Choreographer and New York City Ballet soloist Justin Peck must be one of the busiest guys in ballet: Somehow he's dancing full-time while also creating what seems like a never-ending string of imaginative new works. His latest for NYCB, Everywhere We Go, premieres May 8. It marks Peck's second time using music by indie darling (and talented classical composer) Sufjan Stevens, and his first time working collaboratively with Stevens on a score.
Is ballet's post-Balanchine choreography rut finally over? Roslyn Sulcas, a contributor to Pointe, argues today in The New York Times that it is. She points out that works by Christopher Wheeldon, Alexei Ratmansky and Wayne McGregor offer a completely new way of using the classical vocabulary.