You probably remember filmmaker and former Miami City Ballet dancer Ezra Hurwitz's mini-documentary In a Day's Work: It trailed New York City Ballet principal Sara Mearns throughout her day, and gave viewers a sense of the mental and physical stamina required of a ballerina at the top of her game.
Good news for ballet lovers in Saratoga Springs, New York. This morning, it was announced that New York City Ballet's summer season at the outdoor Saratoga Performing Arts Center will be extended to two weeks, beginning in 2015. This summer, the company will remain under its one-week contract.
Most long-running dance shows—"So You Think You Can Dance," "Dance Moms"—are high on drama. AOL On's city.ballet., though, didn't need shock value to get viewers to tune in. That's one reason I'm excited to report that Sarah Jessica Parker's project is getting a second season.
Much of ballet's magic is the otherworldly presence dancers have when they step onstage—it's hard to imagine our favorite stars having lives outside the theater. But that's what makes documentaries like "The Dancer," a new short film by former Miami City Ballet dancer Ezra Hurwitz, so fascinating. During its six minutes, we follow New York City Ballet principal Gonzalo Garcia through his day. We meet his fuzzy cat inside his small NYC apartment, see his subway commute to Lincoln Center and even peek into the NYCB locker room.
This fall, visual artist JR's The Eye of New York City Ballet, a large-scale installation for the company's annual Art Series, took social media by storm. (Just search the Instagram hashtag #NYCBArtSeries if you don't believe me.) But will he have as much success making art for the stage?