A native of Floyds Knobs, Indiana, Madeline studied ballet at Southern Indiana School for the Arts and was later introduced to modern dance by Bill Evans. She received her BFA in Dance Performance and Choreography from Ohio University's Honors Tutorial College. As a dance videographer and editor, she has worked on projects for Bates Dance Festival and the Regina Klenjoski Dance Company in Southern California. She later served as a marketing and education manager for Lar Lubovitch Dance Company. Madeline is currently the managing editor of Dance Magazine and Pointe.
During class, you're tuned in to every aspect of your dancing. But when the day is over, you may be tempted to head home and skip out on a proper cooldown. Don't: Going from grand allégro to a full stop is hard on your muscles. Bené Barrera, an athletic trainer who works with Houston Ballet, says, "If you're doing an end-of-day cooldown, you're going to need at least 20 minutes. That allows the muscles to calm down." And your body should notice the difference: "You'll have less trigger-point pain later, and your soreness might reduce a bit." A proper cooldown may even help you sleep better.
But post-class stretching isn't about sitting in a straddle. "As a dancer, you're never truly isolating one area," says Barrera. Your cooldown should mimic that. "You want to cover the whole body altogether. You don't want to just stretch one muscle group."
Forget the heart-shaped box of chocolates. There's a healthier way to satisfy your sweet tooth for Valentine's Day. One tablespoon of cocoa powder will add a touch of chocolatey richness to your morning bowl of oatmeal or yogurt—and offers these nutritional perks:
Whether you're being lifted in The Nutcracker's grand pas de deux or doing weight-sharing in contemporary choreography, female ballet dancers can't expect their partner to do all the work. "Strength with stability is a hallmark," says Rebecca Kesting, staff physical therapist at the Harkness Center for Dance Injuries at NYU Langone Health. The other person is usually moving too, she says, so you need to be able to use your upper-body strength to find stability.
Kesting recommends these three exercises, which imitate pressing into a partner. If you're just starting to build upper-body strength, practice them four days a week to develop your shoulder stabilizers and upper-back muscles. Later on, you can scale back to two or three times weekly for maintenance.
- an inflatable ball you can hold in your hand (like a kickball or smaller)
- a foam roller
Side Plank with Port de Bras
Regular and side planks strengthen the shoulder stabilizers, like the serratus anterior, along with the abdominals. Once you've mastered these basic forms, Kesting recommends a side plank with moving port de bras. Play with your own pattern, like first to fifth to second, and then reverse. "You get the stability of pressing away from the ground as you would through a partner," she says. "And you're adding that dance-specific movement."
Supermarkets and salad bars offer an abundance of leafy greens, but which choice is best for dancers? According to Marie Elena Scioscia, a dietitian nutritionist who works with The Ailey School, you don't have to stick with one option—yes, it is okay if you're not obsessed with kale. Each of her top four picks has a variety of nutrients, so change it up, buy a bag of mixed greens or create your own plate at the salad bar. "It's all good," says Scioscia. Stats below are based on the recommended dietary allowance (RDA) for featured nutrients. Here's what's worth noting in a two-cup serving of each of these greens.
Vitamin A: 412%
Vitamin C: 268%
Vitamin K: 1,365%
Plus: 12% RDA of iron
Podiatrist Dr. Thomas Novella weighs in with tips for new and seasoned pointe dancers.
Sometimes blisters are inevitable.
If you're just starting pointe, your feet will be especially susceptible until they naturally build calluses. Experienced dancers may develop blisters whenever there's a change in their normal routine. For example: