Contents
December 2012/January 2013
Hip hop helped the Boston Ballet principal find himself as a dancer.
By Margaret Fuhrer
Thanks to Liam Scarlett, The Royal’s Leanne Cope alternates nights in the corps with leading roles.
By Laura Cappelle
Coming back from an eating disorder, plus tips on pulling up and how to survive on a first-year salary
By Amy Brandt
Natalia Osipova opens up about leaving the Bolshoi, getting typecast and why she feels more alive onstage.
By Elizabeth Kendall
The top 10 standout performances of 2012
Houston Ballet tackles its first piece by Aszure Barton.
By Nancy Wozny
Ballet is woman—so where are ballet’s women choreographers?
By Margaret Fuhrer
How dancers stay sane during the annual season of stage snow.
By Ashley Rivers
Dance medicine aims to improve dancers’ lives, but much of the advice seems to fall on deaf ears.
By Jennifer Stahl
Three top dancers look back on the intensive teachers who inspired and informed their careers.
By Joseph Carman
Don't let nerves sabotage your summer intensive audition.
By Zachary Whittenburg
Every teacher has her pet pupils. How do you deal when you’re not one of them?
Behind the scenes with Ballet West’s Beckanne Sisk.
By Amy Brandt
At Hamburg Ballet, John Neumeier built not only a world-class troupe, but a whole new generation of ballet lovers.
By Laura Cappelle
Gillian Murphy and David Hallberg recall Alexei Ratmansky’s creation of his epic pas de deux.
New York City Ballet’s Tiler Peck radiates charm, musicality and brio.
By Margaret Fuhrer
Ben Stevenson Documentary (Plus Discount)
By Margaret Fuhrer
