may be unsettling for some viewers.) Tune in on the Tulsa Ballet <a href="https://www.youtube.com/channel/UC6Ey0G-kCjmoEiSbZWHk5JQ" target="_blank">Youtube channel</a>.</p>State Street Ballet
<p>State Street Ballet presents its Virtual Summer Series on the platform <a href="https://www.cya.live/" target="_blank">CYA.Live</a>. Tickets to each performance are available on the CYA.Live <a href="https://www.cya.live/" target="_blank">website</a> for $9.99 each. All broadcasts are live streamed <strong>8-10p EDT. </strong>Check out the lineup below:</p><ul><li><strong>July 22:</strong> Rodney Gustafson's <em>The Jungle Book</em></li><li><strong>August 19:</strong> Edgar Zendejas' <em>Common Ground</em></li><li><strong>September 16:</strong> William Soleau, Kevin Jenkins, and Edgar Zendejas' <em>Chaplin</em></li></ul><br>Then, tune in on<strong> Friday, August 14 at 8p PDT </strong>for State Street's performance of Gustafson's <em>Romeo and Juliet</em>. Access the performance through the Redlands Bowl <a href="https://www.youtube.com/c/RedlandsBowl" target="_blank">YouTube channel </a>and <a href="https://www.facebook.com/redlandsbowl/events/?ref=page_internal" target="_blank">Facebook page</a><p>.</p>Marquee TV
<p>While you need a subscription to performing arts streaming service <a href="https://www.marquee.tv/" target="_blank">Marquee TV</a>, it is currently offering 14 days of free streaming (plus 30 percent off your first year) for new subscribers. Marquee offers a robust selection of ballet and contemporary dance performances from major international dance companies, including The Royal Ballet, New York City Ballet, Dutch National Ballet, Royal Swedish Ballet, Alonzo King LINES Ballet and Bolshoi Ballet. </p><div style="padding: 20px 0 40px;">
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All Arts
<p><a href="https://allarts.org/" target="_blank">All Arts</a>, the streaming arm of New York PBS station WNET, is offering a slew of performances for free <strong>right now</strong>. Catch the Czech National Ballet in <em>Romeo and Juliet</em>, the Mariinsky Ballet in Balanchine's <em>Jewels</em>, Tokyo Ballet and Ballet Béjart Lausanne in Maurice Béjart's<strong> </strong><em>Ninth Symphony</em>, <em>Young Stars of Ballet</em>, and State Street Ballet in the company's production of <em>Cinderella</em>. You can also catch behind-the-scenes documentaries of Kansas City Ballet's <em>Wizard of Oz</em> and <a href="https://www.pointemagazine.com/joffrey-nutcracker-pbs-2513599318.html" target="_blank">Christopher Wheeldon's </a><em><a href="https://www.pointemagazine.com/joffrey-nutcracker-pbs-2513599318.html">Nutcracker</a></em><strong> </strong>at Joffrey Ballet.</p>
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Jul 02, 2020
VAM/Siggul, Courtesy YAGP
YAGP Has Announced the Winners of the 2020 Pas De Deux Virtual Competition
Last weekend, Youth America Grand Prix took to the internet, hosting its first virtual pas de deux competition. Over the course of three days, YAGP streamed videos from its regional events' highest-ranked competitors for a panel of esteemed judges. And, drum roll please... YAGP has just announced the winners, spanning three categories: Senior Classical, Junior Classical and Contemporary.
You can watch the full virtual awards ceremony, hosted by YAGP director of external affairs Sergey Gordeev, below, or scroll down for the list of winners. And if you're missing the thrill of competition, don't fear: Gordeev announced that registration for the 2021 season will open on July 10, with both in-person and virtual options available.
Congratulations to all!
