All too often, those final rehearsals before a performance make it seem like everything's destined to go wrong on stage. Last night's episode of "Breaking Pointe" showed the Ballet West dancers succombing to that pre-show stress: They struggled with props, they wrestled with tempos, they let their anxiety throw them off.
We've all been there. Although there's obviously no such thing as "perfect" in ballet, it's still something every dancer strives for. And the nerves that pressure creates are ludicrous.
Remember how awesome pop-up books were as a kid? With each turn of the page, there was something new to pull out, to twist open, to discover.
Well, we've basically created a pop-up Pointe magazine—on your iPad. Throughout our digital edition you'll uncover extra photos, bonus videos and exclusive giveaways. Read about your favorite dancers and watch them perform all in the same place.
Good news for the ballet world: The Joffrey just added three new dancers to its roster for the 2012-13 season, bringing its total number of company members up to 45. South Carolina native Cara Marie Gary joins after dancing with ABT II and as an apprentice with Orlando Ballet, Guillaume Basso comes from Houston Ballet II and Yoshihisa Arai previously danced as a demi-soloist with Tulsa Ballet.
Most of this week’s Bunheads episode was spent following widow Michelle around town and wondering whether or not Fanny was serious about those Dalai Lama cocktail napkins for Hubbell’s memorial. But the show still managed to squeeze in some favorite ballet themes before the proverbial curtain came down.
Ever wonder what it would be like to take a Pilates class from Joe himself? Grueling. In 1962, Sports Illustrated took readers inside the Joseph H. Pilates Universal Gymnasium, and captured a great portrait of the exercise icon:
"Where are you going—like an elephant?"
"Oh, Joe," wails a ballerina, "now you're calling me an elephant."