If you call yourself a “bunhead”, you’ve seen the movieCenter Stage. It’s ballet's pop culture classic--and for some dancers outside of New York, it may be their first time seeing American Ballet Theatre principal Julie Kent.Since she appeared on the big screen as the famous Kathleen, Kent has become an icon of beauty, leaving us in a state of endless admiration.
An integral portion of Le Corsaire’s first act is the Odalisque pas de trois—a dance by three slave girls whom the audience knows little about. Choreographed to a grandiose score, the Odalisque variations act as an interlude in the ballet's larger plot. Their precise and petite steps cater to the meekness and femininity of the role. This recording from 1999 showcases Gillian Murphy taking this character to a new level as a recently promoted soloist for the American Ballet Theatre.
Before—though not long before—they were immortalized as Cooper Nielson and Kathleen Donahue (Center Stage, we'll never stop loving you), Ethan Stiefel and Julie Kent starred in the 1998 PBS broadcast of American Ballet Theatre's Le Corsaire. Corsaire's choreography may be as cheesy as they come, but what does that matter when you have two of the world's greatest dancers leading its cast?