Among the set, costuming and score of a ballet, movement becomes the most powerful form of expression—especially in romantic-era story ballets, which entertain and convey a plot without words. Thus, the most underrated skill of a professional dancer becomes crucial: miming. The subtlest gesture can convey heartbreak, joy and even the desires and frustrations of certain characters.
Whether you’re or not planning a wedding, make sure to check out the October/November issue of Brides magazine for a seriously dance-inspired photo spread. The models? Six American Ballet Theatre dancers, all of who were engaged at the time of the shoot last spring (five have since gotten hitched).
In June, Miami City Ballet partnered up with a new Fort Lauderdale-based magazine called Venice to produce a series of stunning underwater dance photos.
The images feature Miami City Ballet Dancers Emily Bromberg, Leigh-Ann Esty, Lexie Overholt, Ariel Rose and Chase Swatosh. Photographer George Kamper shot the dancers in the safety of a backyard pool, and then digitally combined them with images he took of shipwrecks off the coast of Florida.
Have you heard? The Australian Ballet, Bolshoi Ballet, Royal Ballet, San Francisco Ballet and National Ballet of Canada are teaming up for a truly epic day of behind-the-scenes access. October 1st is World Ballet Day.
As if Wendy Whelan’s imminent retirement wasn’t a hard enough pill to swallow, news that Pacific Northwest Ballet’s Carla Körbes will retire in June 2015 makes this an even sadder year for ballet.
Körbes started her career at New York City Ballet, before being hired as a soloist at PNB in 2005. In 2006 she was promoted to principal. Körbes has been lauded for her dancing in Balanchine ballets, and has originated roles in ballets by Peter Martins, Benjamin Millepied, Christopher Wheeldon and Twyla Tharp among others.