Walking may seem like the simplest moment you have on stage. But the way in which you take a step can reveal volumes about your character. In Pointe’s April/May issue, four dancers spoke with writer Joseph Carman about how they approach the walking and running in their signature roles. Here, Boston Ballet principal Erica Cornejo offers her take on Kitri’s steps.
Do you have difficulty remembering choreography? Try spraying on some rosemary oil before rehearsal. A recent study at the University of Northumbria at Newcastle in the UK found that smelling the scent of rosemary could help boost your memory. Researchers think this might be due to eucalyptol, a compound found in rosemary oil that evaporates into the air and can be absorbed as you breathe, and has been shown to play a part in memory formation when it reaches the brain.
What does it take to be a dancer with American Ballet Theatre? The company's dancers and staff tackled that question last night at the Guggenheim Museum's Works & Process program. “ABT dancers need to do it all,” said Kevin McKenzie in a video clip. “They need to have the ability to cross the borders of the stylistic demands of contemporary dance and ballet.”
You can always count on Youth America Grand Prix to bring in ballet's biggest names—and last night's YAGP gala in NYC was no exception. Teresa Reichlen? Viengsay Valdés? Dorothée Gilbert? Marcelo Gomes? Maria Kochetkova? Check, check, check, check and check.
The nominees for the 2013 Benois de la Danse Awards were announced today at a press conference in Moscow—and they include a former Pointe cover star, several exciting up-and-comers and many other big names. Here's the complete list:
CHOREOGRAPHERS Hans Van Manen – Variations for Two Couples, Benjamin Britten, Einojuhani Rautavaara, Stevan Kovács Tickmayer, Astor Piazolla. Dutch National Ballet. Justin Peck – Year of the Rabbit, Sufjan Stevens. New York City Ballet.
Few ballerinas are as adventurous as New York City Ballet’s Wendy Whelan. “I like to be the paint and the brush,” she says, “but just not the person holding the brush.” At the Guggenheim’s Works & Process this weekend, Whelan discussed and performed excerpts of "Restless Creature," a suite of duets created collaboratively with contemporary dancer-choreographers Kyle Abraham, Joshua Beamish, Brian Brooks and Alejandro Cerrudo.
I’ve always told myself that when my ankle swells, that's just my body attempting to heal itself. I'm not completely wrong: Inflammation—and the swelling, heat, pain and redness that comes with it—is our body’s first response to injury. However, sometimes this attempt to destroy the damaged tissue goes a little too far and our body starts attacking healthy tissue, too. That's where anti-inflammatory medications come in, preventing the negative consequences of inflammation. The only problem?
With its mix of gangsters, vaudeville and ballet, On Your Toes was the first major Broadway musical to incorporate classical dance—courtesy of George Balanchine. One of the 1936 show's numbers is the much-beloved Slaughter on Tenth Avenue, often performed by itself as a standalone ballet.