Videos

Ryan Gosling, You Missed Your Calling...

Photo by Loic Venance via Time Magazine.

It's easy to assume that movie stars' dreams have all come true. But Ryan Gosling recently revealed in an interview with The Red Bulletin that he doesn't feel like he lived up to his potential... with ballet.

Gosling studied ballet when he was young (which may not be so surprising given this internet sensation). "I had been training, but I never got the point where I was comfortable with it," he said. "It was a struggle for me. I had an option to do ballet when I was a kid, but I thought it was too girly. So I didn't spend the time on it that I should have. But I really wish that I had, because it can bring such a benefit to your life."

In case that's not enough, according to US Weekly Gosling shared in a 2011 interview on "Jimmy Kimmel Live" that he still takes open class. "I take like a class, like a public class. I'm terrible. Everyone is good except for me... I'm so bad at it and unflexible that they have to bring out a special barre when we do the barre work part of the class."


To that, we say, it's never too late. Keep trying, Ryan Gosling. We, for one, are confident that ballet can bring all kinds of benefits to your life.

And lastly, this certainly puts his La La Land performance into perspective. Check out those barrel turns at 3:05. Maybe he still does have what it takes!


For the full interview with Gosling see the October issue of The Red Bulletin, on stands September 19.

Pointe Stars
Alana Griffith in "La Sylphide." Photo by Mark Frohna, Courtesy Milwaukee Ballet/

Rising lazily from an armchair, shrugging her shoulders and limply snapping her arms side to side, Alana Griffith imbued the title role in Septime Webre's ALICE (in wonderland) with the unmistakable boredom and longing of youth. Throughout the performance, her ability to bring personal depth to both the character and to Webre's challenging choreography revealed a special dancer coming into her own as an artist.


Alana Griffith in "ALICE (in wonderland)". Photo by Mark Frohna, Courtesy Milwaukee Ballet.

Keep reading... Show less
Pointe Stars
Screenshot from CNN Style video

While ballet may feel female-dominated in that there are plenty of onstage opportunities for women, key behind-the-scenes roles like choreographer and artistic director are still largely held by men—a point that is increasingly being raised and questioned in the dance world thanks to female choreographers like Crystal Pite and Charlotte Edmonds. Also helping to break that mold is rising female choreographer Kristen McNally, who not only choreographed a recent duet for CNN Style, but also paired two women to bring it to life.

In the short film, which features McNally's choreo and is directed by Andrew Margetson, Royal Ballet first soloist Beatriz Stix-Brunell and principal Yasmine Naghdi changed the expectations on gender roles in ballet—and the end result is awesome. Nearly identical in appearance, the dancers' movements and lines also mirror each other throughout the piece, even when dancing in canon. Even more impressively, McNally told CNN Style, "The dancers and I did two rehearsals and then we shot the film."

Check out the full duet for yourself, below.


Training
Photo by Lambtron, via Wikimedia Commons

Can you superglue your vamp? I am new to pointe and don't know where to apply it. —Amanda

Keep reading... Show less
Pointe Stars

The tambourine variation from La Esmeralda is a competition favorite, but the full pas de deux isn't seen as often. That's a shame, because it contains some of the most technically challenging classical choreography to be found. In this video, Yuan Yuan Tan and Felipe Diaz take on this balletic feat with amazing power and ease.

Tan, who was awarded a permanent contract with San Francisco Ballet after performing this role as a guest artist in 1995, is a youthful but commanding presence. Her extensions crawl right up to her ear, and she rises from deep lunges en pointe to arabesque without ever seeming to get tired. After an endless series of promenades (4:00), Tan again lunges low to the floor and then teasingly runs away from Diaz, inviting him to follow her. In her variation, she oozes gypsy spunk, enticing the audience with dramatic details. She takes the variation at a quick pace, blending each movement smoothly into the next.

Diaz, who was a soloist with SFB and is now a ballet master for the company, shines in his own right. The adagio reveals his partnering prowess. From 2:15—2:35, Diaz supports Tan almost continuously in a string of carries and lifts–and his variation is chock full of bravura. All the way through the coda, the technical fireworks in this pas de deux never stop coming. We can't get enough! Happy #ThrowbackThursday!

popular
Tanaquil Le Clercq at the 1967 book signing. Reprinted with permission from Dance Magazine.

Ballerina Tanaquil Le Clercq may have been known for her long-limbed dancing and versatile grace, but it turns out that her renown didn't end there. In 1967 the former New York City Ballet star published The Ballet Cook Book, a mix of ballet history, food stories and the pièce de résistance: recipes collected from over 90 famous NYCB dancers and choreographers including George Balanchine (her then husband), Jacques d'Amboise, Melissa Hayden and Allegra Kent.

Why bring this up now? This year marks the 50th anniversary of her book's publication, and in celebration, food scholar Meryl Rosofsky is curating a program exploring the context of the book. Held on November 5 and 6 at the Guggenheim Museum, the program will include live performance excerpts with roles originated by Ballet Cook Book contributors including Balanchine's The Four Temperaments, Bugaku, Stars and Stripes and Western Symphony as well as a panel conversation with d'Amboise and Kent (both of whom were at the original book signing) as well as current NYCB principals Jared Angle and Adrian Danchig-Waring, both talented cooks.That certainly seems like plenty of excitement to us, but attendees can also stop into the Guggneheim's Wright Restaurant to taste select dishes from The Ballet Cook Book including Le Clercq's Chicken Vermouth, Balanchine's Slow Beet Borschok, Hayden's Potato Latkes and Kent's Walnut Apple Cake.

Keep reading... Show less
Studio to Street

Don't expect to catch Simone Messmer wearing a leotard—at least, not for company class. “Ballet class is for me," she says. “It happens every day, so it turns into a major part of how you set yourself up for the day and how you're feeling. I think it's really important to take control of that." In class, the Miami City Ballet principal prefers comfortable separates with clean lines and long sleeves. When it's time for rehearsal, she'll bring out her leotards and tights. “And I tend to bring the skirt or tutu that's appropriate for the role. I try to start right away, to get a feeling for it," she says.

Keep reading... Show less
popular
The Wortham Theater Center, where Houston Ballet performs, after Hurricane Harvey. Photo Courtesy Nancy Wozny.

After Hurricane Harvey flooded Houston Ballet's facilities and damaged its home theater, the Wortham Center, the company wasted no time finding temporary rehearsal space and rescheduling its first two programs of the season at the nearby Hobby Center. But today, the Texas company faced another major blow: The Wortham Center announced that it will be closed for repairs until at least mid-May. That means Houston Ballet now needs to reschedule more than half of its season—including 34 performances of Nutcracker.


A scene from Stanton Welch's "Nutcracker. Photo via Facebook.

As everyone in the dance world knows, Nutcracker is a major financial lifeline for American ballet companies. Houston's production, choreographed by artistic director Stanton Welch with sets and costumes by Tim Goodchild, was brand-new last year. (Fortunately, the company moved its sets and costumes to a safe location during the storm.) Finding space for a month-long run will surely not be easy, and the Hobby Center looks booked. While there's no news of a backup plan yet, here's hoping Houston Ballet will receive some Nutcracker magic—and be able to find a new home for this year's production. We'll keep you posted once they do.

Sponsored

Videos

Sponsored

mailbox

Get Pointe Magazine in your inbox

Sponsored

Win It!