Karen Kain is internationally renowned as a performer and as the National Ballet of Canada's artistic director. The former NBoC principal always carries herself with the grace and sophistication of a true leader. However, in this 1976 clip from Giselle, the distinguished ballerina is convincingly naïve and bewildered in her interpretation of the mad scene.
Kain conveys Giselle's innocence at the start of the scene with pure, unaffected gestures and facial expressions. Then, after Albrecht betrays her, her eyes stare unfocused into the distance as if she's in a trance. Although this scene is mostly acting, Kain dances dreamily to the musical motif at 5:30 and conceals her technical strength in order to show the character's frailty. It takes a true ballerina to perform this heartbreaking and beautiful role, and with performances like this and her lifelong commitment to the art form, Kain proves that she is an extraordinary one. Happy #ThrowbackThursday!
If you, like many of us here at Pointe, wish you could have seen Royal Ballet star Zenaida Yanowsky's retirement performance on June 7, you're in luck. The Royal will screen a recording of it in select movie theaters across the U.S. starting Sunday, June 25. (In many cities, it will be screened on Tuesday, July 11.) The program includes three works by the company's founding choreographer, Sir Frederick Ashton: The Dream, Symphonic Variations and Marguerite and Armand—the latter of which stars Yanowsky and Roberto Bolle. You can also catch other Royal favorites like Marianela Nuñez, Vadim Muntagirov, Steven McRae, Akane Takada and Yasmin Naghdi. Make sure to bring tissues!
To find dates, times and theaters near you, click here.
American Ballet Theater is in the midst of Le Corsaire this week as part of the company's annual season at the Metropolitan Opera House. One of the ballet's most celebrated and challenging male roles is Ali, the Slave. Daniil Simkin danced the part yesterday and will do so again on Friday evening. A dancer who never seems to disappoint, Simkin is sure to pull out all the technical stops and dazzle audiences with his charisma.
Company class is a little more exciting these days at Pacific Northwest Ballet. Look over in the corner of the studio and it's obvious why—Wendy Whelan is here. Dressed in a vest, with her pants tucked into her socks, one might almost forget that her name is virtually synonymous with the term ballet. But watch her do a devéloppé and you instantly remember. Her collection of accomplishments is extensive—classical ballerina, freelance artist, inspirational teacher, or even, as of late, documentary film star. But now, she's adding another new hat: ballet stager.
In November, Lincoln Center announced that three of the world's biggest companies—New York City Ballet, Paris Opéra Ballet and the Bolshoi Ballet—would present a collaborative performance of George Balanchine's Jewels July 20–23 in honor of the ballet's 50th anniversary. Each company will take an act, with the Paris Opéra performing "Emeralds" and NYCB and the Bolshoi alternating performances of "Rubies" and "Diamonds." Yesterday, Lincoln Center finally announced what we've all been waiting for: the all-star cast list. (As well as rising stars–Alena Kovaleva and Jacopo Tissi, two young Bolshoi corps members, are slated to dance the leads in "Diamonds" for one performance.) Check out the list below this trailer!
Isabella Boylston clearly knows a thing or two about beauty. The American Ballet Theatre principal is as ethereal off the stage as she is on it, which is probably why Self tapped her to be the star in their Beauty Unfiltered video. Dressed in a pale pink body suit with a breezy blue dress over top, Boylston switches between her studio and street beauty looks.
Before Angel Corella was appointed the artistic director of Pennsylvania Ballet and Paloma Herrera to Teatro Colón, they often shared the stage together at American Ballet Theatre. In today's #TBT, the duo take on Don Quixote's famous Grand Pas de Deux in a 1998 production of the ballet at ABT.
From Herrera's attitude promenade into a seemingly endless balance (check it out at the 2:10 mark) to Corella's crisp à la seconde turns, the (nearly) 10-minute clip is full of jaw-dropping moments. Herrera even makes throw-away steps seem anything but as she exaggeratedly presents her heel with each walk and places her hands on her hips with a dramatic flick of the wrists.
Plus, with ABT set to perform Don Quixote next week, it's the perfect way to brush up on the classic before watching a new set of all-stars take the stage, including Misty Copeland. Happy #ThrowbackThursday!