The dog days of August may be hot and humid, but that doesn't mean your dancing has to suffer. In fact, a new study shows that working out in higher temperatures may even make you stronger! Check it out.
Any dancer who plans on auditioning for companies anytime soon should watch "A Chance to Dance." The new series on Ovation follows the affable British BalletBoyz Billy Trevitt and Michael Nunn as they audition dancers across the US in order to form a new troupe. The show gives an inside peek at their process, and what they're thinking as they decide which dancers to hire. Pointe asked the two directors a few questions about the project.
Sundays in Indiana just got a whole lot more interesting. Ballet greats will be flocking to the state over the next few months to participate in Indianapolis City Ballet’s Master Class series. SAB’s Darci Kistler, ABT’s Irina Dvorovenko and Maxim Beloserkovsky, JKO’s Franco De Vita, NYCB’s Wendy Whelan and Daniel Ulbricht, John Cranko School director Tadeusz Matacz—these are some legit “masters” offering technique class.
Pointe is accepting applications for fall interns (September-December). Internships are unpaid, and require a two-day-a-week, onsite commitment at the magazine's NYC offices. We do not accept high school students. To apply, please send a cover letter, updated resume, and two writing samples to Hanna Rubin, firstname.lastname@example.org.
The best "Bunheads" episodes—at least from the perspective of us bunheads—are the ones that involve lots of dancing. And the series' Nutcracker-themed summer finale episode last night certainly had plenty of dance, from Boo and Carl's sweet Fred-and-Ginger number to Michelle's fantastic Cabaret dream sequence (more of Sutton Foster doing what Sutton Foster does best, please!). Was most of the choreography a bit on the wacky side, as per "Bunheads" tradition?
Fall is almost here. What will you do this year to take your training to the next level? Smart dancers know they need to stay on the lookout for opportunities that will improve their artistry, whether it's a new competition, a mock-audition course or a master class in a technique they've never tried before.
The Ballet Boyz just might be Britain's coolest classical rebels. Former Royal Ballet dancers Michael Nunn and Billy Trevitt broke off from that company in 2000 to start their own thing, choreographing a ballet for the two of them and Sylvie Guillem, launching an all-male troupe called TALENT, producing Darcey Bussell's farewell, creating a documentary about Christopher Wheeldon's work at The Bolshoi, collaborating on films with choreographer Russell Mailphant. They're remixed ballet into a truly 21st-century art form.
When Angelin Preljocaj asked Bolshoi Ballet dancers to improvise while creating a joint ballet on that company and his two years ago, the room exploded. “They went crazy!” he told Scotsman reporter Kelly Apter, “and did things very differently from the dancers in this part of Europe, who are used to improvising.