The Royal Ballet's Vadim Muntagirov and Marianela Nuñez in La Bayadère. Photo by Bill Cooper, Courtesy ROH.
Do you ever wish you could teleport to London and casually stroll into The Royal Opera House to see some of the world's best-loved ballets? Well, we have a solution for you: The Royal Ballet's 2018-19 cinema season.
Whether live or recorded, the seven ballet programs listed below, streaming now through next October, will deliver all of the magic that The Royal Ballet has to offer straight to your local movie theater. Can you smell the popcorn already?
American Ballet Theatre corps member José Sebastian (center) is launching the Hamptons Dance Project with a cast of fellow ABT dancers this August. Rochelle Brodin, Courtesy Hamptons Dance Project.
From coast to coast, and on the shores of Lake Michigan in-between, professional dancers and choreographers are going one step beyond putting together a summer pickup company. Some are now curating multi-evening festivals in their hometowns and beloved vacation areas, and featuring an impressive range of companies, dancers and dance styles. So get ready to plan your next trip—here are three dance fests in beautiful resort areas to keep on your radar.
Behind-the-scenes shot of NYCB dancers on set. David Alberda, Courtesy Emily Kikta and Peter Walker.
Tonight, New York City Ballet opens its 53 annual summer seasonat the Saratoga Performing Arts Center. But if you're away at a summer intensive or busy rehearsing at your home studio and can't make it to a performance, we have the next best thing: seven new site specific videos made by and featuring NYCB dancers.
Sasha De Sola and Carlo Di Lanno in The Sleeping Beauty. Erik Tomasson, Courtesy SFB.
The first time I saw Sleeping Beauty was on video, the Kirov version with Larissa Lezhnina. The music for the first entrance gave me butter- flies. Aurora comes out, and it captured my heart. Larissa coached me for my first sea- son of Aurora, and just the fact that we were sharing the same studio—I couldn't get over it. One of the things she encouraged me to explore is after Aurora faints: You get back up, you look up at your parents and re- center yourself. For me, what feels natural is that you don't want anyone to worry. Maybe there is a moment where you get a little embarrassed. It's those small moments that make it feel very personal to me.
Candy Tong is Complexions Contemporary Ballet's resident fashionista. "I'm known in this company for bringing too big of a suitcase," she says. Tong shares her style tips (and life on the road with Complexions) on her vlog, Candy Coated, and notes that her style is always changing. "I like to switch up my look depending on my mood or where I'm going to be or what city I'm in."
Maria Kochetkova in Wayne McGregor's Chroma. Erik Tomasson, Courtesy Joyce Theater.
Maria Kochetkova's first season as a freelancer has been a whirlwind! A year after leaving San Francisco Ballet, she's already guested in Oslo, Berlin and London. Now, she's got something exciting in the works: From July 16-20, New York City's Joyce Theater will present her first solo program, Maria Kochetkova: Catch Her If You Can. Mounting such a production took a lot of time, self-development and courage, she says—but she's up for the challenge. Between rehearsals in Berlin, Kochetkova talked to Pointe about her favorite moments from the past year, her plans for the Joyce performances, and the ups and downs of life as a rogue ballerina.
Members of the Paris Opéra Ballet give a surprise performance on an Air France flight from Shanghai to Paris. Courtesy Air France.
Just imagine: you're settling in for a long international flight, when suddenly Tchaikovsky's Swan Lake starts playing on the intercom—and a group of feather-clad ballerinas bourrée down the aisle. That's exactly what happened last week to Air France customers on a Paris-bound flight from Shanghai, when 10 members of the Paris Opéra Ballet gave a impromptu performance throughout the plane's cabins.
Margot Fonteyn in Sir Frederick Ashton's Cinderella. Louis Peres, courtesy DM Archives.
Dame Margot Fonteyn, The Royal Ballet's legendary prima ballerina assoluta, is an icon of elegance and refinement—and her remarkable theatricality still sets her apart. In this short clip from a 1957 television broadcast of Sir Frederick Ashton's Cinderella, she channels easy grace into the title character's giddy, girlish dreams of going to the ball.
Sassy Gregson-Williams launched Naturally Sassy while still a ballet student. Photo courtesy Sarah Hall Productions
Some dancers call them "fake" ballerinas. Some resent their lack of serious stage credentials to back up their success. Some feel their accounts are deceitful, since regular people don't know the difference between a great dancer and a great dance model.
But most ballet influencers aren't out to trick anyone. They're simply finding a new way to keep ballet in their lives.
Gianna Forte reveals her scars. Stark Photo Productions, Courtesy The Washington Ballet.
Before I was born, my parents found out that I had a condition called an omphalocele. All of my organs were outside my stomach. I was rushed into surgery as soon as I was born, and they put a little patch in, pushed in my organs and sewed me up. When I was 1 1/2, I had another surgery to remove the patch. Ever since, I've just had a scar on my stomach—I didn't have a belly button, but I had no problems other than malrotation, which means all of my organs were going the opposite way.
