Blogs

If we saw Mikhail Baryshnikov dressed in a suit and chewing gum, we wouldn’t expect to be watching from the seats of a theater. But as he moves across the stage with his arms swaying in a confident swagger, he captures our attention as a different sort of character. As in many classical ballets, he and his partner, former American Ballet Theatre soloist Elaine Kudo, are telling a story. Except now, Baryshnikov is a foil to Princes Siegfried or Charmant—he almost cares less about his partner. But don’t be fooled!

From February 10–14, former American Ballet Theatre principal—and current BalletNext artistic director and founder—Michele Wiles will share the stage with Jay Donn, a street dance star specializing in the style of Flex and its sub-style, Punchlines. Their collaboration has resulted in Something Sampled, and is one of three pieces to be performed at BalletNext's spring season, Baroque'd, at New York Live Arts.

This summer, Open World Dance Foundation—an organization that provides unique programs and events to preserve the history and philosophy of Russian ballet training—is hosting a three-week summer intensive and teacher-training seminar in New York City.

If you're a ballet fan, you've probably already noticed the dance films created by fomer Miami City Ballet dancer Ezra Hurwitz.

As much fun as social media can be, you may also be familiar with the unpleasant side effects of constantly comparing yourself to others. Maybe a bunch of your dance friends posted photos from a performance you couldn't make it to, or your classmate got into the summer intensive you wanted and then boasted about it on Facebook.

We’ve all tried to find the best way to three-quarter pointe shoes. Now, Mary Carpenter, a professional fitter based in New York City, has launched DancewithmaryNYC, a YouTube channel dedicated to answering pointe shoe-related questions. Besides having over 20 years of pointe shoe fitting experience, Carpenter is also a ballet teacher, a Pilates mat instructor and a former dancer who worked with David Howard for 23 years.

 

Happy New Year, ballet lovers! As we plunge into audition season, 2015 will bring an abundance of new challenges and opportunities. It’s easy to get overwhelmed by our New Year’s resolutions, but what better way to keep us inspired than a throwback of Sylvie Guillem? In our dreams we have her feet, her legs and her forever-motivating extensions. No doubt, she has helped push expectations for ballet dancers to new heights. That’s why 2015 arrives with a sense of closure and sadness. After an over three-decade long career, Guillem will retire at the end of the year.