American Ballet Theatre

American Ballet Theatre and the Segerstrom Center--which have long worked together to present ABT, including some of the company's world premieres--are partnering to start a ballet school at Segerstrom's Costa Mesa campus. This news comes as part of the dance education windfall that L.A.

Published September 25, 2014
Sarah Lane and Daniil Simkin on rehearsing "Coppélia" more »

Whether you’re or not planning a wedding, make sure to check out the October/November issue of Brides magazine for a seriously dance-inspired photo spread. The models? Six American Ballet Theatre dancers, all of who were engaged at the time of the shoot last spring (five have since gotten hitched).

 

Misty Copeland's curtain call after her debut (photo courtesy American Ballet Theatre)

 

Misty Copeland will dance her Odette/Odile debut in American Ballet Theatre’s Swan Lake on Wednesday, September 3, during the company’s tour to Brisbane, Australia.

Roberto Bolle's gala "Roberto Bolle and Friends" had its annual performance today, in Verona, Italy. The performance featured an outstanding cast of dancers, including American Ballet Theatre's Hee Seo, Cory Stearns, Daniil Simkin and Julie Kent, Boston Ballet principal Eris Nezha, Stuttgart Ballet principals Alicia Amatriain and Jason Reilly, and ABT corps member, Skylar Brandt.

 

Almost every professional dancer has paid her dues in the corps de ballet. It can be the most rigorous years of a dancer’s life, requiring strength and endurance to function as the backbone of the company. In this video of American Ballet Theatre’s Giselle, we experience one of the most difficult moments in a corps dancer’s repertoire. The cast sets the scene for Act II, clouding the stage with ominous white tutus and broken hearts.

Last night, I saw American Ballet Theatre in Frederick Ashton's Cinderella, a ballet that entered the company's rep just this season. Of course, you're at the theater to see the magical story of Cinderella and her prince unfold. And what magic it was! Julie Kent played an endearing, doe-eyed Cinderella and Marcelo Gomes was princely, as always. But in Ashton's version, the evil stepsisters—men dressed to the nines in corsets and wigs—dare I say it, stole the show.

This week, the Australian Ballet's Kevin Jackson will make his debut with American Ballet Theatre, dancing the familiar role of Des Grieux in Sir Kenneth MacMillan's Manon. Mr. Jackson's performance marks only the second time that a dancer from the Australian Ballet has guested with American Ballet Theatre. With his ABT debut around the corner (you can catch him on June 4th and June 6th), Mr. Jackson spoke to Pointe about interpreting the role of Des Grieux, partnering Xiomara Reyes, and the modern significance of the story ballet.