Dancer Spotlight

Ballet West's Emily Adams on the Unlikely Inspiration Behind Her Activewear Line

Adams in Balanchine's "Rubies." Photo by Luke Isley, Courtesy Ballet West.

In 2015, Ballet West dancer Emily Adams was promoted to principal; the milestone achievement left her feeling inspired—but also a little unbalanced. "Through the daily intensity, I wasn't enjoying everything as much as I should have been," she says. To unwind, Adams turned to yoga classes, where she found a renewed sense of self-love and an unexpected business idea: an eco-friendly activewear line called State of Bodhi. At 30, Adams is now a community-minded entrepreneur as well as a principal dancer.

Sewing classes never factored into Adams' extracurricular activities while growing up. Instead, the Pennsylvania native took as many ballet classes as possible before settling into the School of American Ballet's advanced division.

via Instagram, @stateofbodhi


Adams joined Ballet West II at 18, and has been rising through the ranks steadily ever since. "I wasn't a shooting star," she says. But Adams thrived in everything from Balanchine to Sleeping Beauty to her own choreographic projects for the company's Innovations program. Along with performing a diverse repertoire, Adams gets to dance alongside her sister, corps member Paige Adams, and her husband, first soloist Beau Pearson.

It wasn't a fellow dancer, however, who gave her the idea for State of Bodhi. "I became really good friends with a lady
at my yoga studio," she says. Marcia Light, a 50-something Brazilian yogi (and now Adams' business partner), had the spontaneous thought that Adams would be a natural designer. One day, Light simply said, "You should design clothes." Twenty-four hours later, the two sat at Light's sewing machine and began with simple lessons and patternmaking.

With the help of a digital patternmaker in Salt Lake City and a Los Angeles factory, Adams' early creations have evolved into State of Bodhi's first 10-piece line. It has everything from a sports bra to harem pants to structurally intricate tops. "Activewear is so popular right now," says Adams. "[State of Bodhi] bridges the gap between looking underdressed and being comfortable."

via Instagram, @stateofbodhi

With preorders on stateofbodhi.com completely sold out, Adams will do her first production run in August to bulk up her inventory. When the business grows, Adams and Light hope to hire women in Salt Lake City to weave leftover fabric scraps into yoga rugs, donating the proceeds to local charities. "I already have a career I love," Adams says, "so this is an opportunity to do everything the right way."

Juggling a business and company life is no easy feat. When she's not performing, Adams spends her evenings fulfilling customer orders, sourcing fabric and coordinating the many elements it takes to run a business. Yet Adams finds that devoting herself to non–dance-related activities in her free time helps recharge her focus in the studio. After all, Adams says, "I haven't reached my peak. I have a lot left in me."

via Instagram, @stateofbodhi

New York City Ballet in Marc Chagall's costume designs for Balanchine's "Firebird."

I am a self-confessed costume nerd who really needs little persuasion to travel nearly 3,000 miles to see a costume exhibition—which is what I did when I set off for California for the new exhibition at Los Angeles County Museum of Art: Chagall: Fantasies for the StageChagall: Fantasies for the Stage. I knew Marc Chagall primarily for his sumptuous blue swirling paintings featuring violin-playing goats, his incredible ceiling at the Paris Opéra's Palais Garnier, and murals at the Metropolitan Opera House in New York City, so I was intrigued to see his work with ballet.

Marc Chagall (1887–1985), was born Moishe Zakharovich Shagal in Belarus. He later moved to St. Petersburg, Russia, to study art, apprenticing under famed Ballets Russes designer Leon Bakst. Chagall's work in ballet and opera, however, did not begin until he and his wife Bella arrived in the U.S. as World War II refugees in 1941.

Chagall: Fantasies for the Stage, adapted from an earlier exhibition at the Montreal Music of Art and curated by Yuval Sharon and Jason H. Thompson, is an exciting opportunity to see 41 costumes and nearly 100 designs. But it is the costumes that really steal the show. You won't see any tutus here, but instead amazing, almost cartoon-like realizations of Chagall's artwork. LACMA's exhibition runs through January 7, 2018. For those of you who can't make the trip like I did, here's a rundown of highlights.

Keep reading... Show less
Tiler Peck in "Who Cares?". Photo by Paul Kolnik, Courtesy NYCB.

New York City Ballet principal Tiler Peck and Emmy-winning actress Elisabeth Moss (of Mad Men and Handmaid's Tale fame) may seem like unlikely friends, until you dig a little deeper into their backgrounds. Both attended Westside School of Ballet in Santa Monica and spent summers at the School of American Ballet in their youths. Moss and Peck's career paths diverged when the former fell in love with acting and Peck went on to study at SAB full time, eventually becoming the star we know today. Now, the pairs' artistic pursuits are uniting in an exciting new project.