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Senior Classical Pas de Deux
<p><strong>1st Place (tie)</strong></p><p>Margarita Fernandes (age 14) and Antonio Casalinho (age 16)</p><p>Conservatorio Internacional de Ballet e Dança Annarella Sanchez, Portugal</p><p><br></p><p>Michela Caprarulo (age 15) and Riccardo Umberto Bruttomeso (age 17)</p><p>Il Balletto, Italy</p><p><strong>2nd Place </strong><br></p><p>Alexis Workowski (age 15) and Josue Gomez (age 16)</p><p>Fort Lauderdale Youth Ballet, Florida </p><p><strong>3rd Place </strong><br></p><p>Catherine Rowland (age 15) and Paul Piner (age 18)</p><p>International Ballet Academy, North Carolina</p>Junior Classical Pas de Deux
<p><strong>1st Place </strong></p><p>Ana Luisa Negrao (age 15) and Vitor Vaz (age 15)</p><p>ITEGO em Artes Basileu Franca, Brazil</p><p><strong>2nd Place </strong><br></p><p>Madison Brown (age 14) and Brady Farrar (age 14)</p><p>The Art of Classical Ballet, Lents Dance Company and Stars Dance Studio, Florida</p><p><strong>3rd Place </strong><br></p><p>Nina Miro Verger (age 9) and Asier Bautista (age 11)</p><p>Escola de Dansa d'Alaro and Jove Ballet de Catalunya, Spain</p><div style="padding: 20px 0 40px;">
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Contemporary Pas de Deux
<p><strong>1st Place</strong></p><p>Emma VanDeWater (age 17) and Styles Dykes (age 19)</p><p>Odasz Dance Theatre, New York </p><p><strong>2nd Place </strong><br></p><p>Livia Childers (age 14) and Reed Henry (age 15)</p><p>Ballet CNJ, New Jersey</p><p><strong>3rd Place (tie)</strong><br></p><p>Farrah Hirsch (age 14) and Chase Vining (age 18)</p><p>Master Ballet Academy, Arizona</p><p><br></p><p>Natalie May Dixon (age 17) and Tyler Schellenberg (age 18)</p><p>Edge School, Canada </p>
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Jul 01, 2020
Rosalie O'Connor, Courtesy ABT
Defining and Refining Musicality: How to Tune In and Develop Your Artistic Voice
Ask a hundred people what musicality is, and you're likely to get a hundred different answers. "Musicality is where an artist's personality shines brightest," says Smuin Contemporary Ballet member Ben Needham-Wood. For American Ballet Theatre soloist Skylar Brandt, "it's what distinguishes one dancer from another. It helps me express myself more vividly and emotionally."
Teachers encourage it, directors seek it out and dancers who possess it bring choreography to life in compelling ways. But what exactly is musicality, and how can dancers get more of it?
Putting Musicality Into Words
<img lazy-loadable="true" src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzQyOTYxNS9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTYzNzMyNDMyNX0.ufIhcrrxZQf6zHyfJUAoEgu8WDcNfP4GRq7HJUKc6rU/img.jpg?width=980" id="f452d" class="rm-shortcode" data-rm-shortcode-id="c365b87f75ff74801bf1946e179de394" data-rm-shortcode-name="rebelmouse-image" alt="David Morse, wearing a blue sleeveless T-shirt, is shown from the waist up making gestures near his face with his hands." />David Morse rehearses one of his ballets at Cincinnati Ballet.
