Jayme Thornton

Behind-the-Scenes with February/March Cover Star Betsy McBride

Pointe Magazine

February 7, 2018

Sweet and unassuming. Betsy McBride exudes warmth. After rising to principal at Texas Ballet Theatre by age 19, McBride headed north in 2015 to join American Ballet Theatre as a member of the corps de ballet. There she balances her corps duties with soloist roles including Sir Frederick Ashton’s Symphonic Variations, Swan Lake‘s cygnets and the lead gypsy in Don Quixote. McBride’s Texan charm and hardworking spirit shone through at our cover shoot.

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Profiles

Anais Bueno, wearing a mauve long-sleeved shirt and ballet skirt, lays on her stomach on a dance studio floor and props herself up on her elbows, her left hand under her chin. She lifts her legs behind her, crossing her feet, and smiles for the camera. To her right are the contents of her black dance bag, such as shoes, massage tools, and makeup bags, spread out onto the floor.

Career

Inside Anais Bueno’s Dance Bag

Amy Brandt

Abigail Brent stands onstage in sus-sous onstage. She holds her arms out to the side, bent at the elbows like a mechanical doll and kisses the air. She wears a red white and blue velvet jacket and short skirt, with a star-spangled cumberband, pink tights, pointe shoes and red crown. She also has red felt circles glued onto her cheeks. Young dancers sit on the floor and watch her dance.

Career

Washington Ballet Studio Company’s Abigail Brent Shares Her Typical Daily Routine

Linnea Swarting

Jonathan Klein holds Emily Hayes up in the air as she arches back, tucking her left leg into passé as she bends her right knee around his ribcage. She holds her hands close to her collarbone and looks out over her right shoulder. Hayes wears a long, blue polka-dotted dress with a large slit up the middle, a dark leotard underneath and pink pointe shoes. Klein wears a dark jacket and white tights.

Career

From Ballet to Business: Jonathan Klein and Emily Hayes Launch Their Own Skin Care Company

Kirsten Evans

Seth Orza performs in a tavern scene from the ballet Don Quizote. He jumps straight up, his right leg in passé back, and holds his right arm up and places his left hand on his left hip. He looks out over his left shoulder and smiles. Orza wears a white peasant blouse, short gray sleeveless vest, black cumberbund, red knickers and white tights and ballet slippers. A long table full of food is in the background, and other dancers sit and mill about. The set backdrop shows a Spanish city.

Career

How an Injury Led Seth Orza to Build a New Ballet Shoe and a Post-Performance Career

Marcie Sillman

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