You probably remember that New York City Ballet principals Tiler Peck and Robert Fairchild got married earlier this year. They're two of the ballet world's most capable artists, and their courtship has traced the path of their careers: growing up together as dancers, dating on and off, getting promoted through the company and finally getting married.
It's safe to say that Tiler Peck and Robert Fairchild aren't your average ballet dancers. Over the past few years, the New York City Ballet principals have collaborated with the likes of contemporary choreographer Larry Keigwin and jookin star Lil Buck, and both appeared in the New York Philharmonic's presentation of the classic musical Carousel. They not only seem to be everywhere, all the time, but also to be unfazed by any style or setting.
Robert Fairchild, we are more than happy to show you our love. The New York City Ballet principal appears in Vanity Fair's October issue with his fiancée, Tiler Peck. There are two gorgeous photographs by Bruce Weber, but our favorite is this one (right), where Fairchild's wearing a shirt that asks, "Show Me Your Love."
Tiler Peck and Robert Farichild are making a special guest appearance in the New York Philharmonic's presentation of Carousel this weekend. To build anticipation, the company just posted some footage of the dancers rehearsing in the studio with choreographer Warren Carlyle. It's amazing to watch how quickly and fully Peck transforms into her character. Check it out here.
Although the New York Philharmonic's upcoming production of Carousel focuses on Rodgers & Hammerstein's iconic music, the show will also feature one exceptional moment of dance: It's just been announced that New York City Ballet principals Tiler Peck and Robert Fairchild will guest star in a pas de deux in Act II. Peck will dance the role of Louise and Fairchild will portray the Carnival Boy, dancing choreography by Warren Carlyle. The show, performed in New York February 27–March 2, will be telecast nationally on PBS through "Live From Lincoln Center" on April 26.
Senior editor Jenny Stahl recently called New York City Ballet principal Daniel Ulbricht "Superman," and I can't think of a better way to describe the phenomenally talented dancer and teacher, who seems to be everywhere at once these days. (We recently posted a poll asking who your favorite dancer-teacher was, and Ulbricht cleaned up.)
As dancers, we thrive on that ability to transcend the normal and become someone (or something) else on stage. It places us among the lucky few people who have the opportunity to experience that intangible freedom of another world.