Since the start of her career at American Ballet Theatre, Misty Copeland has been committed to giving back. “Having taken my first ballet class at a Boys & Girls Club, there was no way for me not to forever keep it a part of my life,” she says. Over the past few years, she has expanded her philanthropy. This past November, she traveled to Rwanda with MindLeaps, an organization that provides free dance classes to homeless youth as a way to introduce structure into their lives. Eventually, the program offers vocational training with computer and English classes and sponsors boarding school educations. Here, Copeland shares her weeklong experience in Rwanda, and how dance can transform lives.

(Photo courtesy MindLeaps)

I always say that dance saved my life—it gave me every opportunity and made me an intelligent and articulate person. Art can develop you as a human being, and I saw that through MindLeaps. In fact, I don’t think I really understood the magnitude of the program until I was in Rwanda. MindLeaps is trying to stop the cycle of poverty, and it’s amazing that it all starts with dance.

A few years ago, I met Rebecca Davis, who started the program, through a mutual friend. I was supposed to go three years ago, but had to postpone my trip due to an injury. But we kept in touch and decided that it was the perfect time for me to reschedule, especially with the platform that I have now.

For the past three-plus years, MindLeaps has focused mostly on boys, but last November, I went to Rwanda to help launch the girls’ program. They grew up without homes and without having a family structure, for the most part, so if someone just threw them into school, they wouldn’t have the skills to flourish. In this program, dance sparks their interest and gets them in the door every day, making a commitment in a way that they have never experienced.

(Photo courtesy MindLeaps)

In the studio surrounded by other people like them, they start to develop skills that I don’t think you can learn sitting in a classroom. The classes have a set warm-up, and the program is very structured. There’s a little bit of ballet, of course, but it’s more about getting their minds to think about choreography and connecting all the parts of their bodies to their brain. And it’s about creativity. Once they’re caught up with their cognitive skills, MindLeaps introduces IT and English classes.

Each morning I would wake up and have my “selfish” time, when I’d head to the MindLeaps studios and give myself a ballet class. The kids aren’t supposed to be there until late morning, but most of them don’t have anywhere else to be, so they’re there as early as 6 am, just hanging out in the yard. A lot of them would watch me from the window and imitate what I was doing. It was such a beautiful experience to start the day that way.

Afterwards I would watch a shortened version of their typical class and work with them, and then we would just talk. A lot of them didn’t speak English, so we had a translator, and they would ask me tons of questions. I would talk about my experiences with dance and where it has taken me.

When I was growing up, I was constantly hiding the fact that my family didn’t have a lot of money or that we were living in a motel for a time. When I visited where some of the kids lived, I didn’t want to put them in a situation where they would feel like they were being exposed. It was a very strange feeling for me—it brought me back to that place. But they were very open and giving, and seeing where some of them lived was such an eye-opener. One of the teachers, who started out as a kid in the program, had recently lost his mother to AIDS, which is so normal in that community. He lives in a shack that’s about the size of my bathroom, with six of his siblings. Seeing it all was so surreal.

(Photo courtesy MindLeaps)

I ended up sponsoring a boy, Ali, to attend boarding school. Seeing the underground tunnel where he had been sleeping, and then the boarding school where he is sleeping now, makes me think about everything that I have—that I’m so grateful to have.

I could see the program working, and it was incredible. Rather than just giving people money and putting them in school, it develops the skills that will help them flourish. I spent time with some of the boys who went through the program from the beginning, and it’s changing the cycle of their families’ lives. They’ll have opportunities for real jobs, so that their children won’t end up in the same position they were in. And dance is what got them in the door. Seeing it firsthand reconfirmed all of those things that I felt deep inside of me about my own experience.

It’s so fulfilling as a human and as an artist to help someone else, and to lift them up. That’s so much a part of my message in the mentorships that I have, and the women who have mentored me. It’s a beautiful thing—giving, and taking—that I think every person should experience.

News

Misty Copeland with a student from the MindLeaps Girls Program in Rwanda. Courtesy MindLeaps.

As someone who experienced poverty as a child, American Ballet Theatre principal Misty Copeland has since become a powerful advocate for disadvantaged youth. And she recently found a new platform to help give back. Last week, she returned home from Kigali, Rwanda after working with the humanitarian nonprofit MindLeaps, which serves some of the city’s poorest children, many of whom are homeless and lack access to school.

 

Copeland takes fifth position with students from MindLeaps. Courtesy MindLeaps.

MindLeaps uses dance classes to improve the children’s cognitive development and prepare them for more structured learning environments. Eventually it adds classes in English and IT to prepare them for either boarding school or the workplace. Until now, the program has only been available to boys. Copeland arrived to officially launch the MindLeaps Girls Program, and to award a top dance student the Misty Copeland Scholarship to go to boarding school.

 

Copeland admits that the level of poverty she witnessed was eye-opening. “Kids literally live on the street!” she told Pointe over email. “Dance is giving them hope, a goal, a real escape. They are connecting their memory, using their brain for physical coordination, using their words to describe what they’re doing and creating.”

 

Copeland kept a video blog to document her experience, which included meeting the girls and leading them through a basic ballet class, as well as visiting mass graves from Rwanda’s 1994 Tutsi genocide. In this video, a young boy, Ali, shows her the concrete tunnel under the street where he sleeps at night. Watching his reaction when she later offers to sponsor him to attend boarding school is priceless.

 

MindLeaps is currently raising funds for the Misty Copeland Scholarship and Girls Program through the International Artists Fund. “Dance sets you up for life in the most beautiful way,” she says, “and my time at MindLeaps was the most extreme truth of that.”

 

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