News

Cincinnati Ballet’s New Works Series Focuses on Women

Photo via Cincinnati Ballet

Cincinnati Ballet's Kaplan New Works series, which runs April 20–29, is an institution at the midwestern company. Now in its 12th year, and sixth season presenting an all-female lineup, it has positioned itself at the forefront of a global conversation around gender imbalances in ballet. Namely, why do so few women create and lead in an art form dominated by female performers?

During the beginning of her tenure at CB, artistic director and CEO Victoria Morgan didn't prioritize the lack of female voices. “Then I started to realize that the representation is really skewed," she says. “I thought, as a leader, I should do something."


This year, Morgan will continue the Kaplan New Works Series' tradition of supporting female choreographers. She reached out to Jennifer Archibald, a choreographer who mixes hip-hop influences with a ballet background. “Jennifer has a more aggressive style, but you have to have ballet technique to dance it." Morgan introduced Archibald to the street artist Swoon, who creates large-scale murals and installations. The two will work together on designing Archibald's ballet.

Other premieres include a shorter work by Morgan and a ballet by Cincinnati-based choreographer Heather Britt, who frequently creates for CB. “I like being part of the development of a talented person's craft," Morgan says. “And Heather is worthy of being highlighted." Eros Redux, an older work by Annabelle Lopez Ochoa, will complete the program, making its U.S. debut.

Morgan appreciates the contrast within this season's program. “Jennifer is phenomenal at intricate port de bras, and she creates her own music remixes. Annabelle's piece is quite dramatic and weird. I'm more neoclassical, and Heather is more contemporary, with a background in Límon and Taylor." It just goes to show, Morgan notes, how much female choreographers can defy assumptions. “Women have dynamic voices and they need to be part of the conversation."

Cauthorn and Strongin, two to watch at SFB, in "Frankenstein." Photo by Erik Tomasson. Courtesy SFB.

Max Cauthorn was an on-the-rise corps member when he stepped into the title role of Liam Scarlett's Frankenstein last February; when the curtain came down, he was San Francisco Ballet's newest leading man. In his first full-length starring role, he carried the physically and emotionally demanding three-hour ballet with fluent technique and a natural charisma. But he didn't do it alone: In her own lead-role debut with SFB, soloist Lauren Strongin brought tenderness and steely integrity to Frankenstein's true love, Elizabeth.

Photo by Erik Tomasson, Courtesy SFB.

Keep reading... Show less
Pointe Stars
Postelwaite and Pantastico's powerful reunion in "Cendrillon." Photo by Angela Sterling, Courtesy PNB.

Lucien Postlewaite's Prince was anything but charming last February in Pacific Northwest Ballet's production of Cendrillon, Jean-Christophe Maillot's contemporary take on the Cinderella story. He strutted and preened, egged on by his friends. But once this prince met Cendrillon at the ball, his egotism gave way to lyrical grace, from the curve of his neck through his elegant extensions. For her part, Noelani Pantastico embodied the role of Cendrillon, taking us on her journey from a lonely, unwanted stepdaughter to a lovestruck young woman. Both dancers glided through the technically demanding choreography, infusing it with heartfelt emotion. This may be a fairy tale, but the romance felt real.

Keep reading... Show less
popular
via Instagram

Usually, it's the jaw-dropping moments on the stage that leave us equal parts inspired and amazed. But National Ballet of Canada principal Svetlana Lunkina has us totally in awe of her behind-the-scenes routine. A 2015 Pointe cover star (and former Bolshoi dancer), Lunkina shares as many clips on Instagram of her classes and rehearsals as she does glam stage shots. Earlier this week, she shared her floor workout—and you have to see it to believe it.

Keep reading... Show less
Your Best Body
Photo by Paul Kolnik, courtesy New York City Ballet.

This time of year, we're used to seeing dancers embodying the flavors of The Nutcracker's magical Land of Sweets. But the real-life equivalents of those seasonal treats are more than just holiday guilty pleasures, and have benefits that could help you get through a crazy month of performances. Here are a few reasons to indulge in the spices and flavors of the season—now, and all year long.

Peppermint

This powerhouse herb has an abundance of benefits to help you get through a busy performance season. It's been known to aid digestion and help calm anxiety, and one study found that inhaling its vapors may improve athletic performance. Smelling peppermint has also been found to increase focus. You don't just have to get it from candy canes: Try brewing a hot cup of peppermint tea between rehearsals, or to wind down after a long day.

Keep reading... Show less
popular
Richmond Ballet dancers show off two adoptable shelter dogs at its annual "Pupcracker." Photo courtesy Richmond Ballet

If you're looking to upstage Clara, there's no better way to do it than with a four-legged furry friend—especially when that furry friend is looking for its forever home. Cue Richmond Ballet: During its December 16 and 21 matinees, the company is teaming up with the Richmond SPCA to present the "Pupcracker," special Nutcracker performances featuring adoptable shelter dogs. Several pups make their stage debut during the party scene as the guests bring their family pets to and from the Silberhaus home. Audience members can then meet—and adopt—the dogs during intermission and after the performance. The SPCA even provides a crate, collar, leash and treats so that patrons can bring their new family members home after the show.


Audience members can meet and adopt featured dogs during intermission. Photo Courtesy Richmond Ballet.

Keep reading... Show less
Videos
Rudolf Nureyev and Merle Park in "The Nutcracker" (1968). Photo by Donald Southern, Courtesy of the Royal Opera House Collections.

Given the thousands of incarnations The Nutcracker has undergone—from tiny-tot productions in small-town studios to grand modern classics—the ballet's Grand Pas de Deux from Act II has remained remarkably intact. With slight variations, most professional dancers have seen its familiar choreography at some point or another. Tchaikovsky's radiant score calls to mind elegant promenades, partnered penchées and slow, supported développés.

Keep reading... Show less
Training
Photo by Taylor-Ferné Morris.

I have flatter feet and want to make them look better on pointe. Are there any special pointe shoes for my foot type? —Joana

Keep reading... Show less

Sponsored

Videos

Sponsored

mailbox

Get Pointe Magazine in your inbox

Sponsored

Win It!