Christopher Hampson demonstrates during a Hansel & Gretel rehearsal (photo by Andy Ross, courtesy Scottish Ballet)

Unassuming audience members were in for a shock when 12 male dancers from Scottish Ballet performed Angelin Preljocaj's MC 14/22 (Ceci est mon corps) at the 2016 Edinburgh International Festival. The work explores virility and violence through a series of biblical allusions. Striking in its harshness and punishing physicality, it at times seemed almost cruel to inflict upon the dancers, who performed with a vicious beauty. But artistic director Christopher Hampson chose the contemporary piece for its thought-provoking, emotional impact. As the Scottish Ballet's repertoire keeps growing, Hampson continues to challenge the typical notions of ballet.

He established himself as a dancer and then as a choreographer for the English National Ballet, subsequently choreographing for Royal New Zealand Ballet, Atlanta Ballet and The Royal Ballet. In 2012, the Manchester native became the artistic director of Scotland's national dance company, in Glasgow, and incorporated the position of chief executive director in 2015.

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