Jennifer Denham, Courtesy Cincinnati Ballet
<p>Musicality could be loosely described as a dancer's unique emotional and intellectual relationship to a piece of music, as expressed in their execution of choreography. "I connect musicality to rhythm, phrasing, tonality and mood—all these elements that allow the body to inhabit music from the inside out," says Atlanta Ballet choreographer in residence <a href="https://www.pointemagazine.com/search/?q=claudia+schreier" target="_blank">Claudia Schreier</a>.</p><p>Comparing two dancers in the same role can help make it clearer, says <a href="https://www.pointemagazine.com/search/?q=david+morse" target="_blank">David Morse</a>, a Cincinnati Ballet soloist, choreographer and class accompanist. He cites Royal Ballet principals <a href="https://www.youtube.com/watch?v=3SKLSOGtayE" target="_blank">Natalia Osipova</a> and <a href="https://www.youtube.com/watch?v=j9UFQtoy8NA" target="_blank">Marianela Nuñez</a> in the Black Swan variation as a good example. "Natalia has this punch behind everything," he says. "When she goes from Point A to Point B, there's power on the front end and then a suspend. With Marianela, there is an airiness in arriving at the next position, more like a sustain across the beat. They could not be more different, in large part due to those small increases and decreases in speed."</p><img lazy-loadable="true" src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzQyOTU2Mi9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTYxODk5NDcyOX0.UGYMHaQyN5YYNQQ00r2WI1CEvDJ2hREddVYe72arcGs/img.jpg?width=980" id="9a4a1" class="rm-shortcode" data-rm-shortcode-id="f3a908ea14ac3819afad4798a241e9b2" data-rm-shortcode-name="rebelmouse-image" alt="Inside a brick-walled dance studio, choreographer Claudia Schrier wears dance clothes and points upward to demonstrate what she wants to a room of dancers." />
Claudia Schreier rehearses her ballet Passage with Dance Theatre of Harlem.
Rachel Neville, Courtesy Schreier
<p>Most of those choices are made in rehearsal, but sometimes they reflect a dancer's spontaneity. Miami City Ballet principal soloist <a href="https://www.pointemagazine.com/search/?q=lauren+fadeley" target="_blank">Lauren Fadeley</a> remembers feeling caught off guard when MCB's orchestra played unexpectedly slowly during Balanchine's <em>La Valse</em>. "But our rehearsal pianist came up to me afterward and said, 'That was one of the most musical performances of that ballet I've ever seen,'" says Fadeley. "You have to listen to the music and just dance. And enjoy it—that's what will really shine through."</p><p>These examples demonstrate a deeply personal element that each dancer can find within themselves. "The dancers we look up to are the ones who bring their true selves to every step through their musicality," says Schreier. "What we really get drawn to is that freedom. And that comes from exploring their relationship to the music and falling in love with it in their own way."</p>The Building Blocks
<img lazy-loadable="true" src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzQyOTY1MC9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTYxNTAxNjg2N30.naY_gY5jxYi3TEceqFSibHYKERs0cuVlLIe4KSRBsyk/img.jpg?width=980" id="c6831" class="rm-shortcode" data-rm-shortcode-id="205ffcf1ca24a75cafa270b5c8e72b97" data-rm-shortcode-name="rebelmouse-image" alt="Wearing white skirted costumes, Ben Needham-Wood crosses his arms and lifts Terez Dean by the shoulders as she extends her left leg straight in front of her and tucks her right leg underneath her." />Ben Needham-Wood and Terez Dean in Amy Seiwert's Renaissance
Chris Hardy, Courtesy Smuin Ballet
<p>Paradoxically, dancers reach that level of musical freedom through deliberate, dedicated practice. "It has to start from barre," says Brandt, who describes herself as "rigid" about doing combinations at the ballet master's prescribed tempos because "it trains your body to handle the demands of a faster dégagé than you're used to, or a slower adagio, when you get onstage." Having so much command over her musicality, she says, "makes me feel like I can get lost in what I'm doing—like I can be an embodiment of the music, versus the music being a separate entity." On the other hand, deliberately playing with the rhythms and patterns at barre can lead to equally important insights, says Brandt.</p><div style="padding: 20px 0 40px;">