I was raised in Connecticut, and stayed there until I graduated high school. It was the year Julie Kent and Xiomara Reyes were taking over The Washington Ballet company and school, and I sent my video and got accepted into their professional training program.
From left: ABT's Alexandra Basmagy, Lauren Post and Gillian Murphy. Photo by April Giangeruso, courtesy ABT.
On the last day of America Ballet Theatre's 2018 tour of The Nutcracker in Costa Mesa, California, corps member Alexandra Basmagy couldn't hold it in any longer. She broke the news to fellow corps members Gemma Bond and Lauren Post that she and her husband are expecting a little boy in August.
Basmagy was not the first ABT dancer to announce her pregnancy this season—principal Gillian Murphy revealed in December that she and her husband Ethan Stiefel were expecting a boy—nor would she be the last. Post's own announcement soon followed! Artistic director Kevin McKenzie burst out laughing when she told him the news, Post says. "He was like, 'It always happens in threes. Since Gillian told me and then Alex, I've been waiting for the last shoe to drop.'"
There is a veritable baby boom at ABT—Gemma Bond, corps member Alexei Agoudine, soloist Luciana Paris and soloist Thomas Forster are all new parents, and Murphy gave birth to her son, Ax Nathaniel, last month. Basmagy and Post are both in their third trimesters, with due dates on August 5th and August 19, respectively. Pointe interviewed these two moms-to-be, and then caught up with Forster and Paris, to learn how they navigate pregnancy and parenthood alongside a ballet career.
Aarón Sanz, Claire Kretzschmar and Clara Miller with Kretzschmar's grandfather, Leo Theonnes. Courtesy Kretzschmar.
New York City Ballet soloist Claire Kretzschmar has had the chance to perform just about everywhere: New York, Los Angeles, Paris, Shanghai, you name it. But one of her most inspiring performance opportunities came a little less than a month ago, dancing with her friends on the wooden floor of a repurposed exercise room in front of 80 captivated residents at the Village Green Retirement Campus in Seattle.
Ochoa in the studio with former BalletX dancer Daniel Mayo. Bill Hebert, Courtesy BalletX.
The Little Prince is one of the world's most beloved books, and one every child reads in Annabelle Lopez Ochoa's native Belgium. So when BalletX director Christine Cox hired Ochoa to make a new full-length ballet, the Netherlands-based choreographer immediately thought of Antoine de Saint-Exupéry's classic tale.
Featuring designs by Danielle Truss and Matt Saunders and music composed and performed live by Peter Salem, BalletX will premiere The Little PrinceJuly 10–21 at Philadelphia's Wilma Theater. Pointe spoke to Ochoa about why children and adults alike will appreciate this new work.
Aran Bell in Swan Lake. Photo by Gene Schiavone, Courtesy ABT.
Most years, American Ballet Theatre closes its spring Met season with a sweet surprise: company promotions. Artistic director Kevin McKenzie just announced that two members of the corps de ballet—Aran Bell and Joo Won Ahn—are being promoted to soloist, effective September 1.
Michaela de Prince and Daniel Camargo. Courtesy Dutch National Ballet.
Have we mentioned that we love ballet movies? Thankfully, Dutch National Ballet just gave us something new to look forward to. The company announced today that filming is now underway for Coppelia, a new star-studded fusion of animation and ballet set to be released at the end of 2020. And, wait for it... Michaela DePrince will be dancing Swanilda, with DNB principal Daniel Camargo as her Franz.
Houston Ballet principal Chun Wai Chan's dance bag doubles as a portable dressing room. "We sweat a lot in class and rehearsal, so I always have a few different shirts with me," he says. When looking for dancewear, Chan focuses on items that are comfortable and will stand up to lots of wear, mostly in dark colors, like black, blue and gray. In a mix of dance and athletic brands, his navy Prada belt stands out. "My mom got bedding from Prada, and this was used to tie up the box, so I turned it into a belt to keep my tights up." says Chan. "People in the company think it's so funny."
Whether you're heading off to a summer intensive or loading up on classes at your hometown studio, buying fresh and seasonal produce is a great way to get the fuel you need for dancing. Fruits and veggies are tastier (and often cheaper) when they're in season, since they are more locally abundant and don't have to be shipped from far away.
Philip Neale rehearsing Next Generation Ballet students. James Luedde, Courtesy Next Generation Ballet.
The path to joining a company is not as clear-cut as it once was, when advanced students auditioned straight out of school and learned the ropes on the job. Directors, wanting dancers who can hit the ground running, are increasingly relying on second company and trainee programs to give them the professional experience they'll need—while also filling out the main company's corps de ballet. Such programs can be a great way to bridge the gap between training and career—and to get a foot in the door at a company you admire—but they're not all created equally.