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Cesar Corrales performing an explosive Ali in "Le Corsaire." Photo by Laurent Liotardo, Courtesy English National Ballet.

At just 20 years old, Cesar Corrales has skyrocketed to principal at English National Ballet.

English National Ballet was midway through a precise but polite performance of William Forsythe's In the middle, somewhat elevated last spring when Cesar Corrales burst into view. The 20-year-old principal turned his solo, a minor one in Forsythe's ballet, into a blaze of technical power and audacious phrasing. The tension at London's Sadler's Wells ratcheted up several notches, and his colleagues joined in his contagious energy.

It wasn't the first time Corrales had raised the stakes on stage. In three short seasons with English National Ballet, he has gone from promising virtuoso to one of the British companies' most vital members. Even among the outstanding crop of men hired by artistic director and principal dancer Tamara Rojo, Corrales' feline technique and generous presence have stood out in ballets including Le Corsaire and Akram Khan's Giselle.


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Photo by Carlos Villamayore, via Instagram

American Ballet Theater is in the midst of Le Corsaire this week as part of the company's annual season at the Metropolitan Opera House. One of the ballet's most celebrated and challenging male roles is Ali, the Slave. Daniil Simkin danced the part yesterday and will do so again on Friday evening. A dancer who never seems to disappoint, Simkin is sure to pull out all the technical stops and dazzle audiences with his charisma.


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What do you get when you mix a dizzying amount of pirouettes with Mikhail Baryshnikov? Pure cinema gold—and one of the most famous dance movie scenes of all time. In this clip from the 1985 hit movie White Nights, Misha combines his technical prowess with his effortless cool. Raymond, played by legendary tapper Gregory Hines, challenges Kolya, a Soviet dancer who has defected (played by Baryshnikov) to a bet. In order to take Raymond's 11 rubels, Kolya must do 11 consecutive pirouettes. It's a feat that even today's most talented dancers can't accomplish. But Misha, is, well, Misha. Check out his mesmerizing turns—and then practice your own. Happy #TBT!

For more news on all things ballet, don’t miss a single issue.

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Adding another milestone to his already untouchable career, Mikhail Baryshnikov will take on the role of iconic ballet dancer Vaslav Nijinsky in director Robert Wilson’s one-man show, Letter to a Man. The work had its premiere in Italy in 2015 and had its U.S. debut as part of the Brooklyn Academy of Music’s Next Wave Festival on October 15. The show completes its New York run on October 30.

Baryshnikov in Letter to a Man (photo by Lucie Jansch, courtesy Brooklyn Academy of Music)

Though Baryshnikov and Nijinsky were ballet titans of their respective generations, Letter to a Man is theater, not dance. And Wilson’s vision doesn't result in a literal biography of the troubled danseur. Rather, it’s an interpretation of the diaries Nijinsky kept while he suffered from schizophrenia. The play’s title is from a letter written from Nijinsky to his former lover and Ballets Russes founder Sergei Diaghilev—when their relationship was such that Nijinsky wouldn’t even say his name.

The play will also tour to University of California, Berkeley, November 10–13; and University of California, Los Angeles, November 18–19.

For more news on all things ballet, don’t miss a single issue.

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