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<p>A basic understanding of music can be an inroad into greater self-expression. Fadeley, for instance, grew up playing piano and flute. Her ability to read music and quickly grasp time signatures has been critical to mastering the Balanchine oeuvre. "You can have a Stravinsky score that is so hard to count—there's a 13 and a 9 and an 11," she says, referring to the complex time signatures found in many Balanchine works. "Even in the 'Waltz of the Snowflakes' in <em>The Nutcracker</em>, there's a part where we would count a 12 or a 13 after counting 8s."</p><p>Take advantage of free online resources, like <a href="https://www.musictheory.net/" target="_blank">MusicTheory.net</a>, <a href="https://www.youtube.com/channel/UCRDDHLvQb8HjE2r7_ZuNtWA" target="_blank">Signals Music Studio's YouTube demos</a> and <a href="https://www.wikihow.com/Read-Music" target="_blank">WikiHow.com's</a> section on reading music, to familiarize yourself with time signatures, concepts like tempo and phrasing, and forms like sonata and minuet. Along with entry points into the score a choreographer has chosen, that understanding can provide anchors for your interpretation of their choreography. "You might have your counts on 1 and 2 and 3," says Needham-Wood, "but how you play with all those little 'ands' is how your musicality comes out."</p><p>As empowering as those building blocks are, the most compelling artists infuse their musical knowledge and technical mastery with something innate and, yes, undefinable. "When musicality is really in your body, you're not thinking about it. It just happens because you are letting yourself move," says Schreier.</p>
Be Your Own Maestro
<img lazy-loadable="true" src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzQyOTYzMC9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTY1MTMwMTUwMn0.RiDWrOoSvpsc0ZUUu0LfCHVgAaAMj8j1uJ4etZTtzQI/img.jpg?width=980" id="c7b2f" class="rm-shortcode" data-rm-shortcode-id="5d79b0c3c4f88666f75cc97eee31adad" data-rm-shortcode-name="rebelmouse-image" alt="Chase Swatosh, in lack tights and a white T-shirt, tosses Lauren Fadeley into a grand sissone. She wears a black leotard, pink tights and pointe shoes." />Lauren Fadeley and Chase Swatosh in Balanchine's The Four Temperaments
Alexander Iziliaev, Courtesy MCB
<p>Dancing at home is ideal for exploring your own sense of musicality and artistic voice, because you can turn off the Zoom camera and take some risks, free of any feedback but your own sense of what feels authentic. "This is not about proving anything to anyone. This is about taking an opportunity to discover what you're able to do," says Needham-Wood.<br></p><p>Ready to get started? These exercises can help you discover insights and artistry that you'll bring back to the studio and the stage.</p><p><strong>Reorchestrate the barre:</strong> Barre is a great place to experiment with your musicality, says Brandt. "Play with your phrasing, play with your accent. Hold your fifth position a millisecond longer than you would have. Really differentiate your tendus that are accent <em>out</em> from tendus that are accent <em>in</em>. We should all be doing that anyway, so that by the time we arrive at rehearsal or a performance, we have musicality in our bodies."</p><p><strong>Push the boundaries:</strong> "Make up a piece of choreography, and dance it to the same music three times," says Schreier. "Try to do it exactly on the music, then just behind the music, and then just ahead. How does that change your physicality? How does it change your relationship to the music? Which one feels best for you? What can you pull out of the silences?"</p><p><strong>Bust a new move:</strong> "If you only expose yourself to one approach to musicality, you're limiting your potential to express yourself," says Needham-Wood, who also teaches hip hop. Try tap, Broadway, or popping and locking. "Ballet is often about the melody, while contemporary brings in more percussive sound, and hip hop has a sense of weight to it. The more you allow yourself to get outside of your comfort zone, the more your comfort zone will grow."</p><p><strong>Experiment with time signatures:</strong> A time signature is a notation used in Western music to indicate the number of rhythmic beats in a measure of music—the ones most familiar to dancers are 4/4 (think of the steady 1-2-3-4 of tendus en croix) and 3/4, which is waltz time. Composers use time signatures to create effects in their music, from strident tension to a cascading sense of joy—if you're dancing to agitated music by Stravinsky, for example, you might encounter 3/32, 4/16, 11/4, while in a pop ballet set to the Beatles' "Here Comes the Sun" you'll find 11/8, 4/4 and 7/8.</p><p>A great way to build a sense of time signatures is to experience them for yourself. ABT principal conductor Charles Barker suggests listening to the nationalistic dances in <em>Sleeping Beauty </em>or <em>Swan Lake</em>, and hearing the time signatures of the mazurka, polonaise and waltz. "Listen to it, then move to it and feel how all the phrases are not all the same tempo." Try the third movement of <a href="https://www.youtube.com/watch?v=-JXvjejaVEc" target="_blank">Brahms' </a><em><a href="https://www.youtube.com/watch?v=-JXvjejaVEc">Symphony No. 3</a></em>, which is in 3/8 time, or the second movement of<a href="https://www.youtube.com/watch?v=GvEzdij0dlk" target="_blank"> Tchaikovsky's </a><em><a href="https://www.youtube.com/watch?v=GvEzdij0dlk">Symphony No. 6</a></em>, in 5/4. "Tchaikovsky has lots of music in 5/4. Play with it! He was playing with it, so we should as well."</p>
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Jun 30, 2020
Igor Burlak, Courtesy Boston Ballet
Get Ready for World Ballet School Day, Streaming July 7
Mark your calendars!
