A quintessential Bournonville piece, Flower Festival in Genzano was originally a one-act ballet choreographed in 1858 for the Royal Danish Ballet. Although the full ballet was inspired by an Alexandre Dumas tale, today only the pas de deux survives. Nevertheless, the charming love story is still apparent in this flirtatious duet, which includes an entrance, two variations and a coda.
Dancing peasants in traditional costumes often signal a Romantic ballet. However, they don't always consist of a three-act narrative. Divertissements are short ballets created to feature a dancer’s technical skill. August Bournonville choreographed many, including this folkloric interpretation of Gioachino Rossini’s opera William Tell. The dancers don't appear as characters, but rather perform to express the underlying joy in Rossini’s score. Darci Kistler masters this intention, seizing the stage with an unyielding connection to the music.