There's a new dance movie in the works: Dave Scott, of the "So You Think You Can Dance" and Step Up families—is choreographing High Strung, a film about a ballet dancer from the Midwest who moves to New York City to attend a prestigious school on scholarship. Who will play that ballet dancer, you ask?
For the first time, Ballet Arizona is presenting the work of its own dancers. Between May 22 and June 1, the company will perform an evening of premieres choreographed by current BA dancers. The evening is the brain-child of Ballet Arizona director Ib Anderson who is letting his dancers loose in the studio.
AOL Originals first took us into New York City Ballet's Lincoln Center studios in city.ballet., and now Teen Vogue is doing the same—but this time, the camera is on the School of American Ballet. Strictly Ballet, which launched its first episode today, will follow students at various stages of their training, including dancers in their last year who are waiting to see if Peter Martins will hire them as NYCB apprentices. Episodes will be released regularly through the end of June.
When a ballet dancer hears Cesare Pugni’s familiar score, and sees a dancer holding a tambourine, she knows the imperishable variation from La Esmeralda will follow. One of the most recognizable pieces of choreography, it is often taught and performed to showcase a dancer's strength and technical ability. Esmeralda is one of a handful of ballet heroines to triumph at the end of her story—so pride and power are critical.
The New York Theatre Ballet has found a new home at St. Mark’s in-the-Bowery. The company, which has received much recognition from The New York Times’ Alastair Macaulay, is known for its unique programming and affordable ticket prices, and for staging ballets on a chamber scale.
Last September, the company was told to leave its home of thirty-four years, at the Madison Avenue Baptist Church on East 31st Street, because the building had been sold to developers.
Despite every ballet dancer’s perfectionist tendencies, there is no such thing as “perfect technique”. But in his audition tape for the Paris Opéra Ballet School, David Hallberg proves that it just may exist—and he’s only sixteen years old. In this video you will be awestruck within the first few seconds as his turnout and tendus take your breath away. Keep watching until the end, and you’ll see the same diligence and control progress from adagio to grand allegro. It’s clear that at sixteen he was serious about his career, and the efforts have paid off.