April/May 2007
Contents
April/May 2007
New York City Ballet's Peter Martins puts his own stamp on a new production of "Romeo and Juliet".
Boris Eifman celebrates 30 years with his company.
Four pros reflect on their experiences training with Regional Dance America member schools.
A beautifully pointed foot takes time and a certain amount of ankle flexibility.
By Thomas P. Novella
Your first pointe class might start slowly, but it will be lots of fun.
Imagery expert Eric Franklin explains the benefits of this mental technique.
By Virginia Johnson
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