Richard Termine, via NYTimes

Today The Juilliard School announced that former New York City Ballet star Damian Woetzel will become its next president. Woetzel, who currently serves as artistic director of the Vail Dance Festival and the Aspen Institute Arts Program will transition to his role at Juilliard, arguably the country's most prestigious performing arts conservatory, during the summer of 2018.

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Students at the University of Utah's Department of Ballet summer intensive. Photo by August Miller, Courtesy U of U.

Maura Bell was determined to have a ballet career. But as a high school senior, she didn't feel ready to audition for companies yet. “I knew I had more maturing to do, both technically and as a young woman," she remembers. Bell started researching collegiate options and discovered that Indiana University's ballet department hosted a two-week summer intensive for pre-college students. “The reputation of IU spoke for itself, so I decided to do the summer intensive to get a feel for what it would be like to go there."

The deciding moment came at the end of her second week, when department chair Michael Vernon led her and fellow students on a tour of IU's Musical Arts Center. “I remember standing on that stage—it's the size of the Met— and it just clicked: This was where I wanted to be, my dream school," she recalls. Bell auditioned for the ballet department that fall. Four years later, she credits the training and connections she made at IU with her ultimate post-graduation success: a contract with Saint Louis Ballet.

College summer programs offer students a chance to experience what life would be like as a dance major, and introduce them to a wide range of possibilities for their training and future career. Even those on the fence about going to school could benefit from spending a few weeks on campus—along with the strong focus on individual development, collegiate summer intensives allow students to meet year-round faculty and current dance majors, scope out the dorms and dance facilities, and do some major networking.

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A Prima’s New Role

 

Coming full circle, Chan Hon Goh recently became director of Goh Ballet Academy, the Vancouver school run by her parents where she trained. The former National Ballet of Canada principal will keep the ballet syllabus intact, but has added Pilates, musical theater and choreographic labs. She plans to increase performance opportunities, bringing in international guest choreographers to work with the new Goh Ballet Youth Company and Academy.

 

In addition, Goh has launched the Chan Hon Goh Scholarship Fund, which will award around $100,000 annually. Scholarships are awarded based on talent, need and dancers’ passion for the art form. See www.gohballet.com —Elizabeth Keniston

 

MFA For Ballet Choreography

 

Most MFA dance programs are modern-based, but Butler University wants to create a place to explore contemporary ballet choreography. The school will offer a new master’s of fine arts in dance next fall. “There was a time when Balanchine was brand-new and everything he did was completely different and exciting,” says department chair Michelle Jarvis. “We need to develop people who are going to do that again, and take ballet into the 21st century.”

 

The emphasis will be on ballet choreography, with secondary study in pedagogy. The two-year program is designed for professional dancers with at least five years of experience. Find out more about Butler on DanceU101.com. —Jennifer Stahl

 

 

Fouetté In Florida  


Tampa, Florida, is about to become a ballet-training powerhouse. The five-year-old Patel Conservatory recently announced that Peter Stark, former director of Orlando Ballet School, will be taking over as chair of its dance department.

Functioning as a satellite of Orlando Ballet School since 2006, Patel’s classical ballet program offers intensive training to young dancers, some of whom have gone on to dance with such companies as ABT, Boston Ballet and Pacific Northwest Ballet. Now, the conserva­tory’s ballet program will function as its own entity, with Stark at its head.

 

Stark will be a boon to the rapidly emerging school. During his time at OBS, he increased the budget fivefold and produced several top dancers. He’s hoping to see the Patel Conservatory become “a stepping stone for serious talent,” with plans to add more class options, performance opportunities and a new summer intensive program. According to Stark, the school will teach an American style of ballet, infused with Balanchine flavor and the strength and classicism of Cuban technique. See www.patelconservatory.org. —EK

 

 

Training In Russian

 

Studying at the Bolshoi Ballet Academy is usually no more than a far-off dream for most American ballet students. But for 12-year-old Julian MacKay, it’s a practical step toward realizing his goal of one day dancing with the Russian company.  Although the prestigious academy trains 750 students each year, MacKay is one of only five Americans.

 

What has been the most challenging part so far?
Learning to understand my Russian teacher. Luckily, she uses a lot of pantomime. Russian training is also very hands-on: She physically moves my muscles so I understand how to use them.

 

How is the training different than in the U.S.?

My class is just nine boys, so I get specific training for male dancers. We take technique, character and gymnastics together.

 

Have you gotten to perform yet?


I was one of 50 students chosen to be in our end-of-the-year performance. I got to do the mazurka in Paquita. I was also one of the children of court nobility in La Esmeralda with the Bolshoi company, with Natalia Osipova and Ivan Vasiliev. It was so amazing to stand backstage next to such awesome dancers!  —JS

TIP: What are college auditioners looking for?
We look for people who seem focused and motivated and—who really like to move! We’re looking to train people. You don’t have to be proficient; you just have to have a motivating spirit, a passion for dancing. That’s hard to resist.
—Lawrence Rhodes, director of Juilliard’s dance division






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