Huddling around the TV to watch the glitzy Times Square ball drop is a classic New Years' Eve moment. Let's kick off the celebration with a video of one of the most sparkly ballets out there—"Diamonds" from George Balanchine's Jewels. "To me, [the "Diamonds" finale] feels like fireworks," says Pacific Northwest Ballet principal Carla Körbes. "Like a celebration." I'll cheers to that!
From everyone at Pointe, best wishes as you move into 2014.
We all make those "to better health" resolutions at the turn of every year. But if taking vitamins is on your list, you might want to think twice. New studies published in Annals of Internal Medicine show that if you're eating a balanced diet, taking a daily multivitamin does not help prevent chronic health problems. There are some exceptions, of course, like people who have dietary restrictions or women who are pregnant.
On this day in 1869, the Imperial Bolshoi Theatre premiered Petipa's Don Quixote. There's no better way to celebrate the ballet's 144th birthday than with this video of Cynthia Harvey and Mikhail Baryshnikov performing itwith American Ballet Theatre in 1983. Enjoy!
It's just not the holidays until you've watched the classic 1977 film of American Ballet Theatre in The Nutcracker—not least because the production stars the extraordinary Mikhail Baryshnikov and Gelsey Kirkland. PBS used to air it every December, but that tradition came to an end several years ago. So we're upholding it here, with a couple of our favorite clips from the film. Enjoy, and happy holidays, everyone!
Can't get enough of city.ballet.? Every Monday, we post a new interview with a different cast member from the AOL On docu-series about New York CityBallet. For our final installment, we talk to principal Maria Kowroski.
When she was 5, Ashley Laracey danced as a party guest in Sarasota Ballet’s Nutcracker and was dazzled by the Sugarplum Fairy. “I knew that was what I wanted to do when I grew up,” the New York City Ballet soloist says. “It sealed the deal for me.” On December 22, Laracey will debut in the role in NYCB’s version. Pointe spoke with her recently about how she’s preparing for it.
Move over, Nutcracker. In December of 1957, New York City Ballet premiered George Balanchine's iconic black and white ballet, Agon, with Diana Adams and Arthur Mitchell dancing the leads. Below is a clip of the originals performing the work.
Why are peeks at ballet companies' shoe rooms always so intriguing? We all wear pointe shoes; we know what they look like. But a dancer's shoes—especially when, as at the Royal, they're customized to her specifications—are incredibly personal. In a way, visiting a shoe room is like peering into so many artists' souls.
Can't get enough of city.ballet.? Every Monday, we'll be posting a new interview with a different cast member from the AOL On docu-series about New York City Ballet. This week, we talk to principals Robert Fairchild and Tiler Peck.