This Tuesday, July 7, join pre-professional dancers across the globe in an inaugural live-stream event celebrating World Ballet School Day 2020. Made "by students for students," the event aims to bring young generations of dancers together in an international recognition of the unifying power of ballet, dance and the art world at large. The program, featuring dancers from a dozen internationally renowned ballet academies and organizations, will be broadcasted online on the WBSD website at 7 am EDT and will be available for viewers on-demand for one month following the premiere.
<p>Students around the world will participate in discussions and showcase their training on this online platform, with special attention given to the effect of COVID-19 shutdown on young artists. The event will also feature performance footage, including the premiere of<strong> </strong>a new work choreographed by Didy Veldman focusing on physical restriction—a familiar sensation for dancers worldwide during the pandemic. Students from The Royal Ballet School, San Francisco Ballet School, Canada's National Ballet School, Paris Opéra Ballet School, The Royal Danish Ballet School and the Dutch National Ballet Academy worked together with Veldman over Zoom to create the new work. She and UK–based company BalletBoyz then compiled each dancer's video into the finished product for the upcoming broadcast.<strong></strong></p>
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</div></blockquote></div><p>The WBSD collaboration, conceived by English National Ballet School director Viviana Durante, has a wide reach, featuring 12 schools and institutions from three different continents. Participating organizations include:<strong> </strong><del></del></p><p>The Australian Ballet School<br>Boston Ballet School <br>Dutch National Ballet Academy <br>English National Ballet School <br>Canada's National Ballet School <br>Palucca University of Dance Dresden<br>Paris Opéra Ballet School<br>Prix de Lausanne<br>Royal Ballet School <br>Royal Danish Ballet School <br>San Francisco Ballet School<br>New Zealand School of Dance</p>
<img lazy-loadable="true" src="https://assets.rebelmouse.io/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8yMzQyODMxNC9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTY0ODY0ODE0M30.UAPjgXBvabVm-ebWl-4_mfYokXQWoNWZ4y0qSVTpses/img.jpg?width=980" id="7bc7a" class="rm-shortcode" data-rm-shortcode-id="c3d37d883421bc071bb22736bb82ed38" data-rm-shortcode-name="rebelmouse-image" alt="A group of three girls and four boys in blue and black leotards and unitards pose in various modern shapes onstage in front of a black background." />
Boston Ballet School in Lia CIrio's the peppermint wind.
Liza Voll, Courtesy Boston Ballet
<p><em></em><strong><br></strong></p><p><strong></strong>"World Ballet School Day provides students from across the globe the opportunity to connect and unite through the common language of dance," says Boston Ballet School director Margaret Tracey. <strong>"</strong>Their passion and commitment to training brings together the next generation of artists who will lead us into a more hopeful future."<strong></strong> For more information, visit the <a href="https://www.worldballetschoolday.com/?utm_content=version_A#contact" target="_blank">WBSD website</a>, and share your experience on social media with <a href="https://www.instagram.com/explore/tags/worldballetschoolday/" target="_blank">#WorldBalletSchoolDay.</a></p>
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