According to Deadline.com, Moss will produce a documentary featuring Peck and her work curating BalletNOW, last summer's star-studded, critically acclaimed program at Los Angeles's Dorothy Chandler Pavilion. Peck was the first woman to lead BalletNOW's programming, and she brought together dancers from companies including The Royal Ballet, Miami City Ballet, American Ballet Theatre and the Paris Opéra Ballet, putting them on stage with tappers, clowns and break dancers (sometimes simultaneously).


Keep reading... Show less

Looking for creative and healthy ways to get your pumpkin fix this fall? First, back away from the pumpkin-spiced latte—the season's unofficial drink is often laced with sugary syrup and comes with a complimentary mid-rehearsal crash. Instead, try these simple snacks with puréed pumpkin. It's high in beta-carotene, which converts to immunity-boosting vitamin A, and is a good source of vitamin K, iron and fiber. You can buy it canned or make the purée from a "sugar" or "pie" pumpkin (they're commonly available at grocery stores or farm markets).

Fruit-and-Spice Toast

- Spread purée onto whole-grain toast.

- Top with sliced pear.

- Add a dash of cinnamon.

Keep reading... Show less

When Maya Plisetskaya first toured abroad with the Bolshoi Ballet, she stunned the world. Her dramatic and technical abilities were far beyond what anyone outside the Soviet Union had seen before. She quickly became an icon, symbolizing Russian ballet.

Plisetskaya was the perfect ballerina to play the Tsar Maiden in The Little Humpbacked Horse when choreographer Alexander Radunsky and composer Rodion Shchedrin recreated the classic Russian folktale in the 1960s. This vintage clip of the ballet offers a glimpse into an era gone by. Although ballet technique has advanced since then, Plisetskaya's performance is still electrifying. She is daring and agile in her manèges and fouettés, while she shows gentle purity and authentic emotion in the pas de deux with the wide-eyed Ivan. Even half a century later, this magnificent artist continues to transfix us with her radiant presence onstage. Happy #ThrowbackThursday!


Pointe Stars
P.O. Alienz in Lavender Leotard; Paulina Waski modelling a Kreature Kulture t-shirt. Photos Courtesy Paulina Waski.

Walk into any ballet class and you're bound to see a row of dancers clad in leotards patterned with dainty flowers and lace. But nearly three years ago, American Ballet Theatre corps dancer Paulina Waski wore a very different kind of leotard to class—and her colleagues loved it. Now an average day at ABT includes any number of dancers in leotards featuring angry aliens, detached eyeballs and grinning monsters.

"My dad, John, is an artist, and he draws all these crazy creatures," Waski explains. "One year he did what he called his paper plate project; he drew a new creature onto a paper plate every single day for 365 days. I thought, 'he should put one on a leotard!' He screen printed one onto one of my old leotards himself, and when I wore it to class everyone was wowed." And so, Kreature Kulture was born.


Keep reading... Show less
Danny Rivera (left) is one of six students from San Juan who the Sarasota Cuban Ballet School is hoping to relocate so he can continue his training. Photo by Soho Images, Courtesy SCBS.


Many of us take our ballet training for granted. But for dancers living in Puerto Rico, which is still reeling from the devastating affects of last month's Hurricane Maria, pursuing a ballet career or simply taking class must now feel insurmountable. What do you do when Mother Nature not only destroys your dance studio, but your home and the majority of the city you live in? Priorities must shift to those of basic survival.

Now, the Sarasota Herald-Tribune reports that the Sarasota Cuban Ballet School is trying to help six Puerto Rican dancers resume their training. The students, whose studio in San Juan was badly damaged, had recently attended SCBS's summer intensive. School directors Ariel Serrano and Wilmian Hernandez have started a fundraising effort called "Sarasota And Puerto Rico Dance Together" to temporarily relocate the dancers. While they can easily offer them scholarships, Serrano and Hernandez must raise an additional $36,000 to provide housing, food and living expenses for one year. (SCBS has a dormitory for female students, but not for male students.)

Keep reading... Show less
Videos
Photo by Nisian Hughes

Transform your next black-and-white tutu look with these on-trend details like mesh cutouts and lace sleeves. And checkout the behind-the-scenes footage from our tutu shoot, below.

Keep reading... Show less

Sponsored

Videos

Sponsored

mailbox

Get Pointe Magazine in your inbox

Sponsored

Win It!